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SimonH

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Everything posted by SimonH

  1. [color=#1D2129][font=helvetica, arial, sans-serif]Moving a few basses on (see others on here); this one hurts because it’s the most beautiful bass I’ve owned, especially with the cream neck binding. Oh well, anyway:[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]This is my 2006 Ibanez Roadgears RD900 AH. It’s in mint condition – no chips or dings. I bought it a few years ago as NOS from a Dutch store (since closed). The price tags and shop labels are still on it (including the price!).[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]It’s a lightweight ash body, maple neck, rosewood fretboard and Seymour Duncan pickups. The pickups are versatile, with singlecoil thump at the neck, humbucker at the back and anything in between (including a passive switch).[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]No issues with the bass; neck is straight and clean, everything working, no pot noises, etc. Can’t remember what the strings but they’re fairly new and still zingy.[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]According to the serial, the bass was made at the World Plant, Korea on November, 2005, Production Number: 21 (it’s a 2006 model).[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]The price is [s]£325[/s] £300 (which is just mad).[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]I have no case and nothing I could ship her in, so it’s collection only from Spalding in Lincs, or I can arrange to meet in a triangle roughly between Grantham on the A1, Peterborough on the A1 south, and King’s Lynn in the east.[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]Not really into trades because I’m saving for a combination of 2 x single 12in cabs and a class D head. Cheers, SiH[/font][/color]
  2. [color=#1D2129][font=helvetica, arial, sans-serif]This is a 1980 Ibanez Roadster RS900 TV, recently set up, frets levelled and with new Warwick strings. Action is very low. No issues with the bass; neck is straight and clean, everything working, no pot noises, active p/u sounds like thunder but surprisingly versatile.[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]The bass in good shape for its age – no significant marks on the neck, a couple of chips through the lacquer on the bottom of the body, a chip in the bottom horn lacquer (you can’t see it or, obviously, feel it while playing) and various playing-related swirls etc.[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]It’s not a light instrument – I have no scales, but it’s substantial. The upside of this is aching tone and sustain for years.[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]According to the serial the bass was made at the Terada Plant in September 1980 and is number 4358 (but someone told me it was, in fact, Fujigen).[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]The price is [s]£350[/s] [s]£320[/s] £300 delivered. [/font][/color][color=#1D2129][font=helvetica, arial, sans-serif]I have an period case for the old girl, but it's very tatty. Nevertheless, I will arrange a courier and box the bass up safely - and label it accordingly. Collection from Spalding in Lincs would be preferred, or I can arrange to meet in a triangle roughly between Grantham on the A1, Peterborough on the A1 south, and King’s Lynn in the east. I also travel a fair bit and can get down the A1, around London and to Kent with a week's notice.[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]Not really into trades.[/font][/color] [color=#1D2129][font=helvetica, arial, sans-serif]Cheers, Simon H[/font][/color]
  3. Hi, this still for sale? PMd.
  4. Final bump before giving up.
  5. <grumbles to self... bought this only a few years ago for £350...>
  6. Markbass gear — about as fashionable as a mullet. Bump again. Come and get it. Coffee and biscuits await.
  7. Splitting up my Markbass rig and letting my 151HR cab go because I've decided to let the PA do the work and shifting air on stage just annoys drummers, keyboard players etc. So it's surplus to requirements. It's an Italian-made 15in cab, 8ohm and 400w. Full working order, not been used a great deal, never been pushed in my time with it (three years), cloth finish un-torn but plastic corners are scuffed (not cracked) and the tweeter adjuster on the side has a bit of wear on the labelling. But, basically, it's a tidy, used cab. Collection please, based just east of Spalding in Lincs, can drive it to meet you anywhere from Boston, Stamford, Peterborough, Wisbech, King's Lynn areas. Here's the current spec: [url="http://www.markbass.it/product_detail.php?id=30"]http://www.markbass....etail.php?id=30[/url]
  8. Will ship only reluctantly, and then only if you organise and pay for it! Sorry, but I'm too busy to do much more than box it up and stick a label on it 😊
  9. Bump and price drop, after which they go back upstairs. You never know, the keyboard player might accidentally have his fingers broken. Especially those on his left hand.
