neepheid

Can't help you much without measurements, but for EB/SG style pickup, Allparts doing this for £36 - http://www.allparts.uk.com/collections/pickups/products/humbucking-neck-pickup-for-gibson-bass After that, it's a DiMarzio Model One, a bit dearer at £60 plus postage - http://www.thomann.de/gb/dimarzio_dp120_model_one_bk.htm I have a Gibson TB+ under an EB/SG style cover plate which I might be willing to sell - I replaced the neck pickup of my Midtown Standard with a DiMarzio Model One. It might also fit under the cover you already have if the "pole pieces" line up - happy to get the ruler out to check.

Does there always have to be a ruthless dissection any time Later/Hootenanny is on the telly? Another way of looking at it is that it's far and away the least cringeworthy countdown to the bells on the television. I happily watched Hootenanny and at the bells I went outside my front door with a dram of Glenrothes and watched fireworks while being serenaded by the ships in the harbour tooting their horns. A splendid time was had by all.

In Gibson EB (2014) Gibson NR Thunderbird Gibson Midtown Standard Out Fender Starcaster G&L El Toro G&L Tribute M-2000 G&L Tribute L-2000 Gibson IV What I have learned I still really like Gibson basses, I do not care for short scale basses and as such am unlikely to buy one again, I miss my G&L basses and may have to acquire another in the future, Don't crash your car into a wall, writing it off and requiring you to sell basses you like.

Link's in my sig. Please take some time to listen/watch and if you like what you hear/see, a FB like would be awesome, thanks.

[quote name='cocco' timestamp='1419595059' post='2641100'] What a bass! I'm not normally a fan of active circuitry but the tritone system in this is different somehow, it still has that raw quality that I like no matter how its set. [/quote] That might have something to do with it being mostly passive. The EQ is passive cut only, and the active setting is merely a line boost, which was designed to boost the signal to allow longer cables to be used. There is treble boost, that's about the only trickery going on. Great basses, enjoy!

Does Pelham Blue count?

Cool, there is the potential for at least 21 more years bass service in me. I might even be competent by then

I'll be there to filth up the proceedings with my dubious taste in basses as per usual. Sorry. [size=1]Not sorry.[/size]

[quote name='karlfer' timestamp='1418903408' post='2634619'] I am and I will. That's the thing with these conversations though isn't it, yay and nay sayers and frankly unlikely much more than a few will change their mind [/quote] BC would be pretty content free if that weren't the case. I'm off to stare up the nose of someone who's looking down it at me for not taking a second bass to my gigs...

Let's say you could exactly copy the Heinz beans recipe, cook it yourself and can it - would it be right to put the Heinz beans label on the can? I can only speak for myself but I'd be so damn proud of myself that it'd be labelled as neepheid's super awesome mega baked beans, you can bet on that If you're comfortable with passing off a replica/tribute (however accurate and well made) as the genuine article, that's your call. I'm not, so I don't and I won't.

A decent year. 22 gigs played (by far my busiest year to date), and a couple of them were double gigs (playing with 2 different bands on the same night). Highlights - Playing Oxjam, 2 gigs in 2 different venues in one night, The Inevitable Teaspoons and FaR's first appearances at The Moorings Bar in Aberdeen (something of a local rite of passage), and playing in a couple of places (Edinburgh, Perth) for the first time. Did some recording, released an EP with FaR. Left FaR a couple of months ago to focus on the The Inevitable Teaspoons, because that's the band I'm writing with. Pleased with how my songwriting is going considering this is my first concerted effort to do so. 2 finished songs, 1 joint venture and 2 more in the pipeline along with various fragments which may become useful at some point. Next year I'd really like to get some recording done with the 'Spoons, write more songs and get more gigs, pretty much in that order of priority.

