tauzero

There's another thread just started on the subject. It seems rather restricted to me, as it's a single effect selected from a list of 250 or so, rather than up to 9 effects as the HX Effects has for double the money.

Well, back you go on the ignore list, you ignorant stinky poo.

So I'm deaf and ignorant? Or is it that you are incapable of a definition so you're chucking out insults?

Assuming that you don't want to go the sensible route and chop the headstock off entirely, an angled cut perpendicular to the left edge of the headstock between A and D, and putting the D around the "r" of Harley would save stopping and redrilling, assuming that there's sufficient room on the rear of the headstock to accommodate the smaller tuners.

HX Edit and Line 6 Updater have been updated this month to v3.62 and v1.28 respectively - no 3.62 update for the HX units themselves though.

£250 for one selectable effect. £500 for 9 selectable effects on the HX Effects. Doesn't seem like much of a bargain.

You can go hybrid wired/wireless with wired headphones to a wireless IEM - for your purposes, the Lekato MS-1 would be fine, but it's a bit of expense that you don't really need as you're going to be tethered to something by the instrument lead unless you've gone wireless with that too.

Click on "Share" under the video, then click "Copy", then paste the link you've just copied straight into your post.

I've played in a few covers bands where I wouldn't listen to the music we played, and a ceilidh band playing playing traditional music. My preferred genres are prog and various of the subdivisions of rock.

It may be the way that you stand on the doorstep sharpening an axe that puts them off.

Just in case this is any help to anyone - the answer was to go into XR12 settings and into Audio/MIDI, and unset all three of the DIN MIDI switches.

If wireless would be useful, there's the Korg MicroKey Air 25 - it does both wired and wireless, keyboard feels OK.

Fretless (lined maple or unlined) is on the list of options, and there are some photos of a fretless in the gallery. Maple, ebony, rosewood, birdseye maple are the fretboard options. Singlecuts have never appealed to me - I've never liked the looks. This seems quite an ingenious approach but the aesthetics put me off.

Jeremy uses a 12-string bass so you'll find it difficult to get that sound. Type of string makes a considerable difference to sound. Flatwounds will have a bit less treble than roundwounds.

"All Right Now" was used in a Wrigleys advert IIRC. In current adverts, "I can't see me loving nobody but you" is in use in one (showing how effective it is, I have absolutely no idea which advert).

How can I tell what the pickup sounds like with all that distortion over the top of it?

@LukeFRC, you need an equivalent to a John Bull printing outfit for letter stamps so they're all aligned. Or a laser engraver.

https://www.wordhippo.com/what-is/the-opposite-of/bright.html dim, faint, unbright, unbrilliant, dull, lacklustre So faint, dull, and lacklustre.

That depends entirely on which preamp, powered PA speaker, cab, head, and combo you're talking about. Weight is a consideration for me, my 500W combo is under 10kg so that beats any PA speaker. The sound of a particular cab may be preferable to you to the sound of an active cab, for when you're backline only.

I'm not sure who that is a dig at/ What would you describe a "dark" sound as, as you appear to consider yourself an expert in the nuances of language and abstract thinking?

It's worth having a look on Ebay for PMPO in titles and descriptions, just for a laugh. https://www.ebay.co.uk/itm/125986388583 Output power: 600 watts PMPO RMS: 2x 2.5W

Lick The Bastard?

It's beautiful. Shame about the price, if it was a tenth of that I'd be tempted.

OK, so not "dull" but "bassy" then. "Dark" conveys absolutely nothing in sonic terms to me.