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stewblack

⭐Supporting Member⭐
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Everything posted by stewblack

  1. Just learned Midnight Hour, now trying to sing bvs while playing The Night
  2. I have sent you a message.
  3. Maple boards always look anaemic, wishy washy and insubstantial at the best of times. With the matching headstock they fade into nothingness.
  4. Sorry folks, plugged this in last night and realised how good it is. Twenty quid just wouldn't compensate for letting it go. The Joyo Sweet Baby, a lovely little pedal at a lovely little price. It's a low gain distortion so you get quite a lot of scope for subtle dirt - rather than ear splitting, teeth grinding, howl around noise or nothing. So if you just want a bit of hair on it, and don't want to break the bank, bung me 20 quid and it's yours. Small and light so 23 quid posted.
  5. Now Sold The baby of the family. I just got a Mini Q tron so one has to go. I reckon this is more desirable as its the smaller of the two. So it can be yours for 45 quid or 49 posted. What do you say?
  6. All gone folks SOLD What they say; "CP-75 Overdrive is inspired by the legendary TS808 tube screamer, popular with blues rock and metal guitarist the world over. This is a classic sounding overdrive with a wide mixture of clean to soft warm overdrive tones while also producing a soft distortion without losing the fullness in of your tone." What I say; Yours, posted for thirty quid.
  7. Picked up in a trade, but need cash so here it is. It's a great pedal, incredible flexible especially when connected to the free software. Effectively three programmable distortions in one pedal, and all cam be edited on the fly as well. £95 posted £90 face to face. Non original box.
  8. I tried discussing this on a different thread but I didn't express myself very well. I entirely agree that any music has merit and we can appreciate and learn from any musician. However, as music lovers, and people for whom music can provoke a powerful, passionate response, I firmly believe it is much more difficult to truly appreciate the work of a bass player if the music he is a part of is so far from what you enjoy. If I can't stand a song I will necessarily struggle to enjoy any part of it. Maybe in isolation the bass part may be wonderful, but bass is a complimentary instrument, it doesn't work on its own. So to listen to it in context while grinding my teeth and with clenched fists, it would be so much harder to appreciate.
  9. That is gorgeous!
  10. Come on folks, please don't make me use ebay
  11. Damn. If the stuff I have up for sale here and there had gone I'd have definitely bought the valve version at that price. Love the MOSFET version. Can't say for sure you'll like it, that's down to personal taste, but I can say I'll be surprised if you don't.
  12. Rage
  13. Oh gosh. Oh goodness me.
  14. I couldn't assemble yours. That 4 10 would destroy me
  15. I'm concerned that as I get older I might become less adventurous, more (small c) conservative, and happy to settle for tame little rigs. So I'm working on this three amp, three cab set up. Not only is it enormous fun, but actually sounds fabulous. I think of it as the Big Man Ting, Jamaican slang for no joke, which this rig certainly is. BMT also refers to Bass Middle Top which loosely is how it works. Trace head into 1X15 with eq pushing 60 and 100hz. BX4500 into 2x10 with tweeter bass cut mid boosted. TCE BG250 into 1X10 with horn bass cut to the bone treble and mids pushed. I shall be using three different effects set ups too but not finalised what will go where yet. I suspect I'll dirty up the top and use HPF on top and mid. Envelope and distortions on mid only to preserve the bottom end - that kind of thing.
  16. 🤦🏼‍♂️
  17. It's painstakingly researched, written with a light easy flowing prose, full of fascinating facts and manages to place the reader in another time and place. I love it.
  18. I shall remove the pups and gave a poke around but I think it may be.
  19. Yep, this is an excellent recommendation with which I heartily concur
  20. I have to say 'you gets what you pays for' seems to me a dubious proposition at best. The implication that the more you spend the better the quality you receive seldom if ever holds true. Especially in an area of such rampant subjectivity. What I value may be irrelevant to you and vice versa. A piece of kit delivering precisely what I want is better than one which does not. Regardless of what I paid. Reliability? I have literally never spent anything on my Behringer or Bugera amps. Had one since my kids were small. In the same time period I've had Trace, Ampeg, Eden, Markbass, Ashdown all need serious money and time spending on them. I got rid of my Stingray because I straight up didn't like it. But my Harley Benton sounds amazing. To me. Can't measure any of this of course. There may be something only expensive gear can do and that may be the thing somebody needs/wants above all else. If so, yes you need to spend the money. When I toss up between my old patched together Trace box loaded with a speaker from a Behringer cab and my Barefaced, it comes down to the ease of the load in. The weight is the only factor, not sound, reliability, headroom, price, none of it
  21. Welcome @Fractalman, good to have another Basschatter with a BA postcode on board. Sign up for the South West Bass Bash, it's a great day out and you'll meet some fine bass players - and one or two half decent people too. Almost guaranteed to meet someone who can help with that truss rod as well!
  22. To be fair back in the day, my whole band prepared like this. Only once did I actually lose control of my fingers. Not proud of it and took years to become used to playing sober when I finally got clean. My prep now at least doesn't include so many bottles.
  23. I believe the 5"
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