I sold my first bass. It's just stuff

Wish I could tell you - I was born a bass virtuoso. As a baby I would play the bass lying down, fretting notes with my toes as I lacked the arm span to be able to do it the regular way. Only kidding. As a beginner, I bought a bass because it looked pretty, puddled about with it infrequently for 5 years while being way more interested in how they work than how to actually play the damn things. Then my fiancee (now wife) basically dragged me up on stage to play bass in a ska/2 tone covers band hastily cobbled together for a birthday party. Only 3 rehearsals before, 1 on the afternoon before the gig. Talk about doing your homework on the school bus on the way in. Got stuck into being in bands after that, which taught me a lot, playing alongside people you respect and feel know a bit more than you really raises your game. Had setbacks of course - nearly jacked it all in when someone way better than me had a shot of my bass for the first time. Definite turning point for me was having some lessons. It put names and gave reason to the things I did and didn't know why I did them. Tightened up technique. Since then, I think I'm nae bad on bass and I've started songwriting in the last year, which I'm pleased to say I think is going well.

[quote name='Twincam' timestamp='1418690078' post='2632464'] 1 mm relief is alot of relief!. often 0.5mm relief is a bit too much. I have been anal about setting the bass up, its set up really nicely no buzzing etc, you just have to be more gentle with it. Which im hoping will refine my technique. At the moment i hate the way i play, to much effort wasted. [/quote] Like I said, I'm guessing, don't quote me on that, basses are upstairs and I'm comfy downstairs, trying to visualise them in my mind's eye - never the most reliable ruler or feeler gauge I'm pretty happy with how I play, the only thing I've got half a mind on is how much effort is spent on lateral movement - trying to stick to one finger per fret where possible and all that. That's wasted effort to me. When I started, it was a desperate case of get to the right fret on time, regardless of how I did it. Now that I've been playing for a few years I've tuned a lot of that out, but there's still a ways to go yet.

I'm not saying anyone's wrong for it but I don't understand this attention to detail with regard to action and to a lesser extent, relief. When I set up my bass I wind the saddles down until I start to get rattle/fret buzz when I pluck how I do, then I raise them until that goes away. I don't know if I have high action or low action, I've got the action which is appropriate for how I play bass. Regarding relief, bass strings need some room to oscillate. So I give 'em some. The neck isn't flat, and it isn't a banana either. If I had to guess it was about a mm, maybe slightly over.

I can see it OK. http://www.purple-chili.com/ , yes?

[quote name='five-string.co.uk' timestamp='1418409025' post='2630048'] Hi Neepheid, do you still have that email address you used to hand? [/quote] I just made contact via their web page and someone got back to me within a couple of days: http://www.schaller-electronic.com/hp306/Contact.htm

[quote name='BeardyBob' timestamp='1418304359' post='2628960'] wow. and again, wow. insecure, much? "WE, THE GREATER, HAVE COMPLETED A FINE RENDITION OF OUR MUSICAL ABILITY UNTO YOU, THE LESSER. LAVISH US WITH YOUR LOVE AND MONIES." [/quote] That's a bit of a harsh assessment.

[quote name='Maude' timestamp='1418132383' post='2627147'] On all of the basses I've owned, the one thing that makes the biggest difference to tone is the control next to the volume knob. [/quote] Actual real life "HA!" at that one. I approve

I contacted Schaller about a broken screw in a Gibson branded M4S. Offered to pay and everything. They took no money from me and sent me not one but [i]four[/i] capstans, pinions and screws for M4S. Legends! Definitely worth an email.

[quote name='timmo' timestamp='1418029926' post='2626023'] What does selling out really mean? Is it that people want to keep bands a secret so they have the cool factor of being in the know? I guess bands want to reach new audiences, so that is why they do it. [/quote] Their songs, their opportunities, their rewards and no-one else's business. Some people seem to think because they bought a 99p download they're on the board of directors.

I play lines from my band's own songs when trying out a bass. It's not as if I don't need the practice

[quote name='wateroftyne' timestamp='1417774299' post='2623840'] Commodore 64 every time. Spectrums are rubbish. [/quote] I'll smack 'em both out of the park with my Amstrad CPC464 - easily the most bat-shaped of the 8 bit computers with that built in cassette recorder