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neepheid

⭐Supporting Member⭐
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Everything posted by neepheid

  1. neepheid

    Mr. Foxen

    Oli bought a DiMarzio Model One from me, it was a smooth, easy transaction.
  2. Howard bought a set of Schallers from me, paid promptly and let me know when they arrived. A smooth, easy transaction.
  3. [quote name='deaver' post='429395' date='Mar 9 2009, 02:18 PM']Thanks for that. I'd pour yourself a strong drink before checking out the next instalment.[/quote] I don't need encouragement, only help with choosing which malt to quaff
  4. What about the Seymour Duncan Antiquity? [url="http://www.seymourduncan.com/products/antiquity/bass/"]http://www.seymourduncan.com/products/antiquity/bass/[/url] They look ratty and old too! Maybe the Wizard Trad might be worth a look also?
  5. Yup, overpriced. It varies with the model (and varies pretty wildly on evilBay too) but I'd concur with the assessment of £150-£200 depending on condition, whether it comes with a gigbag or not etc.
  6. Well done on embarking on this, you'll have a lot of fun, maybe a little frustration but ultimately you'll learn a lot. I'll be keeping an eye on how you're getting on.
  7. The only basschatter I've seen play while I've been sober is Ou7shined. And he's pretty damn good in my book.
  8. This is a bargain, and with a little work these little beasties can take on the world: I did my first ever gig with one of these (and I think the only thing I had modified at the time was the bridge).
  9. I picked this up for a fiver: Any idea what it is/was? Captain Japcrap? Anyone? Someone made a right arse of putting in block inlays to it so I thought I'd dig that out and make it maple where a marker ought to be.
  10. neepheid

    Hey!

    Welcome to the forum
  11. [quote name='elom' post='410557' date='Feb 15 2009, 10:35 PM']I know that les paul shaped basses often suffer from a bit of neck dive. However the spec is for a particularly thin neck and the scale is 33" specifically to try and get a better balance. With a decent strap too I think I'll be fine but now that you've got me thinking about it I'll mention it to Ben![/quote] If it's any help, my Epi Les Paul Standard has NO neck dive. I couldn't believe it either!
  12. [quote name='grimbeaver' post='425900' date='Mar 5 2009, 10:47 AM']I dont aspire or ever want to sound like wootten thanks. Having a quality set up means reliability, tone control, and the flexibility to adapt to any venue, Mattlock who insists on using Fender rumble amps or ampeg is still playing for the pistols and he plays fingerstyle. With quality gear you are prepaired for all situations and you can "dirty" your sound as much as you like from that base[/quote] It sounds like you have a pretty fixed idea in your head, so why are you asking us for advice then disagreeing with everything which doesn't fit in with your stated opinion above? I'll also go out on a limb and suggest that this thread is starting to take on a whiff of gear snobbery.
  13. [quote name='grimbeaver' post='425807' date='Mar 5 2009, 09:30 AM']I had a look at them and to be honest was concerned that its not active ( I know the t bird is passive) I wanted 2 independant pick ups , it just specs up a bit cheap and nasty[/quote] If you don't really want it anyway, what's the point in spending heaps on it? That crisp, biting active tone isn't really punk, is it?
  14. Welcome to the forum
  15. Looks like a Hondo to me. Like this one: [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&rd=1&item=130290483358"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...em=130290483358[/url]
  16. neepheid

    Hi

    Welcome to the forum
  17. Another vote for Hercules stands - got a full size one and a mini one for stage/practice room use.
  18. [quote name='DanOwens' post='424763' date='Mar 4 2009, 08:55 AM']Is the eb-0 in cherry red? ta[/quote] Yes it is.
  19. No-one's going to give me approx £150 for an Epiphone EB-0 no matter what parts I've put on it, so I'm going to have to break it up. I know it's butchery, but it's also economics. I've got some other stuff too. I need to realise some of the value scattered around the spares box. Let us begin. [i]bridges[/i] [s]Hipshot Supertone bridge (chrome) - SOLD[/s] 2 saddle Squier Bronco bridge (chrome) - might fit old Fender Musicmaster - £10 [i]pickups[/i] [s]DiMarzio Model One pickup - SOLD[/s] 2 jazz style pickups from a Peavey Milestone 3 - £10 2 generic soapbar pickups from a 6 string bass - £10 2 early Hagstrom H-IIB pickups (round ends, pickup rings, springs but no screws) - £30 [i]bodies/necks[/i] [s]Epiphone EB-0 body with electronics (except pickup) and pickguard (cherry red, mahogany) - SOLD[/s] [s]Epiphone EB-0 neck (cherry red, mahogany) - SOLD[/s] Peavey Milestone 3 neck (maple/rosewood, J width, some small dings) - £10 [s]AXL Player Deluxe neck (maple/rosewood, P width, good condition) - SOLD[/s] Hagstrom H-IIB body (not original finish, dark brown varnish, mmm!) - £30 Hagstrom H-IIB neck (refinished, no nut) - £30 [s]Unused unbranded 5 string neck (24 fret, 1.75"/44.5mm at the nut, 68mm at the heel) - SOLD[/s] [i]tuners[/i] [s]Schaller BMFL tuners (chrome, 4 in line) - SOLD[/s] Set of generic open gear tuners (chrome, 1/2" posts, 11/16" bushings, elephant ears, 3 + 1) - £10 Set of generic open gear tuners (chrome, 1/2" posts, 11/16" bushings, elephant ears, 2 a side) - £10 [i]misc[/i] Hagstrom H-IIB control plate -£20 Postage is to be added to all these prices. Bank transfer is preferred, but I can take Paypal if you don't like doing that. I'll get going on some pics/more info tomorrow and add anything else I can think of. PM me if you're interested in any of these items. [s]I'd also like to rather cheekily add that I have a Sony PSP + 2 games + 1GB memory stick + all the usual goodies for sale.[/s]
  20. [quote name='Balcro' post='423158' date='Mar 2 2009, 01:16 PM']It's mad giving bar staff ear-plugs. They have enough trouble hearing customers in a packed pub anyway, without someone sticking a foam plug in their ears to make life more difficult. They can't all lip read. The simplest answer is to rotate the staff, so that they get a comfort/noise break, perhaps every hour and go to a quiet place in the building for 10-15 minutes and or go and do other work elsewhere in the pub. Balcro.[/quote] I can only speak for myself here but I have worked behind a bar in a live music venue with earplugs in and had little trouble hearing customers. It's no more difficult with plugs in as it is with them out - the attenuation applied by the plugs applies universally, you hear everything the same as you would, only quieter. The customer's voice is drowned out to the same degree by the music with or without plugs. You still have to lean over the bar and cup your hand to your ear. You may well have a different experience from your times behind a bar and I respect that, but I don't take kindly to a blanket declaration of something being "mad" when I for one have found it beneficial and have the experience which backs that up.
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