It is in truth an indulgence of ours to worry about such niceties. As long as folk feel the bass they appear quite content to focus on the singer - until the guitarist begins screeching and howling then he or she receives their 30 seconds of adulation. I set my sound how I like it because almost nobody else gives a hoot. And yes that means the gorgeous warm richness of a mid scoop. For one cab. The other, driven by its own amp, delivers as much or little of the mid range frequencies as I see fit to give myself. But really, how often do I get chance to listen to the bass in the mix? Hardly ever, I'm too busy setting up the PA for everyone else.
I've played through broken equipment and received the same compliments and indifference as when using brand new shiny gear. People do seem to notice flashy lights, extreme audio effects, and size, not much else.