neepheid

I don't think it's an accident that Cream LPs were in amongst the parental vinyl and I consider Jack Bruce to be one of my influences/reasons I started playing bass in the first place...

While I've owned many in the past, I've really gravitated away from 2 pickup basses these days to the point where only 2 out of my 8 have this configuration. I've come to the conclusion that I'm a lazy dullard - just give me one good pickup in the central position and I'm as happy as a pig in the proverbial. Not a big fan of bridge pickup sounds at all, be they humbucker or single coil. Current HH basses are my Epiphone Les Paul Standard (which wears 2x DiMarzio X2N-B pickups these days) and my Epiphone Korina Explorer. The bridge pickup on that is very useful as a thumbrest because that's where my hand naturally falls given the geometry of the situation, so at least I'm getting some use out of it... Having said all that, I cannot explain my fascination with 3 pickup basses, sorry

Necks can be specced when ordering new from a selection, not quite custom shop level of customisation, but still, they cover the main areas, a J like, a P like and a middle kinda one. Second hand, I guess you'd have to wait for the right one to come along!

Same here. Shame I don't like SIT strings - too rough for my tastes.

Last night was playing with Nine Lives at the Black Dog in Bridge of Don, Aberdeen. Usually this has been a bit of a damp squib of a gig with very low attendances (like single figures) but things were a bit better last night, double figures (!) like maybe 20 at peak. Just as well there were a few folk there who were well into it, they count double - up dancing for most songs, a few "FK YEAH"s after some songs, it all helps! Playing with a borrowed head (thanks to a local fellow bass player I've known for many years for stepping in and bailing me out after my amp died at rehearsal on Wednesday) and a single Markbass NY121 cab, it was surprisingly punchy! Using the Wunkay in OMG mode all night probably helped also... More fun tonight at Wilsons, slap bang in the centre of Aberdeen. Usually a great night there, looking forward to it.

Heh, no, it's a friendly gathering of bassists, a show and tell, an opportunity to ogle and play lots of cool basses...

Oh well, the sad but inevitable end is here. A couple of nights ago (at a rehearsal, thankfully not a gig) my RedSub BT5110, which has given me 11 years 8 months of loud fun, has finally broken down. Turned up beyond about half way it starts outputting a very loud, repetitive thump through the speakers, like maybe 4/5 times a second. For a couple of months now it had been getting cranky and overly warm, headphone output stopped working, cut out one time at the end of an (admittedly stupidly hot) gig. Gutted, but it's been a lot of fun for £300. Owes me absolutely nothing. I might look into getting it repaired, but I think I'll be taking this opportunity to refresh my amplification. Needs have changed - the removable head/combo thing I haven't really used for a long time now so I'm not tied to the idea - another cab and a small but powerful head is where I'm thinking of heading. Raise a glass to the RedSub BT5110 - the "Ricky Hatton of bass amps" (quoting some review I read) is dead. RIP.

Nope. The disease that has infected SBMM prices is organisation-wide, it would seem...

Inflation's a myth, right?

£300 for a regular gig.

Enjoy the view from the lofty plateau you have built for yourself? (genuine, not meant as sarcasm).

Eh, it's how it's going to look when it's tuned/just come out of the gigbag...

Definitely - a bass over here from the states for £50, tae me!

It is when you're spending £39 on three knobs...

Seems unneccessarily difficult at best and downright argumentative at worst. Not keen on hearing them try to dissuade you from learning to read proper notation if that's what you want to do. No spare bass amp? It's just lessons, a 30W combo would be enough. 5 guitar amps and 1 bass amp, I think that in itself suggests that bass is an afterthought for this guy. I hear alarm bells ringing, but maybe I'm being paranoid.

I was built for comfort, not speed...

Hard no on Dakota, and up here, Caledonia. I already know I'm in Scotland and I know that I miss it when I'm not there, don't need that reinforced in trite, overplayed music, thx.

Amen to that. There are some cornerstones you can't avoid, but we also try to include some less obvious numbers (for instance, when it comes to Feeder, we don't do Buck Rogers, we do Just A Day). When it comes to Green Day, while we do the obvious numbers you mention, we also do Minority sometimes and have floated the idea of doing Holiday. If we notice any that don't get a good reaction (and Minority's coat is on a shoogly peg in this regard) then they get binned.

As a Reverend owner, I see these and I can't help thinking that someone described the Reverend body shape over the phone to someone and this is the result. There's something... off about them that probably wouldn't occur to someone unfamiliar with Reverend basses, but I think would drive me batty. I'm sure they're good basses. Aren't all but the absolute cheapest of cheap basses "good" these days?

You'd better put photos up now!

Although I'm not set on Fender/Squier Precision basses (the G&L Tribute LB-100 is about as close as you're going to get me to a traditional P bass, but the black and gold 40th Anniversary Squier P basses nearly hooked me in!), the fact that half my basses are single pickup, passive instruments probably means something Precision-y (as does my general dislike of bridge pickups where present). The sub fact that I take the LB-100 to the gig when I'm not sure how it's going to go and don't want to have to think about whether or not I've brought the right bass to the gig is probably a Precision-y thing to do also. I have always favoured chunky necks, and these days I'm all passive. It's a slippery slope into a P bass old age, innit? Also, cheap basses rule these days - IMO the quality gap between the lower end and higher end of the price range has never been smaller and it makes it harder for MIA instruments to justify their existence beyond the logo. If G&L made a Tribute wunkay, you can safely bet I'd have bought that instead of MIA.

I hear that. Imposter syndrome out the wazoo from time to time.

Well, they effed that up then, because here you are telling lots of bass players how bloody rude they've been. Idiot(s).

It's the lack of half-assed pickguard that makes this one look a lot better and more akin to the old school BB look. Much better IMO. More of this please, Yamaha.

I don't know what they'd be - maybe email EBMM directly to find out the ones you need? You're not asking them to send you anything other than the information...