stewblack

YAY!

Anyone found a good hack for microphone stands?

They're both centre neg, I use them with power supplies all the time.

https://www.basschat.co.uk/topic/232358-fdeck-clone-made-in-uk/

Weird thing. I tried swapping out my Boss Synth pedal for the Digitech Ricochet and the power block shut itself down. I've added up the amps from all the pedals combined and it is comfortably below 2A. So why does it particularly dislike this one pedal?

I love this kind of thing! I've been using suitcases from charity shops for a while now. My favourite is styled like an oversized school satchel and holds a square pedal board perfectly. Into the flap/pocket on the front I slid some big airwrap packaging so my pedals are protected from bumps. My most recent purchase came from Lidl middle aisle. It's a four socket extension lead designed with Christmas light enthusiasts in mind. Instead of one block of four sockets these are daisy chained a metre or so apart. Now when rocking up at awkward pub venues with only one bloody socket instead of plugging in a 4 gang which everyone else must then try to get to, I can lay out my lidl lead and sockets can be found at easy to access intervals.

I've been running 8 pedals with it since 5.30 this evening. About an hour and a half ago the battery indicator began to suggest it was running low but it's still going and it's just past 10pm. Good enough for me. I don't tend to do many gigs longer than 4 1/2 hours! A wireless pedal board is a wonderful thing. Tidy and easily portable. I'm a convert.

I need a different synth pedal. Had this one nearly 3 weeks now!

*switches to incognito browsing*

*begins feverishly searching Double Muff*

Idly wondering if my distortion pedal habit isn't a little out of control - especially given the nature of the bands I play for - and realised I'm actively trying to find a Big Muff Deluxe purely because Tony Levin said so. I already have Joyo Sweet Baby, Ammoon American Sound, Caline Overdrive and MXR Bass Fuzz. I recently moved on my Mark Bass Distorsore. Reasonably modest number you say? But then if you add in the available distortion/overdrive and fuzz on my three different Zoom pedals (probably a dozen or so on each plus the amp sims most of which can be driven via increased gain) then it begins to look like Overkill.

The moderators are certainly a cut above the average,

I don't know many online fora nor real life meetings where the membership remains unchanged to be fair. Since I returned some regular posters have faded and some who were once mainstays barely pop in. On the other hand there are still many kind, thoughtful people here. Just stay away from the off topic threads. Nothing worse than discovering that lovely bloke who leant you a bass or sold you a pedal you'd been searching for is a nazi.

Goodness no. Me neither *ahem*

In a life often marred by a series of unlikely yet avoidable fork ups I still manage to surprise myself. I spent many days labouring on this tune, teaching myself both to transcribe a bass line and to operate new and complicated software as I went along. Then last night I sat down to attempt to actually play it, and guess what. I have not been working on the bassline to The Night by Frankie Valli but rather on some Youtube guy's bass cover of The Night by Frankie Valli. It's a great line, and the experience was invaluable. But it isn't the original. Face. Palm.

I'm at the design stage of a big board, a few sketches and ideas for methods and materials - no more. Interim board for gigging while the build takes shape: Valeton does a good OC2 impression but there is a volume drop hence mini GEQ close by so I can stomp both simultaneously. MS-60B does HPF duty and the odd bit of chorus, flanger and such. Two distortions, Caline pretty much always on to grubby up the sound and help the Bassballs shine. The MXR for when stuff gets nasty towards the end of the set.

Saw an interview with Pete Townsend who said one of the Who reunion tours was organised purely to bail Entwhistle out. Lots of very expensive habits, not great with money.

Blushes

Compressor, Octaver, Distortion, Envelope, Chorus, is I think what I would go for, but I might need to sacrifice the compressor for a second distortion. One low gain one high. I'd power it with my little recheargable battery gizmo I think. Impressed with those including a tuner or coming in under the five. You show restraint the like of which I can only dream about.

The board isn't important It's a plank of wood with carpet stapled to it so don't worry about that.

Ooh ooh, and of course which patch cables and most importantly effect chain!

Fantasy board time - within strict limits! I was looking at those little pedal strips, you know the Valeton Dapper that Tech 21 ripped off with their so called Sansamp Fly Rig. Got me thinking. If you could have just 5 pedals, in a row on a small board what would you choose? And how would you power it? Thinking initially just type of pedals (at the moment I'd probably have 5 different distortions, a month or so back it would have been 5 envelope filters) but if you have brands in mind too then have at it. Only five, no multi effects, all stomp boxes. Go for it.

Well, I wasn't being serious.