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Andyjr1515

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Everything posted by Andyjr1515

  1. No point in posting another shot because it will look just like the others BUT the final main coats of varnish on the body are complete. When that's dry (probably tomorrow) I will flatten with 800 grit used wet to remove any ripples, dust buggies and bubble craters. Then I will wipe or brush on what should be the final gloss surface. Sometimes this needs to be repeated a couple of times! That will need a couple of weeks to cure before final polishing, but is fully handle-able within days so I can get on and finish off the rest of the stuff during that time. So ETA for finishing....about two weeks
  2. [quote name='TheGreek' timestamp='1484932688' post='3219868'] As a rule I'm not a fan of red basses but I do like this. The grain and the burst look fantastic... [/quote] [quote name='sblueplanet' timestamp='1484942842' post='3219964'] Loving the matching headstock Andy. Superb! [/quote] Thanks folks I reckon the contrast with the maple fretboard will be very pleasing. I'll do a mockup once the main coats are on
  3. [quote name='Chris Sharman' timestamp='1484939501' post='3219930'] Crivens.... Andy, stop giving me ideas!!! [/quote] He lives!!' And there I've been, sitting at the workbench just drumming my fingers, waiting for that order that's going to consign all my money worries to history!
  4. First sealing coat of varnish on the body: And veneer and stain on the headstock:
  5. I know you're all going to say 'but that looks absolutely the same as the last one!' and yes, it does. But it's actually had another coat of varnish It's slow because I'm having to do one side at a time. With a bolt-on neck, you bolt the body onto a beam of wood and bung it in the vice to coat all four sides at one time. You can't do that with a neck-through... It will probably have a couple more coats of clear (so 3-4 days) and then I'll flatten it and try to do the final thin wipe-on coats. Still a bit to do after that (finish on neck and headstock, tidy up the fretboard, install the electrics, etc) but that can be done while the final coat is drying enough for the final polish. I think we are beginning to see daylight
  6. Thanks, folks! This is the burst shading - aimed at emphasising the starburst within the figuring. Forgive the poor light...: The figuring will enhance as the varnish coats go on, but I think it is enhanced by the stain also:
  7. I know this is a bit of a Marmite issue, but I LOVE this... I'm putting a subtle burst into it, but this is the base stain:
  8. Great stuff . Well done. Very satisfying, isn't it
  9. It's tomorrow, Si600 Many of you will have seen me do this before, but basically, this is my veneering kit: I actually use an old R/C modelling heatshrink iron but a standard domestic iron will do just as well I always take an impression of the screw holes, etc, so I can find them again once it's veneered: The PVA is applied to both the body and the veneer and allowed to dry. The little spritzer is to give the back a light mist of water to counteract the bending. Here is one of the halves drying: ...and then it's ironed on, starting with the centre-line and making sure it doesn't drift: I cut some of the chambers before I add the second half. Makes it easier to find them. I iron round the edges to make sure, when it's trimmed that they are well glued. Note that, as long as the bend is in one axis only (like the arm-relief), the veneer bends quite readily: And here it is, rough trimmed and waiting sanding and smoothing out of the join-line, etc:
  10. With the re-coat of the cream done, the gloss coats are now being put on. Not much to see, but for the record (the horizontal lines are reflections):
  11. Hmmmm....useful information folks all. Thanks I'll keep using Imgur while I can - it really is splendid when it's working properly - but maybe will try Flikr out as a second option, albeit heeding the comment about Yahoo! I'm not too bothered ref the actual storage of any photos I haven't posted in threads - I still use the old fashioned hard disk and regular backups, but more for easily posting pics on sites like this with direct links and with a reasonable confidence they won't mysteriously disappear unless and until I want them too.
  12. Hi Just wondering what photo hosting sites people favour? I stopped using photobucket some time ago because the barrage of ads were bringing my quite powerful desktop and optical cable broadband completely to its knees!!! I moved to Imgur and have been really really pleased with it - but in recent weeks it too is starting to become unworkable with frequent site downages through 'insufficient capacity' and downloads becoming also problematic What do people use to post their shots onto basschat? Andy
  13. Covers on and sanded, a little more off the back and we are down to 4lb 12oz If all goes to plan, I should be able to get the top veneered tomorrow.
