tauzero

ISTR that Clover graphites are either the bee's testicles or the dog's knees. [url="http://www.ebay.co.uk/itm/6-string-headless-bass-graphite-carbon-clover-slapper-beelzebub-/201030808032?pt=Gitarren&hash=item2ece5eb1e0"]http://www.ebay.co.uk/itm/6-string-headless-bass-graphite-carbon-clover-slapper-beelzebub-/201030808032?pt=Gitarren&hash=item2ece5eb1e0[/url]

I got mine from That Ebay too for about 99p after I discovered that the Series 1 Status uses primitive measurements.

[quote name='bluejay' timestamp='1391802671' post='2361580'] So what do people eat and drink in the rugged north...? [/quote] Faggits and pays.

1. Si600 - No gear, I expect to be too busy and I've nothing exotic or interesting! 2. Roland Rock - '78 P, W&T Ergon 5, Rocket Rig or GlockenRig 3. 4-string-thing - '78 (77?) P, Kala U Bass and either my Acoustic 220 or Minimark 4. Pantherairsoft - Roscoe LG V Sig, lots of effects, EBS/Barefaced rig (possibly) 5. KevB - USA Precision Deluxe (if not sold by then) 6. Doyle - V940, ME-20B, Random self build 7. intime-nick - maybe my Shuker, Sandberg, rack & pedalboard etc 8. andydye (if I can get agreement from swmbo) - ACG 5'er fretted and fretless, MarkBass LMIII, EAD Foundation 212, some pedals 9. DaytonaRik - Ashdown ABM III 1x15 combo and 2x10 extension cab, another Thunderbird IV, Schecter Omen Extreme IV, maybe a Cort (I think?) headless Flying V if I do something with it in time! 10. seashell - Fender P 11. Norris - Ric 4003, Gibosn T-bird, StaggEUB, Combo amp 12. Eboclive - Wal 5, ltd edition Warwick fretless 13. GrammeFriday - MTD KZ6 (with Nordstrand pups), MTD AG5, Sandberg Cali fretless 4, MIJ 62 reissue Jazz, TC Electronic RH750, RS210 and/or RS212, some fx boxes. 14. Chairleg - Italia Maranello and one of those build it yourself bass kits I put together. 15. tauzero - perm any several from Warwick JD Thumb, an Antoniotsai or two, Status Series 1 (low-mileage BC bike), Sei Original everythingless, Ashbory Mk 1 and possibly Mk II, Tecamp Puma 900, TC RS112

[quote name='LukeFRC' timestamp='1390671676' post='2348207'] no it was more wondering what was behind the design process - more what do they think us bass players want and prioritise. I for one almost bought a RH450 when they came out, 4 band sweepable eq, inbuilt tuner and so on - stuff I would use. I was all set to find one till I heard one... and then realised there had been design decisions that I wasn't so excited about. [/quote] I've had a couple of Ashdown Superflys (Super and Superduper), and the EQ section is very impressive but utterly wasted on me. I then had a couple of EA iAmps (500 and 800) and didn't use the EQ on that to anything like its potential (fortunately the base tone was pretty much as I wanted it). Now I've got a Puma and I can cope with the EQ on that. However, I can see someone who has different tonal requirements to me finding a more detailed EQ very useful. Shame Ashdown discontinued the Superfly, although the power amp section was somewhat compromised, that preamp was nice.

GK MB150 or 200MB. Slightly larger than 12" high and wide, less than 12" deep.

Just to say - when I did this on my old one a couple of years ago, I re-sealed the panels by using neoprene tape on the body edges (the panels are originally sealed by using some sort of goop). Did you re-seal it? And have you got the front panel nicely secure? I think I used neoprene tape on the edge of that too to ensure it was damped and unrattly.

Gone now. Was it the one that's Jovian?

Definitely interested

It must have been up for six months by now. I'd have been tempted if it had just one more string...

[quote name='PaulWarning' timestamp='1390907263' post='2351034'] I've finished it, so if the next person, tauzero? pm's me their address I'll send it on [/quote] Address sent, thanks.

[quote name='oakforest5961' timestamp='1390425162' post='2345418'] This thread is making it fairly clear - there's no one-size-fits-all when it comes to plectrums. [/quote] Very true. I'd also say that how much time and expense you put into finding a plectrum should depend on how much you use it. I only use them occasionally, so I haven't gone on a big quest for one as the ones I use for guitar work perfectly well for me on bass. If you're using a pick for most or all of the time, it makes sense to try a broad spectrum of them out.

