tauzero

Something seems iffy about the colours used for name tags (maybe if they've been visited) as it changes from black on pink to white on pink. See

I'm hoping to make it. @Richard R - Brawley Artemis 4, Brawley Artemis 5, EBS Session60 amp, something to weigh basses with. + son with his Westfield of some sort. @Stub Mandrel - Fender Performer, Hohner Jack Custom V, Deathburger (HB kit build), TE 1110 combo? @petecarlton - Mayones Cali4 "Puzzle" Bass: https://www.youtube.com/watch?v=pYAvWZGwc4s&t=13s&ab_channel=BassTheWorld.com; Sterling by Music Man Short Scale Stingray @Teebs PRS Kingfisher bass, Godin Passion RG-4 RN (It haz arrived! ) @SpondonBassed - Jack. (That's not short for Jack all, it's just that I can't decide until nearer the time.) @bassmansam - Rickenbacker 4003s, Eppy Thunderbird Vintage Pro and Ashdown ABM 500 2x10 combo @jebroad - Not-fender jazz (maybe), squire silver series jazz, old Kay SC, Dingwall combustion, Ashdown 8x10 (Maybe) @Jabba_the_gut - 27" mini basses, Short scale telebass, whatever else I build by then, TC RS210 combo. Cakes @Oldman -RUACH NT 35” Unlined Fretless Custom, head and cab @NickA Since the last one.. got a second Wal with an extra string and those weird metal things in the fingerboard ( supposed to help you play in tune I think, but cause all kinds of problems ). So, yes, please. I'll be there; Couple of Wals and some pjb amps. @Geek99 - POSSIBLE ... Ampeg AMP, bass-doc built relic P, homemade jazz with geddy lee pups, zoom b2. @Sarah5string Count me in. Dean edge pro 5 bass, Ibanez sr505 bass, little mark III amp, ashdown ABM 115 cab @verb Warwick Corvette and a TE Series 6 amp. @nickmew Dingwall Z3, Sandberg California II TM5 Fretless, Hofner Club, Roscoe Century+ 5 and probably a Phil Jones Double 4 as I'm not dragging along my big rig. @tauzero Perm a few from Warwicks, Seis, Variax, and Cort. Maybe some bass pedals too.

It seems perfectly reasonable to me that everybody in the band should be happy with whatever arrangements there are, and that nobody should try to force an anxious bandmate back into a rehearsal that they're not happy about. It also seems to me that he could have let you know a bit earlier. And, given the poor reliability of LFTs, it might have given him a false sense of security anyway. So it seems to me that you did one of the two best possible things (the other one being to do the LFT).

£250. Blimey. I was tempted to put a comedy bid on but that's in the realm of tragedy.

That's the most hilariously bad song you've heard? Consider yourself lucky...

They might have refused their fees in return for having false names used - preferably those of their enemies.

Deaf people have nights out too, you know.

Is there no way to amend the stylesheet?

Dog & Duck House Bassist

I must say, I thoroughly approve of the change which shows just a few lines of a quoted post, as I found it incredibly annoying when person A posted ten pictures of something, and person B then quoted the entire thing to add "Wow!".

My ears have just gone on strike. I'm going to have to listen to THAT cover of Final Countdown to recover.

See Bug Hunt thread in Site News.

Only yesterday, one could see page numbers running along the bottom of the page that one could click on to go to that page. Now the only visible page number is the current one, although putting the cursor over the page number row indicates that there are clickable places, and indeed clicking on it will take one to a page. Useful for page number roulette, but not quite so good for selecting a page. Is this simply the foreground colour of the non-current numbers being set rather too close to black to be visible? No need to answer, it's in the Site News bug hunt thread.

Time to bring out the trumps.

Depends if I also have the funds available. If I was telling my younger self stuff: don't chop the Hayman 40/40 in for a Fender P. Get a Laney bass amp and decent cab. Don't buy a f*cking Lotus, they're a complete b'stard to fit a 1x15 bass cab into. If I was now a callow youth starting out, knowing what I know now but with a reasonable amount of money: I'd be unlikely to get the Sei fretless 5 second-hand again, so maybe an Ibanez EHB1505 as headless basses are so much better than headed, and/or get that HB 5-string fretless that's in the marketplace because fretless is great. Build a Basschat 1x12 and buy a reasonable lightweight amp (class D, ignore any bollocks about heft), or get a good FRFR active speaker. Get a Zoom B3n. Use Schaller straplocks.

Trucker?

I can tell you lot are but babes and sucklings. Listen to what we got subjected to in 1980: And there's a good half-dozen Paul McCartney songs, severalo decades worth of Cliff Richard, and Wam, and the list goes on. I was waiting for that very first song to become truly awful and it didn't.

That's very nearly a Trace Elliot 1x10.

The Megatar is an instrument with a purpose. Must start learning how to play mine. The 15-string is potentially useful but would need thinking about the tuning - bottom 8 strings the same as a 6-string but extended by one string in either direction (low F#, top F), and the top 7 strings as a 7-string guitar.

Can't stand Osibisa but the album covers are great.

Condition: Opened - Never used Hmmmmm.

I'm rather tempted by a doubleneck, but I'm put off by their description of the neck profile as "round D" which seems to mean fat Fender, or possibly fat Warwick, and it's a lot to pay to find that it's not you want.

Intact, fortunately.

They took great care of the 5-string Thumb sent to me from Italy, taking it back off the van, putting it on the next day's van, taking it back off, losing it, finding it, and letting me do the 50 mile round trip to pick it up from their depot as I no longer trusted them to put it on the van at their depot, drive it to my house, and deliver it. But most of us have bad experience of one courier or another, and that's the only bad DPD experience I've had.

Apart from being fugly, headstocks wreck the balance of basses. Warwick really missed a trick not making the Thumb headless as they planned at one point. Still, each to their own, and you have my sympathy.