tauzero

[quote name='6v6' timestamp='1489321278' post='3255970'] I've been having a play spice modelling these in an effort to understand the frequency/phase response better (I'm a novice when it comes to crossover design but once studied the basic principles, many years ago!) Currently not quite sure the best way to model the electrical characteristics of the drivers (I assume an inductor/resistor but I'm unfamiliar with exactly how to approach specifying this). Modelling the LCR networks is simple enough though so I've started with that. Happy to share the results for discussion here if such reverse-engineering & analysis is OK by stevie [/quote] I don't think it's as simple as an inductor/resistor as there's an impedance peak at the resonant frequency of the speaker. Just had a look and there's an article on Wikipedia - looks like it's a complex LCR mix. [url="https://en.wikipedia.org/wiki/Electrical_characteristics_of_dynamic_loudspeakers"]https://en.wikipedia.org/wiki/Electrical_characteristics_of_dynamic_loudspeakers[/url]

Those revised drawings are a lot clearer, and I can't see any mistakes in the physical layout.

[quote name='seashell' timestamp='1489184339' post='3255130'] Yah boo sucks. Just unfriended him on FB. That'll teach him. [/quote] You really know how to hurt a man.

Peavey.

The LF circuit looks as if A, B, and C are connected together. Surely there should be no connection between A and B as it shorts out L1? HF circuit looks OK.

I'd have had that if it had five strings.

"[color=#3C3241]It has not been played for over 2 years as I had an accident and I lost my finger but it has been sitting inside the cover." So you get a spare finger with it then.[/color]

A rather attractive [url="http://www.ebay.co.uk/itm/172567560175"]Sei 5-stringer[/url].

Will anybody be bringing a BF One10? Would like to hear one of those.

I'm settling in with new bands so this is what I was using with the recently-deceased rock covers band: Sei Original fretless 5 or Sei Flamboyant 5 fretted Homemade jack to mini-XLR cable Line 6 G50 wireless Homemade Neutrik/Van Damme cable Zoom B3 Neutrik-ended cable with two DC power extensions sheathed with it to power B3 & G50 (using original power supplies) Tecamp Puma 900 Speaker cable with Neutrik speakon plugs First Bergantino AE112 Warwick Rockbass speaker cable with speakon plugs Second Bergantino AE112

[quote name='SpondonBassed' timestamp='1488132623' post='3246165'] You said - "...to stop it turning face-down." Strange, mine hangs with no issues apart from the slight neck dive. [/quote] It doesn't turn completely face-down but tilts away from me. Is your neck strap button in the standard place? Mind you, it was an awfully long time ago when I had a B2 but I don't remember that having the same issue as the B2V/B2AV.

[quote name='BigRedX' timestamp='1487152529' post='3237473'] If you must wear one, it goes on the wrist of your fretting hand. On the other wrist it just gets in the way of your playing. [/quote] More importantly, if you are like me and wear your watch on the inside of your right wrist, and it's a mechanical watch, the pickups can do bad things to the internals. Must take my three watches in to be looked at a jeweller some time... I've found clip-on tuners highly inaccurate with my headless Seis.

[quote name='SpondonBassed' timestamp='1488105335' post='3245793'] You must be using the lower of the two bridge end strap buttons to get the problem that you describe. Is there a reason? It seems counter-intuitive otherwise. [/quote] Must I? I'm not. It's because the centre of gravity is well forward of the neck strap pin location.

[quote name='SpondonBassed' timestamp='1488035100' post='3245239'] You'd think headless basses would be free of the problem but my Steinberger fiver does it a bit. Used to it now though. [/quote] That's because it's bodyless too. I keep meaning to move the strap peg on my Hohner B2AV round to where it is on a Status Streamline, not to stop neck dive but to stop it turning face-down. My Thumbs are a bit neck-divey. I think a suede strap, or something with similar frictional qualities, would solve the problem.

My favourite fives are my two Sei headlesses (one fretless Original, one fretted Flamboyant), and my Antoniotsai. I do recommend headless for fives, even more so than fours, as you get rid of a lorra lorra weight and those hideous headstocks. Oh yes, reasons. Playability. It took me quite a few goes to find a five that I was anything like as comfortable with as my Warwick Thumb 4 - a JD NT which has a very slim and shallow neck profile.

[quote name='yorks5stringer' timestamp='1488053502' post='3245493'] 4. Any other suggestions..? [/quote] Find their regular bassist and cut his hands off.

[quote name='SuperSeagull' timestamp='1488055053' post='3245529'] Was that recently? He has recently switched to a white Charger (or a white Rhino according to the marketing blurb!) [/quote] Three or four years ago.

[quote name='Thunderpaws' timestamp='1488034086' post='3245228'] What's the easiest way to copyright your own material? [/quote] Write it. Then it's your copyright. You automatically have copyright of your own original works. Proving that you wrote it on or before a certain date is the issue over proving copyright, but in this case, that's not going to be an issue as the promoter presumably isn't going to claim that he wrote the songs. But I think this would be performance rights rather than a copyright issue, although IANAL so I could be talking rubbish.

Having owned two P basses in the past, I find myself completely immune to this for the last 30 years.

[quote name='SuperSeagull' timestamp='1488036532' post='3245269'] Sorry to be a pedant but Rhino Edwards plays a Status Charger. [/quote] When I saw them at the NIA, he was playing a white Streamline. Shows how foolish it is to make assumptions on a sample of one...

[quote name='jrixn1' timestamp='1487950564' post='3244499'] Wouldn't this result in an unbalanced signal? I think you'd want DI to be balanced. [/quote] No, it would be unbalanced if you just used one output. Inverting the other output and driving the other side with the inverted signal produces a balanced output. However, it would require Zoom to produce a DI effect for just that purpose.

[quote name='LewisK1975' timestamp='1487930802' post='3244196'] Anyway, after last night's vocal rehearsal and subsequent discussion, it is apparent that I can use whatever I like. She just wanted to have an image of a new, modern prog band, fronted up with old style guitars. But as it turns out, the guitarist who has a PRS is also preferring to use that so it's kind of a moot point now... [/quote] That seems something of a mixed message. What else would give the appearance of a modern prog band than modern instruments? Does she actually want a retro prog band (regressive?).

I wasn't as good a guitarist as the other guitarist in the band we put together in the hall of residence I was in, and we needed a bassist.

[quote name='TimR' timestamp='1487888865' post='3244011'] You should play some jazz gigs. I've played gigs where I've never heard the tune before. Chord chart, watch, listen and pray. [/quote] My audition for a ceilidh band consisted of turning up to a gig and playing (they did ask me to). No chord chart, just got told the key for each tune, and not only was it a genre I'd never played before, I'd never heard any of the tunes before either. They decided to keep me. However, the rock covers band I've just joined is of the same mind that I am - get the songs polished with me in, get gigging (target is 20-30 gigs a year), rehearse if there are things wrong and to bring new material in. steantval said 45 songs seems like overkill. My covers band that has just folded had around 50 songs, and we wanted to increase that a little more. It means we could choose the 25-30 songs we fancied doing for that gig, rather than (like a club band I used to be with) playing an identical set at every gig for over ten years.

A Sei Flamboyant 5-string unlined fretless with conventional pickups plus piezo bridge saddles driving a Hexpander.