[quote name='chrismuzz' timestamp='1390342952' post='2344413'] I don't use picks, but on the rare occasion that I do, those 1mm nylons are my favourite by far!! [/quote] Same here - I use them for guitar too so I'm used to the feel of them.

I still look at other basses. I've tried enough Fenders to know that I don't want another one of them ever again, but there's others I have yet to try (not that I could afford to buy, say, a Ritter).

[quote name='Si600' timestamp='1389713348' post='2337139'] I think the dot markers are bolts holding the fingerboard on. [/quote] Well spotted, that man. I was, er, waiting for someone to notice that. [quote name='Si600' timestamp='1389713348' post='2337139'] Is it wrong to say that I quite like it? [/quote] It's an interesting idea but just how playable would a neck which consists of a square steel tube with a slot up it and attached wooden fingerboard be? Might have been better to have a complete neck with a slot cut up the back that would straddle the steel tube (a bit like the fillet strips that Kramer put into their T-section aluminium necks).

Could I join after PaulWarning please?

The back of the neck looks as if it might be a little painful. And an adjustable scale length wouldn't work terribly well with the dot markers, although it's an intriguing idea. Maybe there's scope for a kit which would fit on a cricket bat type bass...

Although the auction title doesn't mention it, it's a branded Hiscox case which copes with yer bog-standard classic Status, be it headed or headless (S1, S2, presumably all the closely-related ones like S2000s, S5000s etc). It has a Suzi Quattro connection too. [url="http://www.ebay.co.uk/itm/Hiscox-STD-EBS-Standard-Bass-Guitar-Hard-Shell-Case-Ex-Suzi-Quatro-/131087787442?pt=UK_Musical_Instruments_Guitars_CV&hash=item1e8570e5b2"]http://www.ebay.co.uk/itm/Hiscox-STD-EBS-Standard-Bass-Guitar-Hard-Shell-Case-Ex-Suzi-Quatro-/131087787442?pt=UK_Musical_Instruments_Guitars_CV&hash=item1e8570e5b2[/url] If you want a Status to go in it, there's an S2000 on there at the moment - not enough strings for me.

[quote name='spacey' timestamp='1389137609' post='2330657'] Combine this with guitarists with pedal tuners who faff around getting the guitar bang on ever song and you soon have a band that looks nervous on stage and this can make the gig hard work. [/quote] If only our guitarist had a pedal tuner. Or, indeed, ever bothered to bring the tuner that he finally managed to get round to buying a year ago (he's been playing for over 30 years) to a gig.

I'm surprised at the truss rod TBH. Are the Rumblers so much higher tension than strings like the Ashbory's rubber band silicone strings that it's actually justified?

I think the last time I tried was with a Korg AX3000B and it wasn't a success - distorted rather badly at line level. Now I use a Line6 G50 wireless which has a stompbox receiver, it makes more sense to go straight from the receiver to the effects (Zoom B3 or MS-60B) anyway.

We used Morning from the Peer Gynt Suite for the settling down music and "Journey of the Sorcerer" by Eagles (aka the HHGTTG theme tune) for the entrance music. Can't remember the last piece of music we used (there were just three required).

One of the two covers bands I'm in decides on a set list at the last minute and the singer scribbles it down on a bit of paper, so the only one to know what the next song is is him. When you have a guitarist and a drummer who both take ages deciding to start the songs that they start, even when they know it's them starting, and I don't know that the next song is one of the ones I start, the flow just isn't there. I have raised this, I'm going to raise it again. Guitarist has one guitar tuned a semitone down, one at standard pitch, and there's a couple of numbers where he uses a capo, so all the detuned numbers get played in one lump at the start of the second set (so he puts the detuned guitar in standard pitch in the first set as a backup, then tunes it down in the interval) and the capoed numbers are also put together, so that does help by minimising disruption. In the other band, Mrs Zero prepares the set list and gives everybody a copy. I will, one day, get her to print them out in a big enough font so the drummer and I can read them more easily, but it does mean that the set flows better. The drummer is better at getting songs going than the drummer in the other band. No guitar changes and the lack of a backup guitar is covered in the case of a string break by Mrs Zero and I doing something with just bass and vocals (and maybe drums) - "Stand by me" and "Fever" come in handy. In both bands, if someone feels it necessary, we'll vary the set list on the fly. That doesn't happen often.

[quote name='Dingus' timestamp='1388692661' post='2324989'] The point of them is to fire up the imagination of the bass - buying public and encourage them to keep buying Fender basses by using the power of association. [/quote] Surely that's a contradiction in terms? People with their imagination stirred buying Fenders?