We need to get a Basschat syndicate going. Four of us put in, buy a bass and keep it 3 months of the year each. Draw lots for who goes first.
All the guilt of buying too many dissolves away into nothing.
Considering I used all 5 pedals all on all the time, whereas in 'real life' I'd only have 1 always on, and 1 often on, I'm saying that, for me at least, the Harley at £32 is totally silent, mess free, slim and packs plenty of power for any gig I'm likely to play. I'm approaching 5 hours now and powering down.
Didn't need two really but hey ho.
I am not buying any sort of Helix, oh no, that is literally out of the question. Don't need, can't afford totally happy with my three effects boards, and anyway lost most of my work.
Now that's cleared up, say some other fictitious (not me) person were to be looking, are we any the wiser on the differences between the Line 6 Helix HX Effects and the Line 6 POD GO?
Seeing as they are both the same price but appear different in some ways. If a young bass player were to ask me, what would I tell her (or him)?
This is a wonderful bit of kit. Get to it you heathens, join the righteous choir in the church of @KiOgon
Cast aside your old knobs and embrace the future.
Hi everyone I'm back. Just bought a clickable tone knob from John. It's a work of art a service was sooo quick.
Buy buy buy folks, don't get left behind.
I am a complete tart and happy to admit it. I bought this 100% on its looks. If it was a dog it would been worth it to look at. It's a kind of charcoal grey/black. In the flesh it's sexy as Diane Keen playing lingerie judo with Susannah York.
Oh and I know I said I loved it straight out of the box but what can't be improved by the addition of a @KiOgontone switch?
You do know that when God made pickguard He called them scratchplates and He made them red tort, right?
I'm not saying all other colours are heresy, but they're pretty damn close.
Can we learn from a guitarist? Hell yeah. Especially when it's a rhythm guitarist, and especially when it's Cory Wong.
The thing that leapt out at me is that Cory isn't a 'born genius'. He is as good as he is because he works. Hard Every day. And not just mindlessly repeating shapes. He mixes musicality into his warm ups. All of this works for us on bass too. Check it out.