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HazBeen
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Everything posted by HazBeen
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Loved SWR stuff back in the day. Had two Goliath II 410s that were epic, Red Face that was great and a Red Head (the old 240watt one). The sh*t Worked Right...
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With DSP now being (for me) at an acceptable level it has enabled me to get rid of pretty much all non-dirt pedals in favour of the new Zooom B3n. So the setup is now much compacter but still gives me pretty much what I need. My Future Impact is not in the picture, I use it standalone. [URL=http://s87.photobucket.com/user/welcometombh/media/IMG_1122_zps071nqjjk.jpg.html][IMG]http://i87.photobucket.com/albums/k147/welcometombh/IMG_1122_zps071nqjjk.jpg[/IMG][/URL]
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Can someone please buy this! These are awesome plain and simple. -
Doh! Sorry, wrong signature..... but limiters and also HPF would/could help. But, you can also ensure you keep volume down which works best and is simplest. [quote name='Osiris' timestamp='1498893299' post='3327770'] I don't own a Keeley Pro but I have a number of other compressors and limiters to choose from [size=4] [/size] [size=4]Mcnach, good call on an HPF. I'll email the manufacture to ask if the amp in question has one built in as I can find no reference to one in the specs. I've got a Zoom MS-60B and I seem to think that there was a thread recently on that having an HPF in one of its models, I'll have look for the thread to see what was said. I can always run that in front of the amp if its suitable. [/size] [size=4]It sounds like I should be able to get away using the amp and cab together as long as I don't go mad with it, which I won't be! [/size] [/quote]
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And you could always set your Keeley Pro to hard knee and use it as a limiter to protect against spikes....!
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[quote name='kevvo66' timestamp='1498844775' post='3327552'] Mmm that a interesting one you either love ashdown stuff or you don't , bit like marmite .🤢 [/quote] True, for some reason Ashdown just doesn't do it for me and I can't really give a good reason.
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Gorgeous already
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Liam who? There are many a€&$%^# in the world I am sure Liam Gallagher is no worse than many others. But I never got the Oasis thing, it was all a bit uninspired to me but that's taste for you, totally subjective.
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[quote name='Kev' timestamp='1498682611' post='3326371'] Excellent, isn't it? [/quote] I love the B3/B7K for it's modern high gain tone but - I am a little harsh here as it is really not a 1 trick pony - it was "limited" to different variations of that great tone. The AO has that but so many added flavours it may well be the 1 pedal to rule all others. Tracked a new song with it yesterday, I am still smiling today.
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Just bought one...... incredibly impressive pedal.
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Just showing your age now , Bohemian Rhapsody was number 1 for 9 weeks, November 23rd '75 to January 24th '76...... and no I am not on the spectrum, just a big Queen fan [quote name='dood' timestamp='1498646863' post='3326065'] Would this be a good time to roll out the over used "When Doves Cry" witty reply? For me, I will have the opening piano bars of Bohemian Rhapsody. Queen wrote the song for the inauguration and unveiling of my birth and it stayed at number one in celebration of my arrival in the world. God (John Deacon) was looking over me.* *ok, I made that bit up. The song was at number one when I was born. [/quote]
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Yummy, to me German engineered basses are where it's at. Price is reasonable, build quality outstanding and design whilst not overly "oooh look at me" perfect. But then I might be biased.... Good luck containing the GAS
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These are indeed rather good. I've owned the Trace V, Alembic and this, all a variation on the same design and all very well executed. -
Odd this has not yet sold, I have a custom finish Grand Tarkin, same pedal internally, best Muff based effect I ever owned.
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I also bought one. I have never been a big dsp fan and buying this was in part to check up on how far modelling has come in recent years. To get to the point, so far I am quite impressed and I did not see it coming. Modelling really is getting to the point where it IS an alternative to loose dedicated pedals. I still will not be using the drive models but the octavers, filters, chorus, delay and reverbs to me are perfectly useable in live and even recording settings for a price that is hard to beat. Well done Zoom.
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It must be me, but I have totally lost the plot on this thread. What are we talking about?
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http://www.youtube.com/watch?v=ySzrJ4GRF7s&feature=youtu.be
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I am sat her with tears running down my cheeks. Soundgarden was one of the bands that helped me through some difficult years as a teenager and he is high up on my all time fav rock vocalists lists. His last tweet was 8 hours ago, saying he was back in Detroit Rock City and he was on tour. Really wonder what happened, pretty sure he was off the drugs but maybe his heart failed or so.
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[quote name='40hz' timestamp='1495026636' post='3300580'] My Euro 4 growled 10x harder than my Streamer Lx4 did. It was almost too much! [/quote] Could well be, woods/build will all slightly differ between basses. As said in any case both cut through a band mix easily enough.
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I have had several Spectors and Warwicks over the years. Warwick vs Spector will always divide opinion. To me the Spector wins due to a better B string and I prefer the EQ. Dependent on the year Warwick may have the upper hand re neck profile. I found the later Wick necks to have quite a flat D profile which I liked, the Spectors are a little more chunky. However, early Wicks were quite chunky probably a little more chunky than Spector necks. Are they substitutes? To me not really. Yes, Warwick basically copied the NS design for their Streamer model, but they use different construction and different electronics and for me are different enough to be classed a non-copy. Spectors are cleaner, more bass heavy. Wicks a little more growly. Both cut through a mix well enough and are definitely modern sounding. I would take a Spector Euro over a modern (so the last few years or non-German) Wick, but that is taste. Good luck!
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FS: Darkglass, Avalon, Keeley and Future Impact goodness
HazBeen replied to HazBeen's topic in Effects For Sale
FI sold, Keeley still available! -
FS: Darkglass, Avalon, Keeley and Future Impact goodness
HazBeen replied to HazBeen's topic in Effects For Sale
[quote name='Shockwave' timestamp='1494498880' post='3296474'] Depends. The Later version of the B7K has additional switches including cut etc. The B7K Ultra is the one with the additional EQ as well as Cut switches etc. [/quote] I am not selling a B7K Ultra, I am selling a B7K. In any case, B7K sold, Avalon U5 sold pending -
FS: Darkglass, Avalon, Keeley and Future Impact goodness
HazBeen replied to HazBeen's topic in Effects For Sale
For clarity, I am selling the newest Finnish version with the cut option. Pretty much sure it has sold... -
GAS rages rampantly, want to sell asap now GBP550
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Okay, I have GAS for something on BC and I need to free up funds to ensure I do not suffer the wrath of mrs Been. So for sale only (shipping included!): 1. Panda Midi Future Impact, good as new condition - GBP300 (arguably the best midi synth pedal for bass on the market, lives up to the hype) - SOLD 2. Darkglass B7K, in very good condition - GBP190 (I would consider a partial trade against a B3K, best hi-gain dirt period by our Finnish friends) SOLD 3. Avalon U5, in used but good condition - GBP300 (pre/DI industry standard DI for a reason, I love it but have 2 so can spare 1) SOLD PENDING 4. Keeley Compressor Pro - in very good condition - GBP190 (same one Billy Sheehan uses, one of the best pedal compressors out there and can do full auto as well as full manual) Equipment is in The Hague (Netherlands) but I still am in UK very often and will be in the Manchester area in the next 2 weeks and London area the week after so we could meet up if need be (price will stay the same, as I will have to make arrangements to take in my luggage). Happy to send pics if you are interested, in the meantime feel free to check my feedback and you will see I do not misrepresent what I sell and keep my word always. HazBeen
