Hi Kev, pm'd.
Hi Conan, ah, is it a black one or a burst?
Basically, the Corvette is kinda supposed to do a bit of everything, and it's close-ish to most. So with both pups in single coil, you can roll between them from that honky thing on the bridge to the mellow, woody neck sound. Or you can mix up humbuckers in either series or parallel, or mix with either with the other humbucker in single coil. A lot of options. And that's before you start messing with the 2 band eq. Or active/passive push/pull. Both tone controls have a massive effect.
Overall, in the studio/bedroom, the sound palette is vast. It slaps like you wouldn't believe. It's always the bass I go to when I'm learning new techniques and riffs because it's so easy to play and sounds so good. The bass has a wonderful feel to the neck, really slick and fast. I have the action on the floor, how I like it, and fingers just float around. The neck is chunkier than a Jazz, with a deeper profile, but it's lovely to play.
My problem with the thing is - and this will sound daft - simply too much choice in a live situation for me. I've only been playing live for a couple of years so I'm still at the stage where I can't deal with too much stuff going on live, and the fact is I've found too much choice distracting, especially as we never get a chance to soundcheck. I just have to plug and play and get a decent tone immediately, and you really can't beat a passive precision or jazz or p/j for that. In fact you can't beat P bass full stop. Of course the downside is you're limited tonally and I imagine more adventurous and technically adept players than me would love the variety the $$ has to offer. But I'm just a bit overawed by it.
Hope this helps a bit!
Simon H