stewblack

One of my bands has lost their regular dep. The gig is in Oxford at the Tap Social. I can supply chord charts, it's easy fun original stuff with a few covers. If you can help please let me know.

I have to say it's people like you @Quatschmacher keep me trying with this pedal. I've accepted I'll probably never learn to programme it myself but the work you put in and share so freely with the community gives me seemingly endless patches to keep trying until I find some I can use. Thank you

Is there a way to donate? This is heart rending

Just bought a pedal from Joe. A completely painless transaction, excellent communication throughout. More than happy to recommend this most excellent Basschatter 👍

Oh God already thinking of the food

Harley Benton every time. I'm getting one that's built into the board itself, it replaces one of the bars of the pedal board. Amazing piece of kit

That is amazing. Thank you for sharing. I shall be sending some of my hard earned his way

I've been casting lustful eyes at their phaser and octave pedals too. No clue what they're based on but they look nice. How a pedal looks of course contributes 50% of the GAS

Most 60s music seemed horribly old fashioned to me, that has changed dramatically. The main change though has been that I can enjoy whatever I'm asked to play. I used to be so precious about what I could or couldn't be seen to play. Now, if you pay me I'll play it, and probably enjoy doing so.

A short break in that part of the world combined with a bass bash sounds lovely to

Depending on which part of Wales I'd be interested in this. Sunday being the better of the weekend days

This was my thought too. Wonderful little cabs

Nope.

Top L to R : Fender Bubbler, Behringer Ultra Bass, Ampeg Liquifier. Bottom L to R : Joyo Future, Mooer Pitchbox, Mr Black Double, Zoom MS60B.

Just a bit of fun to satisfy my curiosity, and only a bedroom test, so hardly conclusive. However I was surprised by the results. I looped an 8 bar phrase, and set each pedal to what I thought showed it to its best advantage. Then switched back and forth between pedals. I whittled the Zoom MS60B down to its best 4 choruses then treated each as an individual pedal. And the Bass Chorus on the Zoom was, simply, the richest, warmest, chorusiest of them all. Second place the Joyo, and then the CE-Cho5 again on the Zoom, followed by the Ampeg. The rest were much if a muchness. Except for the Fender Bubbler which appears to be broken . So a win for Zoom.

I felt like I had a breakthrough with my Poly Blue last night. I used it on several songs, adjusting on the fly each time, and the sound was astonishing. The combination of phase, octaves and the 'mono' button produced a quite remarkable sound. Is this an octave pedal? Or is it a multi effects pedal? I used it to thicken the sound of one song played higher up the fretboard - a song which didn't need that synthy sound - for a disco synth sound, for a huge funky semi synth, which, combined with an envelope filter was wonderful. Truly my favourite pedal.