neepheid

3Leaf Audio Groove Regulator - 6 Adrenalinn II - 1 Aguilar Agro - 1 Aguilar Octamizer - 1 Akai Unibass - 2 AMT Slap Bass -1 Ashdown Chorus - 1 Ashdown Drive Plus - 2 Asdown dual band compressor - 2 Ashdown sub octave plus - 1 Barge Concepts VFB-2 - 2 Behringer BDI21 - 3 Behringer chorus - 1 Boomstick Bottom Feeder - 1 Boss BF-3 - 1 Boss CE-2 - 3 Boss CEB3 - 1 Boss CS-3 - 1 Boss DD-20 - 3 Boss DS-1 - 2 [b]Boss LMB-3 - 1[/b] Boss LS-2 - 8 Boss ME-50B - 1 Boss ME-8B - 1 Boss MT-2 - 1 Boss OC-2 - 10 Boss OC-3 - 1 Boss ODB-3 - 7 Boss PH-1r - 1 Boss PS-3 - 1 Boss PW-10 - 1 Boss SD-1 - 1 Boss SL-20 -2 Boss SYB 3 - 2 [b]Boss TU2 - 12[/b] Boss TU3 - 1 Boss TU-12H - 2 Boss chorus ensemble CE-5 - 2 Bugbrand Bugcrusher - 1 Catalinbread SFT (clone) - 2 Catalinbread Teaser Stallion - 1 Chunk Systems Octavius Squeezer - 1 Danelectro French Toast - 2 Demeter Opto Comp - 2 Devi Ever Hyperion - 1 Devi Ever Cherry Pop - 1 Devi Ever SodaMeiser - 1 Digitech Bad Monkey - 2 Digitech Bass Synth Wah - 1 Digitech Whammy - 5 DOD FX-25 B - 1 Dunlop Bass Cry Baby - 3 DHA VT2 - 3 EBS Octabass - 3 EBS Multicomp - 4 EBS Dynaverb - 1 EBS Unichorus - 1 EHX Memory Man with Hazarai - 1 EHX Bass Balls - 1 EHX Bass Big Muff - 4 EHX Bass Metaphors - 2 EHX Bass Micro Synth - 4 EHX Big Muff Pi (Black Russian) - 3 EHX Big Muff Pi (Green Russian) - 1 EHX HOG - 1 EHX Octave Multiplexer - 2 EHX POG2 - 1 EHX Small Clone - 1 EHX Small Stone Nano - 2 EHX Small Stone (Black Russian) - 1 EHX Qtron - 1 EHX Qtron+ - 3 Exar PigNose - 1 Ernie Ball VP-Jr - 1 Fishman Platinum Pro EQ -1 FuzzHugger ABsynth - 1 Fulltone Bass-Drive Mosfet - 1 Guyatone MD-3 delay - 1 Guyatone PS-3 Phase Shifter - 1 HBE Psilocybe -1 Ibanez PD7 Phat-Hed Bass Overdrive - 2 Ibanez SB 7 - 1 Ibanez WD7 Weeping Demon - 1 Korg DT-10 - 2 Korg Pitchblack - 4 Line 6 M9 - 2 Line 6 Bass Pod XT Live - 1 Line 6 DL4 - 3 Line6 FM4 - 1 Maestro Brassmaster (clone) -1 MarkBass Compressore - 1 MarkBass Super Synth - 1 Marshall Guv'nor (MK1) - 1 Marshall Jackhammer - 2 Marshall Echohead - 1 Marshall Regenerator - 1 Maxon CP9+ - 1 Mellowtone Clean Chan Dirty Chan - 1 Mojo Hand Cream Pie - 1 Moog MF-101 - 3 Moog MF-102 - 1 Moog MF-105b - 1 Moog MF-107 - 2 Moog MP-201 - 1 Mr Zinky Master Blaster - 1 MXR Bass Octave Deluxe - 1 MXR Blowtorch - 4 MXR El Grande Bass Fuzz -1 MXR M-80 DI+ - 6 MXR M-143 Limiter MXR Super Comp - 1 Peterson StroboStomp 1 - 1 ProCo Tubro Rat - 2 Radial Bassbone - 1 Radial bishot io - 1 Rocktron Cyborg Reverb - 1 Sansamp Bddi - 7 SansAmp Para-driver - 1 Seymour Duncan Tweak Fuzz - 1 SFX Micro Fuzz - 1 SFX S&M - 1 Subdecay Noise Box - 1 TC Electronics PolyTune - 2 TC Electronics Nova Modulator - 1 Tech 21 VT Bass - 3 Tech 21 VT Bass Deluxe - 3 Toadworks Mr Squishy - 1 Way huge swollen pickle - 1 Xotic X-Blender - 1 Yamaha OD-10 - 1 Z.Vex Box of Rock - 1 (clone) Z.Vex Woolly Mammoth - 5 (clone) Z.Vex Mastotron - 1 Z.Vex Wah Probe - 1

