tauzero

I'm not entirely sure whether what I had was a Zephyr 5 or a C5, or whether they're one and the same. A lovely bass, good looking and excellent build quality, got used on one recording session because the active bass I wanted to use was picking up a fair amount of interference (I was in the control room with an awful lot of electronic equipment around me) whereas this was interference-free. However, the neck was just a bit chunkier than I like so I eventually sold it.

Right, so not an irredeemable bass, just one with certain congenital but operable defects.

I play sitting down, using a Harley Benton stool - https://www.thomann.de/gb/harley_benton_guitar_stool.htm Have done for years and never had any comments on it. I do stand up and walk around occasionally but my back gives me serious problems with any significant amount of non-sedentary action.

Keep it simple on your left hand - you haven't said what genre it is but root-5-octave covers a lot of sins, and for blues [1] use a simple walking bass line (root-3-5-3 will do it). Try to avoid being ploddy with your right hand. You just need to get through it and realise that you can manage it, and it'll be easier next time. [1] For future reference, Folsom Prison Blues is country, not blues.

I found the two Tripadvisor reviews that mentioned the venue's treatment of bands useful. 😁

1) Nux Mighty Plug into bass, headphones, and music played from Android phone via Bluetooth into Mighty Plug 2) Tascam GB-10 with Lekato wireless for input into headphones 3) DI box into mixer into hi-fi amp and thence headphones or speakers (if Sub Zero isn't working upstairs) - the PC also runs into the mixer

Just curious - are you a slow learner or did you get them in a job lot, or are you like I once was with Trace Elliotts, buy one, think it's rubbish and sell it, then some time later decide to buy another one because you'd forgotten they're rubbish?

My golden jubilee year next year too. The band I started out in was part-covers, part-originals with something of a prog feel about them. At that time I didn't have a bass player that influenced me, I just sort of adapted what I'd learnt from being a not very good lead guitarist.

https://en.wikipedia.org/wiki/Median In your example, the median would be 10, so admittedly there would be one below and none above. But in the example of education levels of a population, which would be a gaussian distribution, the numbers would be the same.

Couldn't you just leave the bridge pickup in place and not connect it?

Specs available at https://www.cortguitars.com/product/item.php?ca_id=103020&it_id=1707895430&page=1#tab_Specifications D'Addario EXL170-5SL which are 45-65-80-100-130 Don't make any decisions about pickups until you've tried the MK-1s. They seemed OK to me. If you feel determined to change them, check out what people have replaced the pickups in the Ibanez EHB1005 and EHB1265 with.

It's exactly how the median works, by definition.

That's good news, I'd watched a Youtube review of it which showed it with a micro USB port so they must have changed it (saying that, Lekato's pictures of the WS-50 looks like it now has USB-C, so maybe they've updated both).

Depends on whether you're using mean, median, or mode, or whether you say that anybody who understands mean, median, and mode is averagely educated.

Just buy a Cort Space and a TGI Extreme guitar gigbag, problem solved. If you don't want to play 5-string, take the B string off.

Soft synth perhaps - there's the Squishbox and with the Zynthian V5 coming out there may be a few second-hand V4s and earlier on the market from upgrades, or DIY with aid from https://sandsoftwaresound.net/qsynth-fluidsynth-raspberry-pi/ and a HiFiBerry DAC.

Nobody was making 5-string headless basses in 1957. Can't see the point myself. I had a YOSPB bass - year of starting playing bass, which I know it was because I put it together (a Hayman 40/40) and then started playing bass on it. That's long gone. @BassAgent has a vast selection available from 1990 - Warwick, Spector, Status, Dean, B C Rich, Ibanez, Yamaha, he could even scrape the bottom of the barrel and go Fender, Gibson, or Squier.

Further report: Android Tonelib-Zoom works on my Pixel 8 Pro and Nokia T20 tablet. I don't have an OTG adaptor for micro USB (it's on the way) so haven't tested it with the elderly Huawei tablet yet.

I've just installed the Android Tonelib-Zoom to try it out with my MS-60B. Hopefully Tonelib will update Tonelib-Zoom to cater for the recent releases, on both Windows and Android, and maybe they could teach the Zoom developers how to program for Android.

That's a truly awful excuse for Zoom's failure to support Android. The app is a library app, it's not an audio app. There are defined classes to deal with everything that would be required of it, so there's no excuse for not producing the app. And just because you've got a crap tablet doesn't mean that 99.999% of Android users don't have tablets or phones that work an awful lot better - my elderly cheap Huawei tablet, for example. Other manufacturers support Android - Behringer do for the X-Air series, Nux for their Mighty Plug, M-Vave for their wireless MIDI.

There's a couple of good phasers on the Zoom MS-60B (or MS-70CDR).

Tecamp Puma - either the 900 or the 500, second-hand.

Might one of those sound hole stoppers help with the acoustic? https://www.amazon.co.uk/Planet-Waves-Screeching-Acoustic-Soundhole/dp/B0010SHU18

I use my WS-50 at an open mic night - plug it in and switch it on about 8:15pm and turn it off about 11pm. I've also used it for various gigs where it's switched on for 3 hours or so, and used to use it in rehearsals with one band where I'd use it for two 3-hour rehearsals on one charge. Looking at the Amazon specs, the WS-50 was released in 2019 and the WS-90 in 2022. Mind you, the WS-90 still has micro USB on it which is a slight annoyance with the WS-50, especially as the MS-1 IEM wireless is USB-C so they can obviously do it if they try. I suspect that the shorter range and the longer battery life are related. The WS-90 does have four switchable channels which would be useful if more than one band member was using them, and possibly would be useful if there was interference on one channel.

I think it boils down to the engineer aspect being the recording of the instruments and voices, and the producer aspect being putting them all together in a pleasing way. Both may be subject to a degree of interference by the musicians involved, especially the latter.