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neepheid

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Everything posted by neepheid

  1. Of course it's possible, it's only wood and metal. Is it advisable? No. You want to do all this work: - drill three massive holes into your bass and push threaded inserts into said holes which will probably pop out under string tension, if not right away then over time. - reroute your bridge earth wire to come out into one of these holes (unless you're lucky and they happen to coincide) - deal with any neck angle issues (which will be a lot of fun if your Tokai is set neck and would warrant a build thread of its own) because the three point sits half a mile above the surface of the body. - fill the screw holes that the previous bridge left. to voluntarily give up the ability to individually adjust your string height? Be happy with your Tokai. I had one once, it was a nice bass. Don't make it worse in some attempt to make it look a bit more Gibson-y. In summary - possible? Yes. Advisable? No. The three point bridge is nasty - and that's coming from a rabid Gibson fan. I only have one bass which employs that abortion of a bridge and I very quickly replaced it with a Hipshot Supertone.
  2. [quote name='SpaceChick' timestamp='1341734946' post='1723193'] When you started in your first band? What are your reflections on this now? Just nosey and curious really! [/quote] Although I had owned a bass for about 3 years before I first played with a band, I'd say I had accumulated no more than a couple of day's total play time before I played my first gig, including the 3 practises with the band before the gig. Reflections? It proves a point - just get stuck in.
  3. Hi, best guess I have is around 9lbs (stupid bathroom scales). Lighter than my Victory Artist and a little lighter than my RD Artist, but heavier than my IV. Will get a more accurate weight on the scales at work.
  4. This piece might be helpful... [url="http://www.ebay.co.uk/itm/190697798799"]http://www.ebay.co.uk/itm/190697798799[/url] You'll have to see if they are willing to ship over here, and you've got about 20 hours left. Good luck
  5. I recently sent out a request for a single one of these knobs and a very kind forumite sent me three for the cost of postage. As I only needed one I now have two spare and in the spirit in which they came to me I now offer them for free to anyone who needs these for a Yamaha (or just a nice pair of Gibson-esque speed knobs). They are press fit and look like this:
  6. These are fantastic, I think the single most useful bass related gadget I've bought. Everyone knows about the tempo/key alteration and the bass enhance/cut. I use it for silent practice but it can also feed an aux input on an amp, I use it in conjunction with a 2.1 computer speaker at work. I even used it once for two basses with one amp for lessons - one bass in the normal input and one via the Tascam into the aux in
  7. [quote name='billyapple' timestamp='1341560665' post='1720840'] What does she weigh? [/quote] I don't know, I'm at work just now so I'll have to get back to you on that one this evening.
  8. [quote name='billyapple' timestamp='1341514931' post='1720441'] Wow! Lovely. You're right about what you say about both Pup's in phase. She's a beauty, why are you letting her go? [/quote] My heart lies with Gibson (which makes it a bit easier to decide which bass has to go) but it's mostly because I overspent a little on my most recent purchase, oops
  9. [b]14/08/2012 - Price reduced to £800 + postage.[/b] [b]30/08/2012 - Will take trades - interested in G&L El Toro, Gibson Ripper, more when I think of it.[/b] [b]05/10/2012 - Traded! [/b] For sale I have one very rare bass, a 1981 Guild B402-A, one of only 335 made of all varieties, of which this is the 313th (assuming linear serial number use...) Body: ash Neck: maple/rosewood, set Frets: 22 Pickups: 2x Guild single coil Bridge: Guild BT-4 bridge (a cross between a Gibson 3 point and a Schaller 3D) Electronics: Guild preamp, 2 band EQ Controls: volume, volume, pickup selector, phase switch, passive/active, bass, treble (active only) The bass sounds fantastic - both pickups together in particular sound fantastic (when in phase) - they complement each other instead of what I usually find that they kind of cancel each other out. Here are some soundclips (in the filenames, read "parallel" as "out of phase" and "series" as "in phase" - when I first got the bass that's what I thought the switch did) - [url="http://www.ifb.co.uk/~matthew/mp3/b402-a%20soundclips/"]http://www.ifb.co.uk...a%20soundclips/[/url] This bass is in pretty good nick for its age, there is some lacquer checking on the neck and the body but you can't feel the cracks when you're playing. There is some damage at the bottom edges of the headstock, probably caused by an unpadded wall hanger and a few lacquer cracks. The bass comes with the original hard case - it's a little tatty and one of the catches has lost a spring (still works, but you have to lift it by hand). I even have a key for the case. Here are the photos. Can take more photos on request. It is difficult to price these, but I'd be looking for £[s]900[/s] 800 plus postage for this.
