tauzero

I was wondering about this - it seems to be regularly asserted without evidence. I had a little hunt and I found something on the Telecaster forum which I can't embed here. However, the contributor had found a US trademark https://tsdr.uspto.gov/#caseNumber=74044289&caseType=SERIAL_NO&searchType=statusSearch for 4+2 placement on a guitar (but the contributor didn't find a 3+1 equivalent). This, however, strikes me as perverse. Extending this, if Fender trademarked 4 in a line and Warwick trademarked 2+2, then nobody could make a 4-string without infringing a trademark. So, should it be possible to trademark a tuner layout? Also, if the layout is trademarked, then it would have to be the specific layout - so the G would be staggered so it's between the E and A. Placing the G on the same level as the E or the A would bypass the trademark.

Nominally four - I gig with a GR Bass combo, but I also have a Tecamp Puma 900 and three different cabs (BC Micro Jam 6", BC 112 mk3, and my own Plenty 10") so that makes three different combinations.

Well, I gig mine in a soft cover (just for the travelling, I remove it for the actual playing, no matter how many times people beg me to leave it on). I also carry an acoustic guitar to open mic nights in a soft case. I make a point of not attacking either the GR Bass combo or the acoustic guitar with hard pointy objects, and so far both have survived.

Is it time to revive this thread for @Dad3353 (or @GranDad3353)?

I decided that 10kg was the maximum weight for any one item. GR Bass Cube AT800, Alto TS series 8" speakers. I think the leads bag may be getting up to 10kg.

It's not lag, it's me. I'm probably mildly dyspraxic, I have dodgy fine motor skills.

That looks really good. I wish I could do cab covering as well as that.

With the XR18 and a 10" Android tablet, even in fine adjustment mode I'm much better off using the BCF2000 for volume sliders. It's very handy having the mutes on the tablet in front of me though.

That should sort out the neck dive. A good candidate for being converted to headless.

A guitarist that I knew was a leftie but learnt to play right-handed. For some reason, he got it into his head that this was wrong (not because he played badly, he was very good, it was just some sort of fixation). Anyway, he bought a leftie guitar and re-learnt the other way round, and he got equally good with either orientation. And, of course, there's always John Otway.

I like light strings and use Elites 40-100 or 40-125, but Warwick's Red Label are also pretty good and cheap.

You can get hole saws the right diameter, eg https://www.ebay.co.uk/itm/355897211872. Easy to use, just make sure that you've got the wood suspended otherwise you'll put a hole in your workbench. Gives a snug fit, just put some epoxy glue round it to secure it.

But apparently Leo got it right first time... 😁

I was going to mention the 200MB and its successors, the MB150S (IIRC there was an MB150E too). I used one for bass guitar but I've seen them recommended for DB several times.

We don't do many gigs compared to some here, and don't do prestigious ones, just plain pub gigs, so I rarely bother to relate the experience. This was a bit different to the normal though. We had a rather last minute booking on Friday night at the Bridge In in Worcester - I think number 2 guitarist found the request on Tuesday and arranged it (after checking with us). He sent a rather panicked message to us saying he thought he'd blown it as he had two windows open on his computer and sent a message saying he was going to chase them as he hadn't had a reply and hoped they weren't screwing us, only he sent it to them and not to us. Anyroadup, they still booked us in. Apparently the pub had a reputation as somewhat rough, so I decided to take replaceable instruments. No car park so we parked on the double yellows outside to unload. Accosted by one elderly pissed up female who wanted to know what I did and was disappointed to find out I wasn't the drummer. Then a couple of the pub denizens offered to help carrying stuff in, so (slightly reluctantly) we gave them things to carry and everything was brought in. The pub has a section with a pool table in and the main bar, which have quite a big opening between them, and we were in the pool table bit. At the other end of the room was the gaffer doing a disco and karaoke and bingo (not simultaneously). Acoustics were rather dodgy but I just leave stuff set up the same everywhere and simply adjust monitor and FOH levels. Although it was, let us say, a somewhat rough-looking crowd, they were all really friendly and the music (assorted classic rock from late 60s to early part of this century) went down well. It was a rather strange hybrid evening, disco going when we did the load in and setting up, then some karaoke, then some bingo, then our first half, a tad more disco and bingo, and our second half. The only minor glitch (other than the normal getting lost somewhere in songs which we always managed to recover from) was that (a) I'd forgotten my Helix and the Lekato WS70 but that's more for my desire to have certain sounds than being essential, (b) though I checked the batteries on my backup Zoom MS60B that I always carry, they ran out partway through the first set, and (c) I'd only got a switched jack lead with me to run from the effects to the amp and it packed up when the batteries ran flat so I finished up with the backup Lekato WS50 wireless plugged straight in to the amp. And they want us back.

Stand it on end.

Switchable.

And there's a hyperbass flute too, which looks more like a climbing frame.

If you're using a Boss WL-20 wireless, it needs ground to sleeve and battery to ring. That's about the only time that it matters. https://www.boss.info/uk/support/by_product/wl-20_wl-20l/support_documents/cf786345-1dd0-46c3-a2ac-350bfb4a8104/

Could you use something like a 12mm or so socket, or a short length (2cm or so) of pipe, something that will accommodate the top of the bush, put the screw through it, and pull the bush out with the screw? No risk of going through the body that way. Something to consider the next time you do one of these... 😁

@Boodang's Sei Flamboyant headless fretless 5.

That was when Andre Previn played John Cage's 4' 33", and stayed on for a 2' 27" encore.

At least it doesn't seem to have affected your typing. You're going to have to wait and see what emerges - too early to know what the effect will be. You may have the good fortune to make a recovery (fingers crossed, if that's not in bad taste). If not, you've either got to not use it or find some means of ameliorating the situation - possibly some sort of thimble to fit over it. You could use the interim period with experimenting with not using it. Best of luck anyway.

Is anything here of use? https://www.steinberger.com/Steinberger-User-Manual-and-Documentation-Archive.html

Don't fret about it.