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stewblack

⭐Supporting Member⭐
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Everything posted by stewblack

  1. I have one up the spout ready to pull the trigger...
  2. ZOOM B3: Squeak into A-Filter into detune Looks like this Patch here Ma SYN 06.b3p
  3. Thank you, I shall add them to the list!
  4. Yes mate. In case anyone doesn't use the software they can dial them in manually
  5. And one more then I must walk the dogs ZOOM B3, OD into Chorus into ZTRON Looks like this Patch here Ma SYN 02 .b3p
  6. This topic looks like a lot of fun. Here is my first go. ZOOM B3, Phased Distortion into Mono Pitch into AutoWah Zoom B3 patch looks like this Patch here Ma SYN 01 .b3p
  7. Fastest deal I've ever been involved in. Done. Thank you Basschat. 💓
  8. Research? Not sure if I would dignify what I do as research, but if I'm considering a pedal I'll watch some YouTube videos to listen to it and to the review. if it's a bass then my 'research' goes as far as is it pretty? if it's an amp, beyond the obvious, I need to know weight and width, oh, and is it pretty?
  9. OK so I messed up. The TC pedal is 15 quid more than the Valeton, so this is a bargain trade for someone.
  10. I am involved in a long and winding search for an elusive octave sound. It is probably that synthy, bouncy sound the OC-2 is famous for. I have reached the TC Subnup which is a fine pedal with poly and mono options and of course the Toneprint setting which allows much variation. But it doesn't quite do that thing, the thing I'm after. I noticed the Valeton OC-10 is the same price as the Subnup and I haven't tried it yet. Anyone want a trade?
  11. First board all ebs pedals in a lovely case. Bought ready assembled using insurance money after having my gig box nicked. Sold after very little time, just overwhelmed by the possibilities, unable to see the wood for the trees and unwilling to put the time in to learn. Bought a camera with the cash, camera long since obsolete and virtually worthless. No pedals for the longest time. Now utterly hooked. Home use at present but have tried a couple of gigs with different set ups. Discovering the importance of pedal chain ordering at the moment.. currently have three boards, two full.
  12. While you're at Thomann look at this baby https://www.thomann.de/gb/harley_benton_powerplant_iso_2_pro.htm Very good YouTube reviewer who has exposed other HB power supplies for being mere daisy chains in a box assures us this really is an isolated supply.
  13. http://freebasspart.pv24.pagesperso-orange.fr/Aretha_Franklin.htm
  14. (still have never heard Yes beyond the odd single maybe? Did they do something with someone else once? I don't know. But I'd be happy to take a recommendation from someone.)
  15. You raise a really interesting point (and thanks for sharing the article) about Foxton. I loved his bass playing and my mates often told me I was trying to be like him. All except this one friend who said my style was more like Chris Squire's than any other bass player. What confused me is I didn't listen to Yes, didn't know anything about him. However BF and JJB influenced me hugely so it makes perfect sense that I was channelling him through them.
  16. I posted on another thread on this very topic only recently. I was a budding guitarist, or so I thought. I just couldn't make the thing do what I thought it ought to. Then I bought Peaches by the Stranglers. JJ Burnel's clattering, cataclysmic bass riff sent me wide eyed in wonder. I picked it out on the guitar, the first thing I ever worked out for myself and from that moment the die was cast. I realised it was bass that called to me not the guitar. I've never looked back.
  17. Or Triggers Broom as it has become known
  18. I didn't take offence. I thought you raised an interesting philosophical point. 😉
  19. Funnily enough I've just bought a Joyo/HB/Ammoon American Sound pedal to achieve a similar result as that the OP is after. I'll let you all know. As to tube/distortion helping clarify the sound - yes absolutely in my limited experience it does. I wound up the Grind setting on my ABM (basically controls the valve in the pre amp) at the weekend in desperation having tried everything else (playing to a field, no PA support with a flappy cab - more about this elsewhere!) my sound was not great and certainly not cutting through. I was stunned what a difference it made. Compressed the sound somewhat, and cut like a hot knife through melted butter. Didn't sound particularly distorted either, strangely enough,
  20. This thread has sent me on a wonderful musical trip down memory lane. My Sunday evening soundtrack:
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