  10. I rescued an old song the band were about to ditch with some root/octave stuff
  11. I'd ask over at [url="http://bassoutpost.com/"]http://bassoutpost.com/[/url] - a lot of Gibson knowledge over there.
  12. Mark recently sent me some Yamaha speed knobs for the cost of postage, very generous, thanks! Kept in touch throughout and the items were well packed.
  13. There will always be someone who knows more than you and can play "better" than you. You're better than someone who has never played the instrument before. You will always be somewhere between these two extremes (especially as the first one is devilishly difficult to define). I sometimes wonder if I'm just peddling snake oil, that anyone could play what I'm playing, but the thing I always remember is that I'M the one who's playing it, not someone else. I have found that the biggest shot in the arm for my playing by far was to get lessons. Much more fun and more engaging being taught by a person than reading from a book. I learned some theory, tidied up some bad habits (still working on being more strict at alternating fingers in right hand) and found that I was in a much better position to jam, compose and enjoy myself because before that someone would say "this song's in A" and I would say "that's nice" - completely unaware of why that information is pertinent
  14. We're using a road sign theme at the moment:
  15. The guy has boosted the bass by a couple of dB, new version now up.
  16. [quote name='bigsmokebass' timestamp='1341274366' post='1716368'] 'twas indeed, we found it at last (Y) I like full scale basses and Gibsons, a short scale SG? No thanks Does look nice and a step forward for Gibson,[b] I don't see why they stopped.[/b] BSB [/quote] Gibson basses, expressed as an algorithm: [CODE] REPEAT create new bass WHILE bass still available FOR timer = 1 to a number picked out of a hat less than 10 sell bass NEXT IF NOT outsold Fender AND bass != Thunderbird THEN discontinue bass ENDWHILE UNTIL company bankrupt [/CODE]
  17. We're here - [url="http://www.reverbnation.com/oxbowlake"]http://www.reverbnation.com/oxbowlake[/url] - a right royal bit of everything
  18. [quote name='bigsmokebass' timestamp='1341250209' post='1715784'] Scale length? BSB [/quote] 34"
  19. Really enjoying this, you've got a good groove going, everything slinking along nicely. I don't know what to say about mixing these days, I've just sent an email to our guy asking for the bass to be put up a bit, it's having a fight with the keys I think. Good tunes, had me nodding my head along with them, music that makes you move must be good
  20. Cheers guys, yeah the bass is a bit buried, I guess it's always a bit of a scrap when there are keys involved, I've emailed the guy to see if the bass can be promoted a little. It's weird though, I hear it better, maybe because I know what should be there and my brain fills in the gaps or is listening out for it.
  21. I had a gig on Friday in Slains Castle (the pub, not the ruin - that would have been awesome) - it was ... OK. I thought we were quite slack and loose, it felt weird and like we weren't clicking - ever get gigs like that? Yet afterwards we had people coming up and saying how much they enjoyed it so it can't have been awful. We had a BBQ on Saturday in our back garden - glorious sunshine for once (rain came as close as 20 miles away), raining all week before and raining on Sunday. Absolutely amazing luck. 2/3 of the band were around so we set up at the bottom of the garden and had a wee jam. We did some instrumentals of our songs, blues jam in A and stuff like Louie Louie with the trombone doing the vocal melody so it worked out OK. People seemed to like it so it was worth it. My wife took a wee vid on her new phone - can't hear the bass but it was there, honest! [url="http://www.youtube.com/watch?v=033Jbs4jbQ0"]http://www.youtube.com/watch?v=033Jbs4jbQ0[/url]
  22. Hey folks We've been in the studio and recorded a song to celebrate our upcoming appearance at Belladrum Festival. This is also my first proper recording with the band. I'm happy to hear any comments anyone might have (whether it's about the song, the mix or the bass playing ). http://www.ifb.co.uk/~matthew/mp3/oxbow/recordings20120616/The%20Oxbow%20Lake%20Band%20-%20At%20the%20Festival.mp3
  23. [quote name='Shockwave' timestamp='1340907517' post='1711441'] SGZ's are great mate! Remember trying one a while ago and enjoyed it, regardless of neck dive! [/quote] Funny you should say that, I have found a surprising lack of dive with a suitably grippy strap. It sort of feels like a half hearted attempt to take a dive but gives up cos it seems like too much effort
  24. NGBD (New Gibson Bass Day) - 2001 Gibson SG-Z bass:
  25. A couple of photos from Sunday: 1) Me, concentrating: 2) Me, away with the fairies: Photos taken by Jason Schroeder
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