neepheid

[quote name='Ross' post='1213656' date='Apr 28 2011, 11:26 AM']I don't want them to do it for me neccessarily, maybe loan me the drill/ show me the proper way to do it? Seems daft to invest in a pillar drill to drill these few holes, if I can't find a kind person to loan me one what about using a spirit level, taping the bit to show where I stop drilling, and [b]hoping for the best?[/b][/quote] To answer your original question ("Any way to ensure the holes will be straight?") - with all the best will in the world, you can't stay 100% still. If you're willing to accept your place as the weak link in this setup and prepared to make mistakes and deal with the consequences (which basically involve drilling out wrong holes to the size of whatever (hardwood) dowel you have, filling with dowel and trimming flush) then go for it. As far as the bridge positioning goes this is how I understand it (no doubt someone will be along to correct me if I've got this wrong). Fit the neck first. Only once the neck is fitted will you be able to determine the correct position for the bridge relative to the scale length. Assuming you're going for a standard 34" scale then you measure back 34" from the edge of the nut nearest the fingerboard (or 17" back from the 12th fret) and mark that. Adjust the bridge so that the G saddle is as far forward as the adjustment screw allows safely, then wind it back a small amount (let's say leave it at 90-95% of its full forward travel to allow for possible oops). The point where the string would go over the G saddle should be at the 34" mark you made. All the other saddles will be further back when you adjust for intonation. For sideways positioning, I would refer you to a trick I've seen my mate Rich use - run a length of sewing thread through the E and G nut slots (anchor it at the headstock with blu-tac or loop it through a tuner hole and tie a knot or something) then use these threads to show were the E and G saddles on the bridge ought to be.

+1 for the Hartke strings - pretty bright for nickels and nice feel - not too rough. I use them pretty much exclusively these days.

[quote name='Ross' post='1213641' date='Apr 28 2011, 11:14 AM']Main idea of this project is to learn how to do these things though, hence the asking. Maybe I'll see if someone on here can give me a hand, title changed.[/quote] I just said find someone with a drill press, I didn't say get them to do it for you

Got a few basses on my mind so I thought I'd see what everyone's current GAS status is. Simply list the basses you're currently fancying Gibson RD Artist (1979 onwards with two mini toggles for the Moog rather than a single 3 way) - financial pipedream at the moment Yamaha BB (active/passive like a BB1100s or a BB614 with a replacement preamp - probably can't afford one of the posher thru neck jobs) If a Gibson Ripper came along at a knockdown price (a cosmetic restore job maybe like my Victory?) then I'd take it. And anything else that makes me go "ooh, that's interesting"

Seriously - find someone with a drill press - you'll struggle to get the holes straight doing it freehand.

I feel like buying a bass this week, it's going on the credit card, and I don't give an actual damn

I just read the date of the thread. Doh. They probably asked for the post to be removed after they realised they'd just bumped a two year old problem, which we're now exacerbating by this continued conversation, oops

[quote name='Beedster' post='1213541' date='Apr 28 2011, 09:29 AM']Why was the post from P4D removed?[/quote] Yeah, that was weird. I don't get that either. What's going on today?

[quote name='fede162162' post='415660' date='Feb 20 2009, 07:33 PM']DHL has arrived just now...1h and 30m in late...but it doesn't matter, i'm happy! =D[/quote] All this fuss over an hour and a half? I don't get it. Day(s) I could understand. Explain it to me like I'm a four year old.

[quote name='RobJF' post='1212383' date='Apr 27 2011, 10:21 AM']But I'm inclined to believe the professional when he says it's beyond normal adjustment.[/quote] Of course, but as I said - you can't make it worse by trying. The conversation suggests that this bass is bolt on, so at least you have that get out of jail for a price card

[quote name='RobJF' post='1212342' date='Apr 27 2011, 09:37 AM']I got a used Warwick Streamer LX a few years ago but never got into playing it and it lay in its gig bag in an unheated room for a long time. Recently I got it out and found it had developed a badly bowed neck. I took it to a local guitar tech who says the truss rod was loose but the neck's too far gone to be corrected using it. Then I contacted a Warwick dealer who says it might be worth trying to straighten it by clamping and steaming, otherwise it will need to be replaced. However, given typical prices in the used Warwick market, I'm doubtful whether that would be a sensible use of the money, though I haven't actually had a quote yet. I'm fairly ignorant about all this sort of stuff and would appreciate any comments.[/quote] I'll buy it for a fiver Seriously though, am I getting the story right here? It was stored for ages with strings at tension and a loose truss rod? Meaning you have some major forward bow? The first thing I'd try is slackening off the strings and tighten up that truss rod, see what happens. It sounds like you can't make it any worse by trying.

