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neepheid

⭐Supporting Member⭐
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Everything posted by neepheid

  1. [quote name='cocco' timestamp='1419595059' post='2641100'] What a bass! I'm not normally a fan of active circuitry but the tritone system in this is different somehow, it still has that raw quality that I like no matter how its set. [/quote] That might have something to do with it being mostly passive. The EQ is passive cut only, and the active setting is merely a line boost, which was designed to boost the signal to allow longer cables to be used. There is treble boost, that's about the only trickery going on. Great basses, enjoy!
  2. Does Pelham Blue count?
  3. Cool, there is the potential for at least 21 more years bass service in me. I might even be competent by then
  4. I'll be there to filth up the proceedings with my dubious taste in basses as per usual. Sorry. [size=1]Not sorry.[/size]
  5. [quote name='karlfer' timestamp='1418903408' post='2634619'] I am and I will. That's the thing with these conversations though isn't it, yay and nay sayers and frankly unlikely much more than a few will change their mind [/quote] BC would be pretty content free if that weren't the case. I'm off to stare up the nose of someone who's looking down it at me for not taking a second bass to my gigs...
  6. Let's say you could exactly copy the Heinz beans recipe, cook it yourself and can it - would it be right to put the Heinz beans label on the can? I can only speak for myself but I'd be so damn proud of myself that it'd be labelled as neepheid's super awesome mega baked beans, you can bet on that If you're comfortable with passing off a replica/tribute (however accurate and well made) as the genuine article, that's your call. I'm not, so I don't and I won't.
  7. A decent year. 22 gigs played (by far my busiest year to date), and a couple of them were double gigs (playing with 2 different bands on the same night). Highlights - Playing Oxjam, 2 gigs in 2 different venues in one night, The Inevitable Teaspoons and FaR's first appearances at The Moorings Bar in Aberdeen (something of a local rite of passage), and playing in a couple of places (Edinburgh, Perth) for the first time. Did some recording, released an EP with FaR. Left FaR a couple of months ago to focus on the The Inevitable Teaspoons, because that's the band I'm writing with. Pleased with how my songwriting is going considering this is my first concerted effort to do so. 2 finished songs, 1 joint venture and 2 more in the pipeline along with various fragments which may become useful at some point. Next year I'd really like to get some recording done with the 'Spoons, write more songs and get more gigs, pretty much in that order of priority.
  8. I sold my first bass. It's just stuff
  9. [quote name='TimAl' timestamp='1418744527' post='2632892'] Again, thanks fellas. Don't *think* so Noir - both sets of stacked knobs are the same so how do you mean? [/quote] I think I see it too - is the bottom half of what is presumably the bass/treble stack is upside down in comparison to the volume one? Looks like the top half of the concentric knobs should sit in a depression in the top of the bottom half, as the volume one appears to be doing. Or maybe I'm going mad and seeing things.
  10. Wish I could tell you - I was born a bass virtuoso. As a baby I would play the bass lying down, fretting notes with my toes as I lacked the arm span to be able to do it the regular way. Only kidding. As a beginner, I bought a bass because it looked pretty, puddled about with it infrequently for 5 years while being way more interested in how they work than how to actually play the damn things. Then my fiancee (now wife) basically dragged me up on stage to play bass in a ska/2 tone covers band hastily cobbled together for a birthday party. Only 3 rehearsals before, 1 on the afternoon before the gig. Talk about doing your homework on the school bus on the way in. Got stuck into being in bands after that, which taught me a lot, playing alongside people you respect and feel know a bit more than you really raises your game. Had setbacks of course - nearly jacked it all in when someone way better than me had a shot of my bass for the first time. Definite turning point for me was having some lessons. It put names and gave reason to the things I did and didn't know why I did them. Tightened up technique. Since then, I think I'm nae bad on bass and I've started songwriting in the last year, which I'm pleased to say I think is going well.
  11. [quote name='Twincam' timestamp='1418690078' post='2632464'] 1 mm relief is alot of relief!. often 0.5mm relief is a bit too much. I have been anal about setting the bass up, its set up really nicely no buzzing etc, you just have to be more gentle with it. Which im hoping will refine my technique. At the moment i hate the way i play, to much effort wasted. [/quote] Like I said, I'm guessing, don't quote me on that, basses are upstairs and I'm comfy downstairs, trying to visualise them in my mind's eye - never the most reliable ruler or feeler gauge I'm pretty happy with how I play, the only thing I've got half a mind on is how much effort is spent on lateral movement - trying to stick to one finger per fret where possible and all that. That's wasted effort to me. When I started, it was a desperate case of get to the right fret on time, regardless of how I did it. Now that I've been playing for a few years I've tuned a lot of that out, but there's still a ways to go yet.
