tauzero

I think it can get more complex than that - see Sutcliffe vs Pressdram.

But what if they play the Tickled Trout and do me out of a possible date?

Download Audacity (cross platform). Use File | Import | Audio to import the MP3. On the left-hand side you will see something like If that says 48000Hz then that's your problem and it's easily rectified. Go to Edit | Preferences and under Audio Settings you will see Project Sample Rate and Default Sample Rate. Change both of those to 44100Hz from the dropdowns and click OK. Now use File | Export | Export as MP3 and when the export dialogue comes up to select a file to save to, name the file something different to the original file and change the bit rate in Quality to 320kbps.

There were only 73 90 made so they are quite rare. At least two of us on BC have one - mine is still awaiting my diagnosis on what causes its terrible hum.

Well, the Ebay autoharp tuner was for 4mm pegs and it seems that the truss rod is 3/16" so £20 invested in @Hellzero's suggestion which will make its way by tramp steamer to our shores in two or three weeks. Just about to refresh the pickup mountings and put new strings on - Warwick Red Labels are nickel coated and come in the right gauges for me (20-40-60-80-100-130) and have the added advantage of being inexpensive.

I was going to say that whoever made it wasn't trying. And you can get a Yin and Yang Fauxdera for £230.

Three and a half hours before they went. That was quick.

The PDF referred to has moved to https://maxsolomusic.com/files/79-patch-cables-compared-and-tested.pdf

It didn't.

They don't do basses any more, unfortunately. There have been quite a few transplants though. The first series (300, 500, 700 electrics, later the 600, the acoustic 700, and the 700 and 505 basses) had the original electronics, then they were revised with HD sounds for the JTV guitars, which have presumably been carried over into the Yamaha/Line 6 Standard series. I don't know if the basses have the same electronics as the first series of guitars - all were piezo only so they only had modelled sounds, unlike the JTVs and Yamahas. I must have a dig inside my 300 and 705 bass and see what I can see. The software does detect which instrument it is.

I should add that I went overboard and also fitted a Roland GK-3B pickup.

My inclination would be either to have the QR code going to the same place as the web address, or put both the FB and website addresses on the poster with QR codes for both.

Having just spoken to Mrs Zero: @cetera - Charvel 3B, ESP Surveyor '87, Fender FSR PJ Precision, Hamer Impact, Italia Imola, Spector NS2, Spector Euro, Spector EuroX (Spectorbird), Spector Pulse II, Spector Dimension 4HP, Gallien Krueger 400RB & Legacy800 heads, GenzBenz Neox 2x12 cab @TheGreek - All short scale this year - a @Jabba_the_gut scale 5er, Mini Ray, Short scale P bass @Harlequin74 - Zoot Performer, Status Shark, Spector QV4 , Markbass TTE501 and Matching CAB. Maybe the Lehle Basswitch… @Frank Blank - @Jabba_the_gut short scale fretted and fretless, JMJ Mustang, QSC K12.2, Grace Design Alix @TrevorR - Mk 1 Wal, Wal Pro IIE, Aria SB700, Frankenjazz, pedals and MarkBass LMII & Traveler 2x10 @bnt - travelling light, probably a couple of pedals such as T-Rex Diva Drive, Orange KongPressor @bass_dinger - 1999 Washburn XB500, 1994 Washburn XB500, Washburn XB925 in zebrawood, Washburn XB925 in bits, Boulder Creek 5 string (likely to be for sale, SWR Workingmans 12. @greentext- 2008 Spector NS4-H2, 2015 Sandberg VS4, 2000 Trace Elliot T-Bass, my pedalboard and my tin of picks 😈 @prowla- Probably a couple of Rickenbackers and some interesting oddities. Amp-wise a Markbass EVO and a 1x12 (last year I bought some others to try and never switched them on, as the EVO sounded spot-on). @SuperSeagull- Status S2, Feline P Bass, Modded Fender Lyte, Flea Jazz, MB Combo @Merton - various short and medium scale ACGs, Zoots and Conway basses, Barefaced cabs, modern Trace Elliot amps @MacDaddy Shuker (probably no3), Snapdragon Folding Bass, possibly a Rob Allen Mouse. @neilp - matching pair of fretted and fretless 1980 Aria SB1000s, possibly my fretless Wal mk1, Ashdown ABM500/Ampeg 4x10, Tech 21 Bass Fly Rig @NickD - Strunal Schonbach 5 String DB, and whatever else I can shoehorn in the car around it... hopefully a MD CMD121 H, Zoom B6, and maybe a Maruszczyk Jake and a Shuker Series 2. @walman - converted Wal Pro, Zon Legacy Elite, Status S2, G&L L2500 fretless, McMillen 12Step & DSI MoPho, Two Notes Bass Revolt, Trondheim Audio SkarBassOne, BackBeat2 (and my BackBeat1 will probably be available for sale). Darkglass Microtubes500 and one of the Barefaced cabs. All depends how late I leave and what will fit in the new car 🚙 😁 @Smanth With my small, light, battery powered gear (mostly) ... IBBY-Ibanez GSRM25 5 str sub short scale, 'ELIMA - Kala California 5 str fretless ubass, QUINN- HB 5 Str Fretless, MOD Dwarf based pedalboard, Boss Dual Cube Bass LX. (Also some toys to sell) @tauzero - the basses that @TheGreek made me buy (handmade 6-string headless, Pedulla 6 fretless), Roland GR-55, one or two Seis, anything else that occurs to me, Mrs Zero (probably)

