tauzero

Zoom B3, Zoom B3n, Zoom MS-60B, Tanglewood something, Korg CA2, Tascam GB-10, MOD Dwarf, Line 6 HX Stomp. I've tuned basses with all of them, and more, without problems. The point being that if you have a multifx with a tuner, you shouldn't need to take a separate tuner too. I do occasionally think of getting a Strobostomp for setting up intonation. So far I've got away with playing the 12th fret harmonic and comparing it with the fretted octave.

With a drill and a soldering iron, you could knock your own up. One DPDT footswitch to switch between the two inputs, a second footswitch to switch on and off.

You need a fair bit of processor power - Odroid N2+ perhaps, which already has a decent DAC so would just need an ADC. Has a Pi-compatible 40-pin GPIO. There appears to be a few VSTs available for Linux and JOST to run them. I'm not going to pretend to be an expert though. Conventional and USB host MIDI - should be able to run softsynths (like MOD devices & MODEP).

There's the EA iAmps - I had an iAmp500, eventually sold it. The Classic is a different colour scheme but the EQ is the same. The Ashdown Superfly and Superduperfly had a graphic EQ but with the editor software you could get to a 7-band parametric EQ. I thought it was a great shame that they didn't make that front end available as a separate pedal - I did suggest it to them but they evidently weren't interested.

It's because they're very very cheap. And there's a reason for that...

Congratulations on not losing several minutes of your life.

I think I may have responded to this in another sub-forum. Pros for onboard - controls fall easily to hand, with centre-detented pots it's easy to get a flat setting. Pros for outboard - can have more controls, if you want to change it or try other ones you don't have to dismantle anything. There's nothing to stop you having both onboard and outboard. You should be able to wire a switch to bypass the active onboard if you really want to, though heaven knows why you would (except if your battery runs down, as it will every four or five years).

You could always try Hipshot. Makre sure you're sitting down before you look at the price. https://hipshotproducts.com/collections/bass-headless/products/headless-bass-headpiece?variant=43188330824

Surely non-vocational courses are to broaden the mind and encourage one to learn about learning? That's why that nice Mr Sunak wanted to do away with them, because they didn't contribute economically. https://news.sky.com/story/sunak-vows-to-crack-down-on-university-degrees-that-do-not-improve-earning-potential-12667369

"The lifespan of a hospital corpsman from the time his foot hits the water till the time he almost gets to the beach is seven seconds" - Bill Cosby, "Medic"

You cannot be sillyars!

Not keen on the bulbous top horn or the general plastic toy vibe. There are definitely more hideous basses out there though.

Mine's an ETB1265MS which had been fitted with Aguilar DCB pickups but has the original electronics. Judging by Youtube videos (not the ideal source), it's a good upgrade - certainly the bass has great clarity. The preamp is very good, I don't feel any need to replace it. I think it's the most attractive finish as well, which is nice.

You can use Tonelib Zoom https://tonelib.net/tonelib-zoom.html to store and restore your patches (and edit them as well). I think the Zoom software (Guitarlab?) also allows the same. Could the issue be with the input socket? Or the cable connecting the I/O board to the main board? Have a look at this video for disassembly instructions on the similar G3xn:

I've got the guitar version of this for my headless Sei: https://www.thomann.de/gb/thomann_e_bass_gigbag_premium.htm I wouldn't describe £100 as budget, but then again I'm cheap. And easy. The only issue I have with the bag is that the (sizeable) reinforcement at the bridge end isn't quite in the right place for the twin strap pegs on the Sei, so one of them has bored its way to freedom. Wouldn't be an issue with single strap peg basses.

If you really want to play slap, for ease of popping, you'd need to have room to get your finger under the strings. Wilkes put slap plates in his fretless basses, like this: IIRC he also put a piezo mic under the end of the neck to pick up the percussive sound. All wasted on me when I had a Wilkes as I didn't (and don't) play slap.

Ugly, and it looks like it's got true temperament fret lines.

It did then. But that was 2007.

Maybe so, but the Strat is a bit different, as it's an Affinity Strat which I defretted.

I went to the Royal Veterinary College (it's on Royal College Street, which Bass Gallery visitors might recognise) for very nearly a whole year. Got far more interested in playing in a band with other residents at the hall of residence I was in, dropped out, and finished up programming. 45 years later, I still am. I think I've enjoyed myself for about 50% of that, but there are days when I think wistfully that I could have been in the middle of a field with my arm up a cow's ārse.

Nobody's commented on the Neil Hodgson BSB Ducati model.

Ohm on the range.

I plead not guilty to that. That was the current Mrs Zero's, as I'd left mine at my house along with the former Mrs Zero.

The body is lovely, not so keen on the fretboard or the pickups - I think I'd describe them as fussy.

I like them too. My opinion may be coloured by the fact I love my Antoniotsai which has a distinct Ritter homage feel to it, even to the slopey pickups. I bought it in 2007, at which point I'd never heard of Ritter.