  10. Bump and price drop (a set just sold on eBay for £259, so thought I'd better come down a bit)...
  11. I weep. That is stunning.
  12. [s]Roland PK-5A Dynamic MIDI Bass Pedals - price drop Price: £275 now £250 now £225 Very clean (basically mint) and fully functional Roland PK-5A midi pedals, used once at a gig, then replaced by a keyboard player. Perfect for adding bass or synth parts in a trio (when connected to a synth/module/laptop etc), or even using them to trigger complete multi-part chord arrangements (using a DAW) – for example, playing brass section parts. Or, if you’re up to it, that whole Geddy Lee thing. 13-note span, 13 levels of touch sensitivity (even with your feet!), nine-octave transpose range, huge variety of performance options, including switching between bass, poly drums and SFX modes, Hold mode, Double mode, Retrigger mode etc. Can be used mono or poly mode. Basically, a scary range of uses. Roland’s blurb: [i]The Roland PK-5 Dynamic MIDI Pedal bass note pedalboard lets you play a variety of sounds from any external MIDI device, leaving your hands free to play your favorite musical instrument. The Roland PK-5 puts the excitement and versatility to live bass performance with full MIDI control within reach of any musician. Easy one-foot operation gives you complete command over four separate Performance modes, letting you play bass lines as well as harmonies, drums and percussion sounds, or even sound effects. And the PK-5’s impressive MIDI Controller Mode enable you to control virtually any MIDI function in live performance. Add exciting new dimensions to your instrumental performances with the versatile Roland PK-5 Dynamic MIDI Pedal.[/i] Unboxed, but I might be able to find something, and the psu is a general purpose item. No midi leads. Manual can be downloaded here: [url="http://cdn.roland.com/assets/media/pdf/PK-5_OM.pdf"]http://cdn.roland.co...pdf/PK-5_OM.pdf[/url] Collection much preferred for everyone’s sake, from South Lincs. Can meet up anywhere from Stamford/Peterborough/King’s Lynn/Boston areas. But can use DPD courier if buyer bears the cost/risk (although I’ve always found them to be excellent). No trades please, seriously, don't tempt me! [attachment=213090:pedals3.jpg][attachment=213091:pedals2.jpg][attachment=213092:pedals1.jpg][/s]
  13. Ach, well... I suppose you could split the signal before it gets to the FI...
  14. Guys, can I ask a question: I use a Unibass for its octave + 5th sound, and send it through the unit's separate, 'wet' output into a guitar fx/amp for filling out the mix at a gig. Does the FI have a) a wet-only signal output, leaving the dry signal untouched from another output, and can it generate multiple layers; say, an octave above the bass, plus a 5th, another octave over that etc? So I can play power chords from one bass note, and process them separately? Thanks SiH
  15. Cool, thanks. My plan is to split the signals and feed the synth part straight into the PA or via a guitar amp, and have my bass signal take its usual route through my rig. The idea is not to double bass lines with more bass, but to double the bass with, say, a layered guitar sound or strings etc (or even just use the GR as a midi converter and then trigger custom sounds and patches in Logic on a Mac). I've noticed the Boss SY300, but until I hear it being used the way I would want (which is pretty much like the Akai Unibass, with a bass-free 'wet' signal I can feed into a guitar amp), I'll pass. I've tried various other bass-midi converters and none track well enough. Hopefully the Roland will. But I really want one of these: http://www.industrialradio.com.au/
  16. I think I'm going to give it a try then. Thanks for the input.
  17. I've had the same thing with a guitar version - signal was breaking up. I bought a stupidly long non-Roland replacement from ebay and it's fine (expensive tho). Got it from here: http://www.ebay.co.uk/itm/Roland-GKC-5-Guitar-Synth-Cable-gkc5-5m-13-pin-conectors-New-/331744173572?hash=item4d3d7e5e04
  18. Hello, HNY etc. Can anyone give me some advice please? I've been thinking about getting a Roland GR55 for a while, and I wonder what your opinions are of its reliability and accuracy playing live (which is where it would be used). I play in a covers band that goes out as a 3/4/5 piece. When we're a 3-piece, at the moment I use an Akai Unibass to send an octave up + 5th signal separately to a guitar multifx, then into a guitar amp - it thickens the mix when the guitar solos, etc. I've also got a set of Roland midi pedals (which I'm thinking of selling) which I've used a couple of times, hooked up to a Mac with Logic Pro, playing pre-programmed chords - but with playing bass, singing and stepping on pedals, it's all a bit too much (not Geddy Lee, etc). So, presumably I can set the GR55 up to, among other things, trigger specific chords for specific notes (using Logic) - or just use it like the Akai to track the bass line but add guitars/pads etc. Anyway, the question: does it track well enough to use live? I've set up a 6-string guitar with a Roland midi pick-up before, and it was amazingly accurate and reliable. But bass is a tougher job, I guess. I've watched the Pascal Whassisname Youtube video demo of the GR55, but he hardly ever plays at the nut end of the neck where the tracking would be at its most vulnerable. Basically, I can put up with a bit of latency, but if it chucks in the odd bum note here and there... not really good enough. What does anyone think? Please don't suggest I get an Industrial Radio bass, because I seriously would love one. Thanks!
  19. ...<checks piggybank, thinks he could always sell one... or go in stereo...!>...
  20. I bought an Akai Unibass a couple of weeks ago; push it through a Digitech guitar multifx with chorus/delay/reverb etc, and into a guitar amp. After a few pints at a trio gig it not only fattened the overall sound and filled in for lead breaks, it even made it through a couple of tracks as the main guitar. Which was weird, but cool. Anyway, I'd love to compare the two pedals. Don't suppose you've ever tried the Akai?
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