tauzero

Primarily the music, although sometimes the singist has poor diction and consequently the words are indecipherable, and I find that annoying. I need to be able to make out the lyrics, though I may not actually listen to what they're saying. I write lyrics myself and I want the lyrics to be heard properly in my songs (in case anyone actually bothers with them), and it seems to me that anyone who writes lyrics would also feel that way.

I think Eich Amps have taken over Tecamp USA's Facebook page, possibly accidentally. [url="https://www.facebook.com/tecampusa/"]https://www.facebook.com/tecampusa/[/url] which is where you finish up if you search for "Eich amplification" on Farcebook and then select Eich-Amps.

EA iAMP 800 and a brace of GK 112 Neo mark IIs, with either a Peavey Zephyr 5 or a fretless Mazeti 5. But I have no regrets whatsoever about having none of those any more.

Town GAS - a desire to visit the Bass Gallery. Noble GAS - a desire for equipment with the best possible intentions.

Nice big live room (perhaps with a vocal isolation booth) and a nice big production room too. Perhaps have a storage room where bands can put their cases so they're not just sitting in the live room. Also a relaxation room with fridge, kettle, sink, mugs, milk and tea-bags.

[quote name='The-Ox' timestamp='1452269339' post='2948352'] haha, if I told you the one bass I have was an ACG would that make things better? [/quote] I trust you'll be coming to the Moffat Bass Bash to increase your desire for an ACG...

[quote name='deepbass5' timestamp='1452107423' post='2946541'] So basically my point is - If you can tell the difference of a note - e.g "C" played on a piano and that same note (frequency/pitch) played on a trumpet and clarinet, Bass guitar. We can all Identify all those instruments blind, So it is not just wavelength and frequency, It is the harmonic information that is telling the brain this is a clarinet, it may be harder to identify a note played on an Alder bass with maple neck made in the 50's,60's,70's,80's,90's, etc but we could differentiate the difference, good bad and indifferent. [/quote] A lot of the information about what instrument it is, let alone which variant of that instrument, is gleaned from the ADSR envelope of the sound - attack, decay, sustain, release. If you just hear a sustained note without the initial part of the sound, you'd find it a lot more difficult to distinguish between, say, a bowed string instrument and a blown woodwind instrument playing the same note.

Beaten to it for most of my selections - Fever, Another one bites the dust, Money - but I suspect "With or without you" would be quite well known. But play the bass to the verses of such well-known songs as "All right now", "Honky tonk women", or "Highway to hell" and who will recognise them?

I use a Sei fretless 5 as my main bass and take along another one too as backup. The others are all fretted 5s except for a Sei 6 and I just take whichever one I fancy. Everything's pretty ding-free which is helped by not having any painted ones.

I think the Mackie is still Apple only whereas the more enlightened manufacturers cater for both iOS and Android.

Ooooh, cake! And basses! I should be there: tauzero, Sei Original fretless 5, Sei Flamboyant 6, Antoniotsai 5, maybe something else interesting, and possibly Mrs Zero.

[quote name='IanA' timestamp='1452008061' post='2945439'] From the email that I received from Mark Stickley read the price should be similar to the CN series [/quote] Bergantino say that the HDN is more expensive than the HD, and at the moment Mark's doing the CN cheaper than the HD (it was £50 more expensive, now it's £50 cheaper). So it might be the same price as the pre-discount CN series.

I did a Google search on "Richard Bona Thomas Eich" and there was an article in German on www.gearnews.de that, when translated by Google translate, made interesting reading - Thomas Eich's version of events between himself and Richard Bona (to be found at the end, in an update from 23/12/15). You can find it directly on www.gearnews.de with a little hunting.

The timing of Thomas Eich's announcement (New Year's Day) does make me wonder if there was some sort of agreement in place that prevented him doing anything until the end of 2015, much like there's gardening leave for F1 engineers when they move from one team to another.

[quote name='seashell' timestamp='1451945391' post='2944967'] There are some corkers here, but the frogs in the rehearsal room is my favourite. [/quote] We couldn't rehearse for a week or so because our lockup, in the basement of Robannas in Birmingham, was flooded. No frogs though.

[quote name='ambient' timestamp='1451941149' post='2944917'] I can maybe see why he lied to be honest. I've seen adverts that stipulate that musicians applying must be under 30. This is just for function/party type bands. What has age got to do with anything ? He maybe got fed up of not even getting to the audition stage because of his advancing years. The one jazz band I play for, I must be the youngest by about 35 years. [/quote] He told me he'd never done an audition, just got offered jobs - he's been pro since (presumably) the early 60s and is stepping back from that to treat it more as a hobby. Also didn't push it, said to put his name at the bottom of the list and, if we'd not got anyone, to get him along for a play.

"Giving the Pumas away"? When they're considerably more expensive than they were when they were made in Germany?

We're in the process of doing this at the moment. We have had a fair few responses now, and actually had a couple along to an audition - we didn't think either was suitable and the second one accepted an offer from another band anyway the next day, and another one we had lined up accepted an offer before we actually saw him. We have a couple coming in this week. But anyway, another one rang me up for a chat. Told me he was mid-fifties, like we are (stretching the definition of mid a little in my case), and to check him out with Google - and the first hit revealed him to have been born in 1946, 11 years before me. Now, some of my best friends are superannuated drummers, and I wouldn't object to someone being in a band on the grounds of age (after all, in the other covers band I was in which is now hibernating, I was 25 years older than the rest of the band) but it would be nice for them to be honest about it. I also noticed that 99% of the drummers looking for bands want to join functions bands. I'm not sure that there are enough function bands to go round.

Incidentally, Puma 900 at Thomann (get 'em while they're hot) is about £650 inc VAT. Puma 900 from TecAmp USA is about £680 + VAT + duty + shipping, so they've jacked the price up by 25% (£30 + VAT). A Puma 900 will now cost a UK buyer about £835 plus postage. That should help destroy Tecamp's European market.

[font=arial,helvetica,sans-serif]Mein Puma ist ein berliner.[/font] [font=arial,helvetica,sans-serif]And Thomas helped me out with instructions on fitting a fan to it, as the later Puma 900s have (I'm not sure it's necessary after all that, I think that I misdiagnosed a speaker issue).[/font]

I use a Puma 900 through two Berg AE112s, the first one daisy-chained to the second.

Yes, VAT and duty to add to the price. Still, I'm happy with my Puma 900 so I'll stick with that, unless Thomas Eich starts up another company and comes up with something else interesting.

[quote name='BigRedX' timestamp='1451039981' post='2937942'] When's the 5-string version coming out? [/quote] +1.

Is the log still in trouble? I'm a little worried.