I'm sure I've sold stuff in that time frame. Up here, it's the only way to try stuff.

Hmph, phantom coils and coil tapping is cheating! [quote name='Ou7shined' post='1018483' date='Nov 10 2010, 10:25 AM']Does this thread mean your Danelectro is nearly here Matt? [/quote] Having started in Tucson, Arizona, it is currently somewhere between here and Indianapolis, Indiana. Friday delivery estimated.

As I gazed thoughtfully at my Gibson G-3, I thought to myself "you don't see many basses with 3 (or more) pickups". I thought it might be fun to try and list as many as I could. Feel free to add any I've missed Gibson G-3 EBMM Big Al Fender Urge Danelectro Hodad Burns Bison (and Marquee and others) Ibanez JTKB300 Can anyone think of any others?

[quote name='Ou7shined' post='1016771' date='Nov 8 2010, 07:16 PM'].... and that it sounded better..... oh no that's me off Neepheid's xmas list. [/quote] Nah, you're safe enough - I'm no fan of EB/SG basses.

[quote name='RickIronWitch' post='1016340' date='Nov 8 2010, 01:40 PM']Apparently though, a nice thick leather strap sorts that problem.[/quote] I'd say "mitigates" rather than "sorts"

[quote name='skej21' post='1015616' date='Nov 7 2010, 07:52 PM']I'd guess that the Fender neck and the Fender body will fit together perfectly[/quote] Ooh, hopeful

I feel I need to jump on this bandwagon also because I've realised that in just over 2 years of (serious) playing I've had nearly 20 basses in and out the doors. To be fair I've broken even on average on the ones I've sold on, and you could say that I've just been finding out what I like and don't like but it's probably time to calm down now that I'm clear on what I like (Gibson basses, wide necks, lots of tonal options, quirky (but not pointy) looks) I will make a proviso that if interesting (to me) Gibson basses turn up at silly prices I'll be having them

I've only had 1 bad gig out of 11 so far. Sure, I'll make a few little mistakes most gigs but this one was poor. Afterwards, I was all for tendering my resignation from the band because I felt so bad. The guitarist said to me that he was glad I'd had an off night as it proved I wasn't a robot. Then we all had a good drink and a laugh. Go figure. My wife showed me how to deal with mistakes. She took a tea towel in her hand and said "See this? This is your mistake." She then scrunched it up in a ball and threw it over her shoulder.

[quote name='daz' post='1013755' date='Nov 5 2010, 09:15 PM']So what your saying is its not possible to get a family member to buy it for you then send it you as a christmas pressie or somesuch. Would you still have to pay duty on this?[/quote] If it's worth more than £36 then yes, you will.

My first bass was an Epi EB-3. It certainly was pretty, but I eventually found out that it wasn't my kind of bass because of the thin neck and the bad balance. I sold it without any regrets.

My wife lets my buy any basses I like - except pointy ones. I call them "divorce basses" That is a bargain though, someone should snap that up.

Having owned a Takamine G-series and an Ibanez AEB, I believe that NO acoustic bass guitar will compete unamplified with even a single acoustic guitar. There just isn't enough space in the body to resonate enough air to produce enough sound at bass frequencies. [b]In my humble opinion[/b] the only reason to have an acoustic bass guitar is to blend in aesthetically with an acoustic ensemble, but you'll still need amplification.

