tauzero

Shouldn't it only require two zero crossings, which could be anything between half a cycle and very very nearly a full cycle?

Yes, it would have cost around £300 for a 5-string though because you can't get the dead cheap AliExpress headless kits in 5-string. Could have done five singles though. Warwick and (IIRC) Kramer both took a similar approach to headless, so it sort of works.

As you've got a UK adaptor, presumably you're using an extension that has a Norwegian plug (beautiful plumage) and a UK socket in order to get the power in in the first place. Is it possible that it's that that is dodgy?

I built a Bluetooth page turner with an ESP32. This is the source: ESP32_page_turner.ino

A handmade headless 6-string, made by the seller, who'd made it for his own purposes but had no further need of it. I didn't ask if he made basses to order though.

Alternatively, chop the headstock off. No problem with dead spots on my headless basses. Headstocks - just say no.

I can't remember how my parents acquired a wind-up gramophone and some 78s, but they did. Among the records was one by a duo called "Flotsam and Jetsam", with a song called "Little Betty Bouncer": A similar theme was explored many years later by Dr Hook, in "Roland the Roadie loves Gertrude the Groupie".

Hermes have got better here. DPD have also improved since my horrendous experience with them a few years ago, when it seemed they'd lost a Warwick Thumb 5. My local Parcelfarce delivery man ("we can lose an elephant and break an anvil") is good - a guitar rack arrived yesterday in an inner box packed in an outer box, which was damaged (not the inner box though), and he took a photo of it in case I needed to make a claim. I've used UPS in the past without problems, and they do good insurance cover. It appears they may have deteriorated since then.

And in the 1950s we had the Ying Tong Song (number 3 in the charts in 1956).

I've played at the Boat Club with a ceilidh band. We also played the Ricoh stadium (well, a suite at the Ricoh stadium). I'd have loved to play at the Railway, Curzon Street (Birmingham), flattened some years ago.

Dave bought a Barefaced One10 from me. Good communications, we sorted out a mutually convenient meeting place, and had a pleasant natter when we met up as well as doing the deal.

The covers band I was gigging with is on hold due to health issues - I did vote for that although at the moment I'm mostly recording with an originals band, but I'm also looking for a gigging band (which the originals band isn't at the moment). I also record solo work at home.

Fortunately, they can also be found on Youtube so no need to sign up to Instagram.

Preferably while the guitarist is in it.

If 50% of BC readers slaver over it, it's a P bass.

Shouldn't the G string run pretty much straight to the tuner rather than turning sharp right at the nut?

I wish people would use metric weights. 1300lb is 590kg.

Looks nicely made, though the shape definitely doesn't do it for me.

I stick to 34"/863mm scale for fretless (I have several), but my fretted basses include a 36"/914mm which I don't have any trouble switching to and from.

I've been to Germany and back to gig three times, all on Easyjet, all using a normal Hiscox bass case. No problems.

Hadn't heard of it before but I'd be willing to try it and to buy it if it seemed OK.

Peavey Grind BXP, of which I happen to have one for sale.

The bass I use for gigging is a Sei Original 5-string headless fretless. For tinkling around at home, it's whatever is to hand, currently an Ibanez SRF705.

Fewer than 5 strings Fender/Squier/clone Painted I would say "headstocks" but there aren't enough headless basses around to do that Fat necks Single cuts

I first listened to Yessongs when I was a teenager who played a bit of guitar. I never noticed the bass. I'm not sure that making it the one instrument I didn't notice is my definition of "standout".