We could have a sub sub forum.

I wouldn't, PA is its own subject.

Just one of the many reasons for going headless - then you only stick the end of the neck into the singer's ear if you really mean to.

And very successful it was too. Mrs Zero thought that the sound from the Altos was cleaner than the RCFs were, they were certainly loud enough and lighter and smaller than the RCFs.

Ditto, although presumably if one writes to it, it could be expected that one would also read it (although various facets of the internet have been referred to as a write-only medium).

I have the main website address in human-readable form and on the QR code, and there's a link on every page of the website to the Facebook page. I can't see any point in having a separate domain that the QR code points to.

Midge Ure learning Thin Lizzy's set when he got drafted in to replace Gary Moore, apparently in about a day? I know it's guitar, but after all, we all know that anyone who can play bass can play guitar.

I've had a few Hohner headlesses, a Jack and three B2s (one 4-string and two 5s, still got one 5). I thought the four string ones have very nice necks, the 5s are a little bulky.

I like that rear cavity cover. Well, I like it all, but that rear cavity cover is a step up from the black plastic ones on my Thumbs.

Greensleeves.

No.

Still on a bit of a post-gig wind-down so thought I'd do this now. Second gig for Dirty Roses - we've been rehearsing for a few months and have finally emerged. Between the first and second gigs, at the same pub, I've replaced the RCF 710A Mk2s with Alto TS408s. Smaller and lighter, and I've got to load and unload the buggers so that's the way I want them. The gig went well, from an audience and gaffer POV (plenty of singalong and dancers). There were definitely scrappy bits which need to be sorted. I don't think there will be a problem saying to the others that x and y need sorting, everyone is amenable to criticism. It's a question of whether x and y will actually get sorted. Mrs Zero was out front and the new speakers got the thumbs up from her. She's also written notes about what we need to sort out. I hope that her 64GB phone gave her adequate room for that. The gaffer was also impressed with the sound, so the all-Alto system (2x TS408 FOH, 2x TS308 monitors) is looking good, along with the Behringer X-Air XR12 that runs it.. Next gig is next weekend. Confidence is increasing. Oh, I should also mention (I may have also done so if I wrote up our first gig in this thread) that the rest of the band were brilliant in bringing stuff in and out from the car. The load in for me consisted of two journeys from car to "stage", the load out was just one journey. Replacing the not-terribly-big RCFs with the tiny Altos has helped there.