stewblack

Happy to agree with you there. You can't make bad music better by turning it up. But I was specifically talking of the phenomenon where something appears to sound different when actually it just feels different

I took it to mean that I am not hearing it but my brain presents it to me as if I was. Like a placebo isn't doing what my brain decides it is It's all a bit beyond me tbh

Almost certainly, but at the very least it implies that we 'hear' in ways we don't fully grasp

It's curious. When I sit on my vibrating love seat (home made version of the vibrating board thingy) and play with headphones I swear the sound of the bottom end becomes louder. Switch off the seat and the bass is thin and reedy, turn it on and it once more sounds rich and full. But here's the thing - I can't hear the seat when I'm wearing headphones. At all. So I'm feeling bass and my brain is telling me I'm hearing it. I don't understand the science at all, perhaps someone else can shed light.

I'm sure you'll be able to find a 400 dollar strap for it Jack.

I put 'intervals' in brackets with a question mark to indicate just this confusion.

If @Woodinblack gets it to Yeovil I can get it from there. Then we can sort out the M4 / M3 corridor.

🤔

Are you north of Taunton by any chance?

I can't ever decide between LTBR and Powerage, then I realise I don't have to! I can just like both.

Yes!

I'm not in Taunton but I'm in Somerset, if there's anything I can do to help just say the word.

Score! Well done you.

No argument from me at all. I was only sharing something I'd seen I thought might be of interest given the topic. I certainly wasn't suggesting that would be appropriate down the proverbial Dog and Duck! I wonder, has anyone actually played a pub called the Dog And Duck?

I think I get it. I was definitely confused about the term interval. But my first question is answered. The E is always the 3rd regardless of whether it is high or lower than the root note. Thank you. (assuming the key is C)

I was listening to Let There Be Rock and it occurred to me that it is one of the rarest of things. The perfect album. Each successive track sounded like the best song on the album. So I contacted a guy I know who plays like Angus and sings like Bon and said how about it? I have recruited an unfussy drummer and a guitarist who is strictly rhythm - he doesn't want to make it cry or sing. We're learning (separately) all of LTBR and Powerage (the high points in their career for me) and are going to put on a gig when the bug passes. Just for fun, like.

No work for me at present so playing with different rigs as I plod on trying to learn new tricks. This compact but fierce little rig is an Elf on a 2x8 on a 1x12. Light, bijoux and loud.

Great idea for a song. You hum it.....

Bravo, well said.

Also the sound engineer didn't seem in the least bit concerned, quite happy to baffle the cab. Don't recall any audience member leaving upset after seeing them live either. Strange how cross some people get just because the rest of the world chooses to do things differently from them.

This is what I need to know. I am studying a Jamerson score and annotating the notes. So say he starts with R(oot) O(ctave) R 3rd 5th R. All is well, but then he plays that E and G below the root C and I am blithely still calling them 3rd and 5th but I don't know if I should be.

So blooming annoying to have to use flipping words which don't give our dratted posts the emotional force they jolly well need.

Played the first exercise and felt rather smug. This time last year I'd have been working out what the notes were and writing their names under them in pencil. Today I breezed through. On to number two. It's going to sound good once I get above 20bpm!! Damn that timing is tricky 🤦🏼‍♂️

But seriously folks.. I'm pretty sure that in the key of C the 3rd is an E, and when flattened a bit becomes E flat. However I may have explained myself badly in my first post. EDIT I am a dufus. I meant 3rd not 7th. Soz.