[quote name='Gust0o' post='1010717' date='Nov 3 2010, 01:25 PM']No, they use standard templates for their responses - you will not get a human response this side of writing to someone senior or causing a fuss. They are absolutely awful. Criminally awful. In fact, I'll post their MD the link to this article. Yet another example of how they can't get the basics right.[/quote] I couldn't even get their attention by reporting someone who was asking for Western Union payment while passing themselves off as a PowerSeller when they weren't. It seems they don't even care about fee avoidance which I thought would be a sure fire way of piquing their interest. Success rate in getting counterfeit basses taken down has gone way down also. Oh well.

[quote name='farmer61' post='1010608' date='Nov 3 2010, 12:00 PM']OK thanks, file in situ or remove the saddle? Anyone else see a disaster looming??? [/quote] Remove the saddle. Filing/sanding will make an awful mess of your guitar and dust/filings could get into the slot and sit on top of the piezo - you don't want that.

[quote name='farmer61' post='1010374' date='Nov 3 2010, 09:03 AM']Just aquired this new beasty Really good nick, normal acoustic issues of low volume when unplugged, but a fine aquisition all the same (used to have one, sold it, regretted it, so rebought one!!!) Anyway after my initial play, I'd like to adjust the action if possible. At the headstock end the action is fine but is a tadge high at the body end, prob by .25cm or so. Now as far as I can tell, there is some possiblity to reduce the height of the plastic (?) bridge, I assume by filing and I'm sure some truss rod adjustment. If anyone has done this before on an ABG I like some words of comfort/tips/advice before I have a crack at it. It's a Takamine EG512C. Thx.[/quote] IIRC on the Takamine the bottom of the saddle has notches in it which might have something to do with making individual contact with the piezo for each string. I seem to remember deciding not to mess with that and filed the top of the saddle instead. Take your time. If you do attack the bottom, make it squared off otherwise you'll get poor physical contact with the piezo, resulting in uneven output. I had to fix an electro acoustic guitar recently - no signal from the low E string. This was due to the guy having a go at lowering his action but filing the bottom of the saddle squint. So basically, either shape the top to your liking or make sure the base of the saddle is flat, straight and true if you file the underside.

Each to their own, but if you come near my basses with that cheese grater I'll knock you into the middle of next week

The last time I was at this caper it was 24 songs in about 3 weeks and I know some people are faster but we didn't even manage to get the whole band together until the day of the gig. Everyone else in the band was way more experienced than I and was probably winging it. I kept my end up by obtaining an acoustic bass so I could practice in my lunch hour at work and at home was plonking away every spare minute I could grab. Gig went great I need to know that I've done my best. It reminds me of a time back at school when I was in recorder group. There was this one song I couldn't get my head round when practising at home, so when it came to the song I asked to be excused to go to the loo and waited outside until they were finished! What a coward! That's fine when you're in a group of people all playing the same thing, but obviously that won't wash in a band situation. I promised myself I would try my damnedest not to be in such a situation again

Not a prolific gigger (11 so far, so I guess my experience doesn't really count for much) but I've only ever taken 1 bass to a gig. In that time I have never had technical difficulties on a bass, never broken a string in my life come to think of it.

I'll go one better and say you'll never get your money back on upgrades. That is why you should keep the original parts, so you can return the instrument to stock for selling. You'll get more money selling the fancy parts on separately than you will with them contained in an instrument. Sticking EMG stuff in my Epiphone Les Paul bass does not double its resale value, even though it cost more to put in all the EMG stuff than it did to buy the bass in the first place

Yay, a polarising debate! I think some use of tab is fine as long as its limitations are taken into consideration. You should always use your ears first. It'll be slow to start with, but it will get better the more you try to pick out bass from listening to music. I have found that tab can occasionally give you [b]an idea[/b] of how to play a song (or a difficult part), but play the notes along with the song to see if they make sense. As some people have said, there's a lot of rubbish out there - that's because all the free tabs out there are people's own interpretations and people get things wrong. I've only been playing properly for a few years, but my ear is improving all the time and my reliance on tab and suchlike crutches when learning songs is getting less and less. Don't rely on free internet tab because it isn't reliable, but if you go into it eyes and ears open then it can sometimes be useful.