It's probably a prototype. The advert spiel talks of pickups designed specially for and only for the Ripper, which the actual ones of course were. Sales - "Where's the Ripper?" R&D - "Here it is but it's not quite..." [i]Ripper is ripped out of hands and away[/i] R&D - "...ready. Oh well."

[quote name='stonecoldbass' post='1211493' date='Apr 26 2011, 10:14 AM']Why should you get unlimited, on demand, hi quality streaming music? What right do you have to be upset by any limitations put on this usage!? i think we forget how fortunate we are to be able to access such a vast array of music at our fingertips. I think most people would agree that they couldn't believe spotify when it first came out, nevermind that it was free! I pay the £10 a month gladly, I set up my account in the UK but now live in Australia. I think of it as similar to a venue paying a 'PRS' licence or something similar, spread out between all the artists it isn't much but it's a fair price to pay for the privilege of enjoying an artists work. You really can't complain about this, and for those of you who are bitter about it, grow up. If you are in any way a 'musician' you should be supporting the industry you love and are a part of.[/quote] It was never unlimited - the adverts were supposed to help pay for it. That doesn't seem to have paid off for them, and that's a shame. As I've already mentioned I have no problem with the monthly time limit - it was inevitable. What I do object to is the 5 play limit PER SONG FOR ALL ETERNITY. This is a braindead move. Not only does it negate the usefulness of playlists and means you can't have favourite songs, it also stifles Spotify's usefulness as a song learning tool - my principal use for it. So I'm going to take matters into my own hands as I have already intimated. If you continue to judge me and question my support of music then I will pummel you with my scrapbook of ticket stubs, wrap you in some band t-shirts then bury you under my CD collection

The day we stop looking is the day we die.

Try axesrus - free postage and no minimum order nonsense. www.axesrus.com

Tascam MP-BT1 user here for silent practice. When I want to hear it I still have my first bass amp - a Laney 30W thing which is plenty loud enough to hear and has line in for the Tascam or my phone when I'm using ChordBot.

The time limit was inevitable, I knew the early adopters Free club couldn't last forever. Fine, bust us down to Open level but I can't get on with this 5 play limit, it's such a brainless limitation. I will have to stop using Spotify as a recreational background music thing. As far as using it as a means to learn songs I'm sorry to say that once these restrictions kick in, I will be using Audacity to record the Stereo Mix while I use one of my five plays then keep the resultant audio file to play as many times as it takes me to learn the song. You can bet that on average it takes me more than five plays to get most songs down

Looks like the current MIM logo to me: [url="http://www.fender.com/en-GB/products/search.php?partno=0146100302"]http://www.fender.com/en-GB/products/searc...rtno=0146100302[/url]

I don't have my birth year, but my Gibson Victory Artist is the same birth year as my wife - a good year!

In my experience these cheapy ones are effin awful - poorly put together, dodgy intonation (which with a fixed bridge you can do very little about) - the one I had the unfortunate encounter with had a dodgy piezo where the A string was way quieter than the others when plugged in. You can't expect miracles for £50 but that watered down excuse of an instrument made me cry. I freecycled it in the end - I couldn't ask for money for it and keep a clear conscience. If your budget is £150 then you could pick up something way better like a second hand Ibanez AEB.

"rice"nbacker

There's nothing in my local shops worth trying or buying. I've only ever tried one bass in a shop before I bought it and that was my first. Waste of time that was as well, as I didn't have a clue what I was doing! Unless I've done the deal in person (a rare occurrence due to location), I've bought purely on looks/specifications at a distance and hoped for the best. I can't see myself going down the commissioning custom basses route, I'll just continue to buy second hand stuff and hope I like it. Scattershot approach perhaps, but variety is the spice of life

[quote name='Ou7shined' post='1199204' date='Apr 14 2011, 11:19 AM']Totally. Oh how the tide has turned since then. [/quote] I know, I was so enthusiastic back then. What happened? I guess I just lost interest when I realised that it's not my forté.

Man, that's a blast from the past - I think I still have the template somewhere

Say that you'll cease and desist when they learn to spell.