stewblack

Did my wedding dep gig last night. Beautiful location in Wiltshire with views of the rolling hills of somewhere or other outside the open sided marquee. It was the one with monitoring replaced by earphones and a click track. Playing wise I got away with it. 40 odd songs, most of which I didn't know, so happy with that. Playing without proper monitoring is never going to be my bag. No one can hear anything anyone says so the band retreat into their shells and don't communicate with one another. The click was buried in the mix so I basically didn't use it. Didn't have time to learn the app so couldn't adjust it myself. Still, nice people to work with and they seemed happy with what I did. The unscripted, unexpected version of Bohemian Rhapsody at the end of the evening is probably best forgotten. Not a song to busk.

And the thread trajectory is complete!

This is what I'll be doing. It's a definite help to a short notice dep.

Sorry I gave that impression. I actually posted positives as well as negatives and merely wanted to start a conversation on the subject.

Cool, thanks man. I'm absolutely fine working with the click tracks provided as I believe it will be helpful to me depping as I am at short notice. I simply thought it might provide interesting meat for a BC discussion.

No idea

Interesting. I don't know if they employ such tactics or not. I was referring more to the way a metronome sucks life from individual playing and how the set structures of the songs can't be varied on the fly to suit the audience. In other words if they're all up dancing you can't just keep the song rolling. You lose the improvised moments of magic that elevate a performance.

It's a wedding set. With some medleys. Pretty standard fare but just not all stuff I'm familiar with

A new experience coming up for this old dog at the weekend. Depping for a band whose entire set is pumped into their brains from a backing track, via earphones. They use a metronome, some chords, and verbal cues throughout the songs. I can imagine certain advantages. The tempo, or speed, of each song is set, not dependent upon the vagaries and mood of a drummer. Less chance of getting lost mid song. But I wonder how lifeless and robotic the performance might be, how utterly unresponsive to the audience, how entirely lacking in spontaneity. However, it's not something I ever propose to inflict on my regular bands, and if it helps me as a dep not to get lost (I don't know many of the tunes) then it's all to the good.

It happens. As long as it doesn't get to you.

I've loved hats since I was knee high to a garden gate and would happily wear a tea cosy if it was the only headgear available. People with anti hat prejudice project their own character defects onto those sensible enough to wear them.

@Bluewine hat looks well cool. But then you always look cool. Last night for me was a private party with the Bandeoke band. Different line up with drummer and guitarist I hadn't met before, lovely setting, lovely people. The wheels only fell off a couple of times but as ever we got through. Only problem for me was the amp going phut in the soundcheck. I always carry my trusty Elf in the gig bag so it didn't affect the show.

Yep. The older ones I have do this.

Yes I thought that. Also incredibly powerful. I have two of the older slim HB battery packs and they're nowhere near as powerful but run a board happily for 3 - 4 hours

Bass The World showed off a pedal recently, a sweet sounding low gain overdrive. I dug around a bit and found three pedals I hadn't seen before. A bass preamp, bass compressor and the OD mentioned. Now I happen to rate Joyo and I'd love to try these but can't find them anywhere beyond those iffy Chinese sites. Anyone got any inside information?

Played a Bandeoke last night. Second of what I hope will be a long term residency. However not too many turned up so the jury is out.

Thomann just announced a new HB rechargeable power pack. Great spec too... https://www.thomann.de/gb/harley_benton_powerplant_powerbank_mk2.htm

Amp: Ashdown CTM100. Why? I like to lean into it and smell the nostalgia.

It's almost certainly a faulty unit. The price of gear is pretty much irrelevant where quality is concerned

Actually I just checked a bunch of reviews and there is no mention of noise nor anything audible on the demos so I'd definitely change it

Thanks for the review. As far as the noise floor goes it might be worth getting them to exchange as you may have a faulty unit. I'm not in the least bit surprised it's as good as you say. HB products tend to make a nonsense of the "you get what you pay for" cliché.

Headlined a 'sausage n cider' festival last night. Judging by the condition of the audience the emphasis throughout the day had been decidedly less sausage and considerably more cider. But they enjoyed themselves, danced and cheered, and generally had a good time. The highlight of the evening was that rarest, most precious thing, a member of the audience who actually understood music in all its subtlety and all of its majesty. She stood open mouthed in appreciation of my supreme bass playing skills, and at the end of the song announced that I was 'carrying the whole band'. A fact I had previously considered blindingly self evident and yet one that had always gone curiously unrecognised. After one particularly superb bass fill she told the singer that the entire room now needed a pregnancy test, such was the filth with which it was imbued. Probably the greatest compliment I've ever been paid. Where was this creature come evening's end, I hear you cry? How did she show her appreciation for my hypnotic musical skill? A gentleman never tells...