  14. Most lightweight tuners are typically about 50% of the weight of 'normal' ones. With the leverage of a long scale neck that makes quite a difference. To check, rig it all up on the strap and pop just 2 of the tuners in the headstock to see if it sorts it....
  15. [quote name='Low End Bee' timestamp='1484577290' post='3216432'] I briefly owned an early 60s Epiphone Rivoli that was stuffed with old newspaper in the cavitiy. Took forever to get it all out of the f-holes with a bent coat hanger. I believe this was fairly common practice on semis. [/quote] Ah...I bet that's what I'm thinking of. True semi acoustics to prevent feedback! This one will be fine
  16. Thanks, folks Loads more sanding to do but the finish is basically off. Decent bit of wood Just gluing on the covers
  17. [quote name='RichardH' timestamp='1484474123' post='3215617'] Yes, I had thought it a bit of a shame to cover the grain, but now it's painted I think it looks great - I think without the grain to catch the eye, the curves of the body shape somehow look better. [/quote] Yes - I also think that it greatly enhances the look by adding those contrasts. You had good vision there, Nic After that first coat of varnish had fully dried, I wasn't happy enough with the look of the top. While tip-toeing round the orange peel issues, I'd found a way to patch the missed bits, etc. But, perhaps because I knew where they were, I reckoned I could see them through the varnish. It niggled me and I would have been mortified if it had niggled Nic. So I've repainted it! Because of the varnish barrier, no orange peel provided the whole coat went on complete with no over-painting (it's ironical that this paint is perfectly compatible with other varnishes, but not with itself!) It went well. I'll take a shot when it's had a coat of varnish but it's a lot, lot better in my eyes. I'm happy now
  18. [quote name='gelfin' timestamp='1484432298' post='3215493'] If you put something in make sure it can't move. If it rattled it would drive you nuts. [/quote] Blast! That's the pea shot off the list then....
  19. [quote name='Daz39' timestamp='1484409509' post='3215291'] Looking good so far. Will the tuners be swooped for lightweight ones, as is often done? [/quote] Not the plan at the moment. Harry does want different tuners but probably in black. The 'licensed Hipshot' affordable ones are presently only available in satin chrome and the full price ones would cost as much as the bass did! I don't envisage head-heavy balance so some standard weight ones are probably going to be OK. I will be checking the playing 'feel' with the present ones fitted before ordering the replacements in any case.
  20. [quote name='threedaymonk' timestamp='1484399752' post='3215204'] [url="https://vpsplumbing.co.uk/product/ever-build-expanding-foam/"]This kind of stuff as used by plumbers?[/url] [/quote] No - I was thinking more the kind of soft foam plastic/rubber you get in packaging. I know they use that in anechoic chambers but I've probably dreamt it ref guitar cavities. Anyway - onto the stripping. For poly, I use heatgun and decent scraper - and safety glasses and respirator! When you see it like this, it looks easy to get off: It is NOT easy to get off! I'm pleased with this so far, though. No burning and hardly any splinters come away... I've done the back too and half of one of the sides. Still a lot of work before I can get that veneer on!
  21. [quote name='Grangur' timestamp='1484394012' post='3215145'] It'll be an interesting addition to the tonewood discussion to see if the bass sounds different with less bulk in the body. If body wood does resonate at all, it will surely resonate more if a lot of the mass has been removed? Personally my belief is neck construction has more influence on sound than body wood. [/quote] Yes - I was wondering the same thing, Grangur...and yes I also think it is predominately the neck that affects things. I still have this niggling memory, though, of someone filling chambers with echo-deadening foam. May have dreamt it or it may be nothing to do with guitars and basses....
  22. [quote name='mentalextra' timestamp='1484387460' post='3215067'] You've taken a lot of material away from around the neck pocket, how much is too much? [/quote] The bulk of the strength requirement is the pocket floor which is resisting the string pull and acting as the friction clamp with the neck to also prevent the neck moving. The sides of the pocket contribute more about position than strength (think of the gaps you see on many fenders, etc). In reality, I could have gone thinner than this but you get into the laws of diminishing returns...
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