  12. I'm not saying anyone's wrong for it but I don't understand this attention to detail with regard to action and to a lesser extent, relief. When I set up my bass I wind the saddles down until I start to get rattle/fret buzz when I pluck how I do, then I raise them until that goes away. I don't know if I have high action or low action, I've got the action which is appropriate for how I play bass. Regarding relief, bass strings need some room to oscillate. So I give 'em some. The neck isn't flat, and it isn't a banana either. If I had to guess it was about a mm, maybe slightly over.
  13. I can see it OK. http://www.purple-chili.com/ , yes?
  14. [quote name='five-string.co.uk' timestamp='1418409025' post='2630048'] Hi Neepheid, do you still have that email address you used to hand? [/quote] I just made contact via their web page and someone got back to me within a couple of days: http://www.schaller-electronic.com/hp306/Contact.htm
  15. [quote name='BeardyBob' timestamp='1418304359' post='2628960'] wow. and again, wow. insecure, much? "WE, THE GREATER, HAVE COMPLETED A FINE RENDITION OF OUR MUSICAL ABILITY UNTO YOU, THE LESSER. LAVISH US WITH YOUR LOVE AND MONIES." [/quote] That's a bit of a harsh assessment.
  16. [quote name='Maude' timestamp='1418132383' post='2627147'] On all of the basses I've owned, the one thing that makes the biggest difference to tone is the control next to the volume knob. [/quote] Actual real life "HA!" at that one. I approve
  17. If you take off the neck, there might well be an indication of who made it stamped/burned into the heel - certainly Mighty Mite, Warmoth, WD and Allparts do this.
  18. I contacted Schaller about a broken screw in a Gibson branded M4S. Offered to pay and everything. They took no money from me and sent me not one but [i]four[/i] capstans, pinions and screws for M4S. Legends! Definitely worth an email.
  19. [quote name='timmo' timestamp='1418029926' post='2626023'] What does selling out really mean? Is it that people want to keep bands a secret so they have the cool factor of being in the know? I guess bands want to reach new audiences, so that is why they do it. [/quote] Their songs, their opportunities, their rewards and no-one else's business. Some people seem to think because they bought a 99p download they're on the board of directors.
  20. I play lines from my band's own songs when trying out a bass. It's not as if I don't need the practice
  21. [quote name='wateroftyne' timestamp='1417774299' post='2623840'] Commodore 64 every time. Spectrums are rubbish. [/quote] I'll smack 'em both out of the park with my Amstrad CPC464 - easily the most bat-shaped of the 8 bit computers with that built in cassette recorder
  22. [quote name='Romeo2' timestamp='1417703620' post='2623234'] [font=arial,helvetica,sans-serif]Thanks gents, extremely helpful.[/font] [font=arial,helvetica,sans-serif]Does anyone know if [/font][color=#323232][font=arial, helvetica, sans-serif]Hipshot A style bridge, .718/18.24mm string spacing will fit with no mods? Asking because there is one on sale here but could not find anything online to be sure of it.[/font][/color] [font=arial, helvetica, sans-serif][color=#323232]Thanks in advance.[/color][/font] [/quote] With no mods it HAS to be the specific Fender Mount model: http://store.hipshotproducts.com/cart.php?m=product_detail&p=306 Otherwise, you'll be filling and drilling, as the standard A style is a 4 screw mount which doesn't line up at all with the holes a standard Fender type bridge has.
  23. It's a shame, the Telestrat is actually not a bad idea, got that right blend of WTF going on. Shame it has to look like it's been at the bottom of a swamp since the Precambrian era and looks like you'd catch something nasty if you touched it.
  24. [quote name='drTStingray' timestamp='1417691827' post='2623049'] Ah roasted neck as well - that's also not available except on special runs I think. [/quote] Sorted
  25. Yup, so basically, you should drill a pilot hole before you try to screw a screw into hardwood. Any wood really.
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