neepheid

I'm not aware of a British/ISO/ANSI standard amount of leg separation when playing bass

We soon will be... my eyes!

Then you're out, on general principle!

IMO (as that's all it is) - Tier 2 failure, it's gear. Doesn't matter what it's for. That's the hardcore level. On the basic, bassy tier 1 level, you'd still be in.

You have to pack to to be as courierproof as possible. You have to assume the worst.

Excellent, replaced one distraction with another

How far down the rabbit hole you want to go is entirely up to you. I bought rubber feet this month to complete my pedalboard project. Am I out because I bought something which got attached to something which is used to house something that is gear? No, no I'm not. That's maybe a silly example, but perhaps illustrates how easy it is to overthink things.

If you want to declare yourself out because of VSTs then that's your call, ultimately you will have decided that VSTs count as gear, and bass gear specifically.

I don't think loans count. It's not yours at the end of the day. Also, it's a drum pad - on a tier 1 level (bass gear only) who cares? Would only be of concern to people going hardcore, zero music gear of any kind. TL:DR, I don't think you're out because you borrowed a drum pad.

I'm not the ultimate arbiter of this endeavour, I'm just keeping records. I've already offered my tuppence worth in this particular justification/appeal/enquiry/whatif, and it is no more valuable than anyone else's. It's just a bit of fun at the end of the day.

Yes. Our rehearsal room is an electromagnetic hellhole. Shielding helped a bunch.

Ok, I'm going to try to be objective about this. On the plus side (versus a regular 60's/Vintage Pro Thunderbird): It comes with a hard case. It has a Babicz bridge (although the picture on Thomann's site has a classic three pointer on it) It has a brass nut. It's got a famous person's scribbles on it. Is that enough to justify the uplift? Maybe. The amount you'd need to spend to get a regular 60's/Vintage Pro up to this spec wouldn't be too far off. OK, I'll shut the hell up now.

In this scenario I presume they're just going to jack (pardon the pun) up the price of the Jack Casady, seeing as it's their flagship product. This sucks. Just playing into the hands of the likes of Sire, who will occupy the vacant hole in the price range left by moves this. EBMM/SBMM have already done goofed and the Sire Z3/Z7 is coming along soon to occupy the Ray and Ray-a-like space between HB and the likes and SBMM. Epiphone will vacate next and if a Sire "T-bird-a-like" doesn't appear soon after I'll be very surprised.

You'll need to raise your action if it's too clanky for you when you're playing at your hardest. I set my action to be as low as possible without appreciable clank/fret buzz when playing hard. That is likely to require higher action than a guitar - strings are bigger and they travel further when plucked. Raise the pickups a little to meet the strings to reinstate the tone you want. Raising the action affecting the intonation? Depends how far you go. No harm in checking it after you've got the action how you want it.

No encore in Aberdeen...

Who's going to pay this much for an Epiphone? This is as bonkers as some SBMM pricing...

Have you tried contacting Gibson? They're useless when it comes to old, out of production stuff, but when the bridge pickup on my Gibson EB (2014) failed they sent me a replacement without an issue. Mind you, they wouldn't/couldn't supply me with a gold three point bridge, but that was me not replacing like for like - the bass I was working on never came with a gold one and I was chancing my arm If you approach it from the point of view of repairing a broken product then you might have more success - I was too honest...

Steve Harris Jack Bruce Billy Cox Rutger Gunnarsson John Entwistle

You've asked this before - I thought it felt familiar! Hopefully with the added info you'll decide I'm not talking hogwash this time

Aad here's a picture of a Epi Vintage Pro T-bird with the two point bridge installed (taken from Hipshot's site):

Nope. that's the D style - doesn't fit. You need this: https://hipshotproducts.com/collections/bass-bridges/products/supertone-gibson-bass-replacement-bridge?variant=33244555400 You don't use a tailpiece with this one - it has an extended bit after the saddles to accomodate the ball ends.

According to lowendlobster, the Hipshot Supertone TWO point bridge is a drop in replacement for the Epiphone Newport bass which uses the same bridge/tailpiece arrangement as the T-bird and Embassy. He says D style first but it doesn't fit. Also, you'll need to make sure you get metric bolts for it - the Supertone should come with metric and imperial bolts but that's the three point, dunno if the two point Supertone comes with metric bolts as it is principally aimed at replacing the bridges on pre 1972 USA Gibsons. Hope that helps!

Hmm, interesting grey area. I have no experience in this field. They're not physical, are they consumables to DAWs like strings are to basses? Honestly, make your own mind up and if you think they don't count then don't bother reporting them. I'll add you the noo.