neepheid

Yes. Are there any other units of resistance?

Godspeed - I hope you're well strapped onto that tall horse you're sitting on...

I'm tired of this; you think you're right and I think you're wrong so I fear this is going to go round in circles until one of us hurls.

So you're going to completely skip over the part where the "beginners/amateurs" in your analogy still get paid then? Why should "amateur network engineers" get paid but amateur musicians not?

Yes, but even help desk workers get paid (and yes, I have sometimes wondered why/what for). This analogy doesn't work.

I think that the covers band market and the originals band markets are distinct and separate. I am not the right person to be in either kind of band because I do not possess the brass neck required to make things happen. I think we make good music. You may disagree with that and that's fine. See? I've lost you already.

Yup, got same ones on my Epi Les Paul bass. Nice.

I love a bit of Maiden - nailing something long like Hallowed is very satisfying. Also partial to covering some Queen.

I would say that I would hold off buying a replacement until you've tried cleaning the existing pot out with some switch cleaner - spray some in then give the pot a good twirl back and forth through its travel and see if that brings it back to life. However, the description of all or nothing does possibly suggest a broken track, and no amount of magic spray will help you there.

Can't help you with pot tapers, but if you look at page 157 of this amazing bass wiring cookbook then you'll find a great wiring diagram which might help you in your quest: http://www.ak-line.com/medium/Bassschaltungen.pdf It's in German, but even if you don't know the language the pictures are still useful.

"Promoter". Isn't it their job to promote the gig and get folk through the door? I fundamentally disagree with having to do any of this work - I'm here to play music and entertain - it's what I've spent years of my life honing and improving while spending boatloads of money on gear, travelling, rehearsal time, releasing music. If I wanted to be a "promoter" then I'd do that instead - it's clearly a difficult job if you're pawing off half your work to the bands.

Good luck!

I sold my last place to someone I know in the local music scene - he's in a band and promotes/organises gigs in one of the local venues. Was quite a surprise when he came for a viewing - my reaction went along the lines of "what are you doing here?" Didn't put him off - they still bought the place

Yamaha SC-02, new, tenner. Kennys Music were doing a ludicrous deal on these in Feb last year - you can't knock it for a tenner! https://uk.yamaha.com/en/products/musical_instruments/guitars_basses/amps_accessories/sessioncake/index.html

You're going to have to try harder than that to rickroll me

I played my 20th Anniversary JC at band rehearsal last night and it was glorious. I had recently given it a seasonal truss rod tweak and it's playing great. Smiling ear to ear. I f'n love this bass.

I just don't like it for the reasons I stated, that's my take on it and I'm not saying anyone else is wrong to look at it another way.

They could be reminiscing, recalling a tale of someone met long ago when they were that age too? They're not necessarily looking at a seventeen year old young woman right now. The lyrics are all written in the past tense after all. She could be 17 as of 5 minutes ago, or 40 years ago. There are many ways to look at it, everyone finds the one that suits their point of view. Me personally I'd have veto doing the Rolling Stones "Under My Thumb" - I appreciate that the song's not meant to be taken literally but it's just a long form way of saying 'coercive control' written in a time before we had a succint term for it. I'm not saying it doesn't shine a light on something horrible, but it makes my skin crawl just thinking about the lyrics, never mind me underpinning their musical transmission. I've listened to it, soaked it in, said to myself "yuck, I don't want to be that guy". Now I skip it every time it comes on in a Stones compilation.

Mon français de l'école est mauvais, désolé. Ou est la piscine? I know I just asked where the swimming pool is - the phrases that stick in your head!

@bigthumb you went with green? Curve ball!

You'll be back. I've bought 3, sold 2, oops

Perhaps picky was too pejorative a word, and if I used something bigger like discerning then it might have come across as sarcasm. Didn't mean anything mean by it - I interpret your direct quote of my phraseology as a sign of irritation so I'm sorry if it came across that way. Talking of the T-bird, the Embassy is a lot more manageable for the reasons I outlined above - I think the biggest noticeable difference is the reduction in reach to the first fret - and how much empty space there is in the top of my gigbag I'm going to snag some replacement tuners on pay day (I'm not swapping them out for balance reasons but functionality - the stock ones are as good as one can expect on a £300-350 bass - do the job but not that smooth with some play in them). Was going to get Gotoh GB707s but could get GB350s instead and let you know if I feel any difference in the balance?

I have one of these basses. Is it neck heavy? Well to be helpful I just popped the nastiest, thinnest, smooth, nylon freebie strap I could find on mine and put it on with just a t-shirt on my shoulder. It was maybe a little neck heavy, but it didn't dive for the floor, more it found a level equilibrium. With a decent strap (in my case a Neotech Mega strap - wider and grippier) it balances fine. It is helped in this regard (versus say the Thunderbird whose pickups and bridge/tailpiece it shares) by the relative shortness of the neck (bridge further towards the bottom of the body), the smaller headstock, the smaller tuners. If you like the sound of it but are picky about balance then I'm sure swapping out the stock tuners for some Ultralites or Gotoh GB350s will further alleviate any heavy feeling.

Well, that's how it came across to me but I'm happy to have got it wrong.