neepheid

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[quote name='Twincam' timestamp='1484790471' post='3218527'] Why are they putting those thunderbird style pickups on [b]everything[/b]. They belong on a tbird I bet they are even in a similar space. I honestly wish some manufactures would give a little more variety from one bass to the other in terms of tone. [/quote] Yeah, because these are going to sound exactly like a Jack Casady, an Allen Woody or one of those "Tobias" Toby models - no variety there then

Actually, you know something - I'm out. No batwing, no deal. Look at the errant band member twatting upside the head possibilities!

I'm interested for sure, but I can't help thinking the new Embassy would have looked cooler with the 4 in line "batwing" headstock of the past.

[quote name='Dave Vader' timestamp='1484670256' post='3217355'] I found a Hartke 3500 for 140 quid in a pawn shop in Exeter. I got over excited and bought it. Haven't tried the HB out since, will try it again at some point though. Sorry neep. Was all primed to try the headphone trick though. [/quote] No worries. My first proper amp was a 3500 - good amps those.

[quote name='Dave Vader' timestamp='1484125205' post='3212799'] Some of you may remember the craze about 5 years ago for Ibanez promethean clone amps. [/quote] Did you try to see if the headphone jack was involved in the problem? Would be keen to get a confirmation from someone who appears to have the same issue as me

It's started happening on my RedSub 5110 combo (basically the same thing as yours but a different badge and red speaker cone). I think the fault is the headphone jack. Next time it happens, try plugging something in the headphone socket then remove it - on mine the light goes out and the mute comes off right away. I have a 1/2" > 3.5mm adaptor permanently in the Aux in socket so when it happens for me, I just reach over and use that to clear the muting.

Well, setting aside the ridiculously muddled nomenclature issue, and to answer the OP's original question - the EB (2013-15) is a great bass. I had a bullion gold 2014 model for a while. It was a reasonable weight, well balanced and sounded good too. The push/pull pots which split the humbuckers make an audible difference to the tone. Comes with a nice hard case, and like you said, can be had for reasonable money. While this was the first time in ages that Gibson had put out a bass which had no corresponding guitar model, I'd keep away from using the word "commitment" when it comes to Gibson and bassists - they binned the EB in question after 2 years, which I think is a shame, and they did practically nothing bass-wise last year. Some commitment, eh? I'd argue that recent history is nothing compared to the productive time of the 70s and 80s - Grabber, G-3, Ripper, RD, Victory, IV/V, 20/20 to name but a few. I think they were much more interested in giving it a right good go back then, even though it wasn't always successful. These days I get the feeling Gibson make basses because they feel obliged to because Fender make basses. That 2017 new "EB" can do one - it's like they're not even trying any more - let's make a less distinctive looking bass than its predecessor AND remove one of the useful features (the coil splitting). Well played, Gibson. Slow hand claps all round. I expect to see it in a Thomann fire sale by the end of the year.

Ahh, but which Seymour Duncan Jazz pickups are we talking about? There are many different types, all with different properties. http://www.seymourduncan.com/pickups/bass/jazz-bass I used a Quarter Pound bridge pickup years ago in a project but I'll be damned if I can remember much about it, sorry.

I think the OP is referring to the EB (2013-2015) because of the phrase "[color=#282828][font=helvetica, arial, sans-serif]a conventional shaped bass with decent pups" [/font][/color]but I don't blame anyone for the confusion - it was a terrible idea to call it that. Is this the bass you're talking about?

[quote name='darkandrew' timestamp='1483353620' post='3206376'] Well, looking through recent posts on BC, it seems that a great bass player has: A fender P bass Clean hands Good dance moves Tone in their fingers Their own bass, backline and PA A partner that's fine with having their house filled with band gear. Oh, and I almost forgot, you've got to be sexy and under 25. I think that's got it covered? [/quote] Fell at the first hurdle, how embarrassing

Santa received my hint and I received my book. Lovely stuff!

I discovered that radio controlled Technic Lego was a thing on Christmas Eve, so I bought me some of that Nothing bassy though.

The last time I gigged my Tribute SB-2, the sound guy asked if it was active. Yes, MFD pickups are hot

[quote name='scrumpymike' timestamp='1482601520' post='3201801'] Which Gibbo model is that? [/quote] Grabber 3 '70s Tribute Bass http://www.gibson.com/Products/Electric-Guitars/Bass/Gibson-USA/Grabber-3-70s-Tribute-Bass.aspx

There was a 3 pickup Danelectro Hodad and of course the Gibson G-3 (original and modern "tribute"). The Hodad had full 7 options via a 6 way rotary and a switch. The Gibson offerings only give three options (1+2, 1+2+3, 2+3) so acted more like a two pickup bass with the pickup coils far apart.

The key thing for me is no movement within the package - don't stuff it so tight that you risk bursting the box of course, but pack it tight with soft material enough that when you shake the box, it feels like you're shaking one solid object.

See Jules' page for some closeups of the wiring of a properly done G-3 http://www.flyguitars.com/gibson/bass/G3_wiring.php

[quote name='DanEly' timestamp='1481304505' post='3191408'] Are the pickups meant to be out of phase with each other and does the coloured wired from each pickup suggest exactly where they go e.g Black + Red = Neck? [/quote] The middle one is reversed as opposed the other two so it will always be humbucking regardless of the setting of the switch. My reading of the circuit is that the middle one is always in series with either pickup or the bridge/neck in parallel (in phase) in the middle position.

I can't speak personally about the RBX line but I've gigged a BB300 before (cheapest BB bass at time of manufacture I think) without issue or complaint. And my bass tutor from back in the day gigged with an RBX170 often - sounded great to me

[quote name='ambient' timestamp='1480538087' post='3185268'] I can't speak about the videos, but much of pop music for the last 30 years has been pants anyway. I had the misfortune to be a passenger in a car with the radio tuned to radio 2 the other day. [b]The Scottish guy[/b] going, Steve Wright on the journey back. What a load of absolute rubbish. I can't believe the number of elderly 'stars' who seem to have records put at the moment. It's coming up to Christmas I guess. Most weren't very good years ago. I mean, shaking Stevens ! [/quote] Och aye, because all us Scottish guys sound the same...

[quote name='Animalbeats' timestamp='1480546513' post='3185399'] Hi Looking for Gibson RD bass schematics so I can make my own, as I'll never be able to afford one. Can anyone help? Thanks Gordon [/quote] Let's presume you're talking about the RD Artist (as the Standard is a basic passive VVT schematic) - you say you'll never be able to afford one yet you want to recreate the Moog circuit? How much is your time worth?

Every drummer I've ever played with has been great, both in terms of temperament and ability. Been in three different bands with one of them. Seems I've been extremely fortunate from the highly anecdotal evidence presented here.

I really don't know why the more elegant pun of "Imprecision Bass" never caught on in the comedy logo world. I thought it was pretty funny.

[quote name='PawelG' timestamp='1479980263' post='3180701'] Any opinions on using toothpaste on chromes? [/quote] Your bass will be minty fresh?