tauzero

He also builds high quality bass-shaped teapots. I rather like some of the ones on that scam site. I don't like them £3k+ much though.

I encountered this using a medium current power bank - using the super duper one, it coped fine. PS. I think there would be room for a power bank under there too, so you could make it a freestanding board with just input and output wires.

Height adjustable nut - like a Warwick Just-A-Nut? Clones available on AliExpress at negligible prices. https://www.aliexpress.com/item/1005007360287741.html

I think that knot is a nice bit of character.

Haven't got anything with MK-1s in at the moment but the Cort Space with them in, they sounded neutral - they just reproduced the vibrations of the strings without coloration.

It's lovely, but could I have one fewer strings and split them across two necks, one fretted and the other fretless? And not fan fret either, ta.

He played for Simple Minds?

I think they're already in the hideous headstocks thread.

Obviously Sire are to be applauded for bringing out some headless models. They have the same multiscale lengths as Ibanez EHB with no non-fan-fret option as yet. I'll be interested in playing one and seeing if the neck profile is different to the EHB.

You could use a wax repair stick to fill the multiple holes pretty much invisibly. https://www.ebay.co.uk/itm/325271292000

Gary Willis? While it's just the one manufacturer AFAIK, there's a vast range of Gary Willis basses from them. Could I give an honourable mention to Brian May, who has a bass in his Brian May instruments range despite not exactly being renowned as a bassist.

It is easier to ask for forgiveness than to get permission.

Controls look a bit complicated.

That would make life simpler, but possibly less fun. Tier 1 would have to include major bitsa components to avoid sneaking in a bass in parts, but the issue then becomes which parts are major?

Chris Cross's gear went under the hammer a few months ago. Everything went at prices where you'd be happy to use them for gigs. These are never going to be useful instruments again. There's no way that a million pound Les Paul is going to get used at a gig. The estimates were already ridiculously inflated (maybe ten times the market price) because everything used to belong to Jeff Beck, but some of those instruments went for a thousand times market price.

I think the MK1s have nothing wrong with them - maybe their biggest problem is that they are clean and simply transmit the sound of the string rather than colouring it in some way. I wondered why the white side dots on mine felt as if they were slightly protruding, then realised that the DPO had put them on. A very sensible move - he hadn't done the top one or two and so I could see how invisible they were in their original state.

I can see I'll have to nip down to Warwick and find out if they're worth five times as much as a Sei.

Years ago, I got a bit hot under the collar about an offer, which on reflection I shouldn't have. Not a musical instrument - a motorcycle. Me, vaguely attracted to some other bright shiny thing in the shop: "How much would you give me for this?" Them: "We're not really interested in that" Me: "How much?" Them: "£1000" At which I took umbrage (scrap value of said bike was about £1500), but on reflection I was really ignoring what they kept telling me, that they didn't want it. It did take me many, many months to get to that point of reflection though. I think (going back an awfully long way to the OP) there is an awful lot to consider in terms of a "straight trade". The shop has bought in an item with a certain level of mark-up. There's VAT considerations on this as well. It becomes a lot more complex in terms of profit and loss than "you're selling A for £x, here's B that I'd like £x for". There's a few on here that have actually worked in shops who could give a more informed view than me.

Basses, Ibanezes, Roland synth guitars, red Strat - a little over twice the top estimate. Strats, Teles, Gibsons, Guilds, Jacksons - 20-50 times the top estimate.

And happened again a few minutes ago.

Simples. For the jazz-curious - turn all controls fully clockwise. For anyone using an active bass - there's a little clicky thing halfway round on all but the volume control [1]. Turn all controls with a clicky thing to the clicky thing, turn all other controls fully clockwise. No liability will be accepted by the author if anyone should mistakenly assume that tuners/machine heads are "controls" within the scope of this post. Should any string become unaccountably slack or break, the control being turned is not the correct one. [1] There are some exceptions to this. If there isn't a clicky thing, turn it fully clockwise.

I encountered it but it sorted itself out in a couple of minutes.

<George Takei> I've read books... </GT>

Do any of the string trees, er, "need replacing"?