neepheid

Just had a listen to your track - I enjoyed it. The vocal stuck out to me - you sound a bit like Ozzy if he had done less drugs, and I mean that as a compliment. The bongos were a nice touch at the end. It's a good mix, you've made a balanced track where everything can be heard. At times I was hoping that the bass and the guitar didn't seem so rigidly stuck to one another melodically - that's OK for some of the time when you're driving a portion of the song home but I would have liked the bass and the guitar to decouple at times and do something a bit different from each other - still complementing each other of course. Or maybe I don't get it, it's just my opinion. This is the first time in a while I've listened critically to a piece of music so I'm a bit rusty in the whole delivering feedback thing. Overall though, I enjoyed your track, and thanks for sharing it.

Hi folks We released some music. We think it's good. What do you think? Woo, check you Basschat with your fancy Spotify embedded player Here's a bandcamp link for the non-Spotify users - https://theinevitableteaspoons.bandcamp.com/album/money-for-old-rope and it's on all the other usual electronic music platforms too.

It's the room. So happy that my gig this weekend is in an established music venue with the house backline and a sound engineer, just turn up with the bass and play - FOH sound isn't my problem

I used to tinker quite a lot. That's when I wasn't restoring basses from neglected, abused husks. It was for the sake of it. Because I could. I've lost the patience for it nowadays. Upgrades/mods are a mug's game in the financial sense but I didn't do it to make money. At the time it was fascinating and interesting to me. Nowadays it's necessity only. That's probably just a consequence of me easing into middle age. Also as a consequence of all the tinkering and bass butterfly routine over the last dozen or so years I've narrowed down what I like, so I just buy that now. In my opinion there is no mythical holy grail bass tone to chase - just a subset of preferences to narrow down to. Modding was fun, now it's a chore.

That's not true, they burn pretty good too.

If it wasn't for the fact that I like neither Jazz profile necks or the sound of Jazz style pickups, I'd be all over a G&L Tribute for £250, even if I didn't really need it. Unfortunately the only good thing about the JB-2 for me is the lack of a wonky Jazz style body. For those who like that sort of thing, it's a no brainer at £250.

It was the Grabber, correct the first time

Jeez, I said "somewhat" - I wasn't awarding him the Booker Prize.

I think that's a somewhat more interesting way of asking for a shag other than route one, and at least he's asking.

If what's hanging down between your legs is heavy, it's either time to visit the doc or become a pron star.

That tickled me - not enough to buy one but it gave me a chuckle If we're talking 3 pickup basses then apart from still missing my Gibson G-3 (original, not modern "tribute" - that one can get in the bin) - I do quite like the look of the Reverend Triad...

https://letmegooglethat.com/?q=nme+adam+clayton

The pickups are cancelling each other out. Swap the hot/ground wires of one of the pickups.

OP, did you write the article? Are you John Taylor? 🤔

I'm claiming regional differences. Nothing to do with bass parts crowding out kid song lyrics from that part of my brain...

./~ nobody loves me, everybody hates me, just because I eat worms ./~

You talking to the OP, or me? Both, perhaps?

I only know 3 of them

Why do I feel like the luckiest guy in the world when I say that in our covers band everyone has a veto on songs but rarely uses it? We're up for most things and as long as we can all play it (or it doesn't sound too weedy in a single guitar setup) we usually do. We play songs we don't like for the good of the gig. I've got most of the suggestions I've put in on the books - I tend towards the 90s, indie side of things (think Song 2, Just a Day) and right now I'm just waiting on Franz Ferdinand's "Take Me Out" to be added to the repertoire, that's been parked while we lay on the Christmas cheese songs that we play a couple of times a year then forget - The Darkness, Slade, Shaky, you know the ones I mean Also I would say that our set list is primarily driven by the audiences, rather than a couple of mad band dictators - what works, what gets folk dancing. Different venues have different crowds - some lean towards the more classic rock, some you need to have a mix of more modern songs and the older stuff has to be so well known (think Don't Stop Believin', Livin' on a Prayer, Summer of '69 etc.). A rocked up Waterloo seems to go down well wherever we play. Songs get ditched because they're not doing well at gigs, not because one of us doesn't like them. I dislike Don't Stop Believin' with a passion, but it's a sure fire winner at gigs so at the gig I just get on with it. At least we play it that often that it rarely gets played at rehearsal these days I don't think this thread was meant for me and my relatively idyllic band situation, sorry. TL:DR - Franz Ferdinand, "Take Me Out".

Seeing as we're offering opinions here, In my opinion I think you're daft to "shave" the saddles instead of using a shim - non-destructive always trumps destructive as far as I'm concerned.

Classic Stingray?

Indeed, mine usually consume gold, but I do occasionally come out with a platinum post if I do say so myself

I'd be more concerned about Greta Thunberg dismissing my bass playing as "blah blah blah". It probably is, but that doesn't mean I want to hear it

It's cool, being accused of being a guitarist was the hoof up the backside I needed, got to disprove that nonsense

Sorry I can't help. I know nothing about drums beyond their shape and size and the slightly glazed over, dreamy-eyedness my drummer gets when you mention "Vistalites", whatever they are...