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neepheid

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Posts posted by neepheid

  1. Wish I could tell you - I was born a bass virtuoso. As a baby I would play the bass lying down, fretting notes with my toes as I lacked the arm span to be able to do it the regular way.

    Only kidding. As a beginner, I bought a bass because it looked pretty, puddled about with it infrequently for 5 years while being way more interested in how they work than how to actually play the damn things. Then my fiancee (now wife) basically dragged me up on stage to play bass in a ska/2 tone covers band hastily cobbled together for a birthday party. Only 3 rehearsals before, 1 on the afternoon before the gig. Talk about doing your homework on the school bus on the way in. Got stuck into being in bands after that, which taught me a lot, playing alongside people you respect and feel know a bit more than you really raises your game. Had setbacks of course - nearly jacked it all in when someone way better than me had a shot of my bass for the first time. Definite turning point for me was having some lessons. It put names and gave reason to the things I did and didn't know why I did them. Tightened up technique. Since then, I think I'm nae bad on bass and I've started songwriting in the last year, which I'm pleased to say I think is going well.

  2. [quote name='Twincam' timestamp='1418690078' post='2632464']
    1 mm relief is alot of relief!. often 0.5mm relief is a bit too much. I have been anal about setting the bass up, its set up really nicely no buzzing etc, you just have to be more gentle with it. Which im hoping will refine my technique. At the moment i hate the way i play, to much effort wasted.
    [/quote]

    Like I said, I'm guessing, don't quote me on that, basses are upstairs and I'm comfy downstairs, trying to visualise them in my mind's eye - never the most reliable ruler or feeler gauge ;)

    I'm pretty happy with how I play, the only thing I've got half a mind on is how much effort is spent on lateral movement - trying to stick to one finger per fret where possible and all that. That's wasted effort to me. When I started, it was a desperate case of get to the right fret on time, regardless of how I did it. Now that I've been playing for a few years I've tuned a lot of that out, but there's still a ways to go yet.

  3. I'm not saying anyone's wrong for it but I don't understand this attention to detail with regard to action and to a lesser extent, relief. When I set up my bass I wind the saddles down until I start to get rattle/fret buzz when I pluck how I do, then I raise them until that goes away. I don't know if I have high action or low action, I've got the action which is appropriate for how I play bass.

    Regarding relief, bass strings need some room to oscillate. So I give 'em some. The neck isn't flat, and it isn't a banana either. If I had to guess it was about a mm, maybe slightly over.

  4. [quote name='timmo' timestamp='1418029926' post='2626023']
    What does selling out really mean? Is it that people want to keep bands a secret so they have the cool factor of being in the know? I guess bands want to reach new audiences, so that is why they do it.
    [/quote]

    Their songs, their opportunities, their rewards and no-one else's business. Some people seem to think because they bought a 99p download they're on the board of directors.

  5. [quote name='wateroftyne' timestamp='1417774299' post='2623840']
    Commodore 64 every time. Spectrums are rubbish.
    [/quote]

    I'll smack 'em both out of the park with my Amstrad CPC464 - easily the most bat-shaped of the 8 bit computers with that built in cassette recorder ;)

  6. [quote name='Romeo2' timestamp='1417703620' post='2623234']
    [font=arial,helvetica,sans-serif]Thanks gents, extremely helpful.[/font]

    [font=arial,helvetica,sans-serif]Does anyone know if [/font][color=#323232][font=arial, helvetica, sans-serif]Hipshot A style bridge, .718/18.24mm string spacing will fit with no mods? Asking because there is one on sale here but could not find anything online to be sure of it.[/font][/color]

    [font=arial, helvetica, sans-serif][color=#323232]Thanks in advance.[/color][/font]
    [/quote]

    With no mods it HAS to be the specific Fender Mount model:

    http://store.hipshotproducts.com/cart.php?m=product_detail&p=306

    Otherwise, you'll be filling and drilling, as the standard A style is a 4 screw mount which doesn't line up at all with the holes a standard Fender type bridge has.

  7. Tackling the simple question in the subject - "Creativity - is it overrated?" - No, absolutely not.

    Yes, I am actively gigging, I played a gig last weekend. Eligibility to contribute to the debate established - I've been playing in originals bands my whole live career, save for a couple of times for birthday party/special occasion. I don't mind playing the occasional interesting cover when the mood takes me, but I wouldn't want to be in a band that didn't create new stuff. You want to talk about money? I think it's a bloody disgrace what we get paid for providing an hour or so of entertainment, and that's when we get paid at all. We are creating the new stuff, if we're lucky enough to go down in history our songs will become the songs that other people play. I realise that only a tiny percentage of songs become the stuff of hit singles, legends and cover band staples, but if everyone just gave up there'd be no supply of new music to refresh and update the canon.

    I want to be at that forefront, that frontier, despite the crappy monetary gains to be had - unless you "make it" in the commercial sense of the word. I won't lie - the prospect of that happening half scares me to death as I am in the fortunate, stable position of having wife, house, career etc. and I am quite a risk averse person. But if it happens, it'll happen because of the music we are creating - goodness knows it won't be about how much noise I can make about how great I am. I suck at that part :)

    Did that help? It's late here, so sorry if that was a bunch of ranty nonsense.

  8. [quote name='taunton-hobbit' timestamp='1417636652' post='2622588']
    This repost is not aimed at anyone specific, before I get (more) hate mail....just sayin'.......
    Love the link - I'm in retail, at the sharp end (think Leases, Business rates, wages, holiday pay (them, not me),Lighting and heating expenses,local trade association memberships,company transport, accountants, solicitors, bank charges) ....I could go on, but I won't...and some pr*ck has the nerve to grizzle about Radio Shack trying to make a buck?
    Buy it on the Bay if it's cheaper....off you go and good riddance....just don't winge when your local dealership (which you never bought f-all from) ceases to trade - because, yes, it IS your fault bro...........
    :)
    [/quote]

    Umm, is this about cables? I'm confused.

  9. [quote name='Donnyboy' timestamp='1417289398' post='2618916']
    True , but it's still Aberdeen ffs :ph34r: :rolleyes: :o etc, etc...

    I went there once for a night out and got chased along the street by about 30 "Casuals". Not sure if you still get " Casuals", or are they just Football Hooligans??
    [/quote]

    You're pretty safe these days.

    Happy to act as intermediary if anyone wants to go for this.

  10. [quote name='lancaster' timestamp='1417560282' post='2621855']
    My bass came straight off the shelf from Frank Hessey in Liverpool, it was not a special order.
    [/quote]



    I'm just quoting an article I found (the only one with any reference to the matter I could find), so take from it what you will. I can't tell you when Gibson started doing this, as was the original question. Your bass was/is an odd bod in the grand scheme of things, I dare say a very fetching looking odd bod, but blocks were almost certainly not a standard feature. I'm not saying I know all there is to know, but given my level of interest in Gibson basses over the years, if blocks had been a common thing I'd have expected to see one - online or otherwise - long before now.

  11. On this "nurture vs. get rid" argument, there have been a couple of occasions where me and my long term drummer have not quite got things together for whatever reason at band rehearsal - usually one sticking point in a particular song, so we've met up separately from the rest of the band and basically gone through together whatever is bugging us until we get it right. "Homework" we call it ;)

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