Bigwan

Sorry, @Balcro I missed your initial message for some reason! 2 separate chambers, dimensions are as follows: 24" x 15.25" x 16" (internal) (610mm x 387mm x 410mm) 2 ports, each 4" (101mm) internal diameter, 4.5" (114mm) long I'd imagine it looked a bit like this in better days:

That's extremely useful. Thanks @itu! It's a Passion IV I'm interested in.

I really don't like the modern rock/metal tone. The Dingwall & Darkglass thing is EVERYWHERE and it sets my teeth on edge! Think more James Lomenzo/Billy Sheehan tones (not playing-wise I might add!).

The brand name means absolutely nothing. I'm asking about the tonal attributes of a specific model... A relatively rare bass, I've never seen one in the flesh in my 30 years of playing. It would be simple if I could try everything I wanted to... It's not something a bass player on this island ever has a chance to do on an instrument of the level we're talking about, not without significant travel. That's why I've always relied quite heavily on basschat input, since before day 1 of the basschat forum - some of us remember basstalk.co.uk. If you haven't anything better to contribute maybe you should be on a different thread...

Vigier are a brand I've been interested in since I used to read Guitarist magazine in the very early 90s and saw a review of the Passion - I never thought I'd be able to afford one, but I recently received a little bit of inheritance money from my grandfather so I'm in bass shopping mode! A used Amethyst Passion 5 at Bass Direct has caught my eye and is just within my budget... The other basses I'm considering are a Dingwall D-roc 5 Standard (currently on order with Mark as it was floating my boat originally) and a Spector Euro 4 or 5 What I'm looking for is a bass that feels ALIVE... Punch and growl are what I'm after. I don't see many reviews for the Passion that would cover my style (hard rock to metal) so it's hard for me to really judge and visiting Warwick is out for the foreseeable. What are the thoughts guys? Would a Passion 5 fit the bill?

Vigier are a brand I've been interested in since I used to read Guitarist magazine in the very early 90s and saw a review of the Passion - I never thought I'd be able to afford one, but I recently received a little bit of inheritance money from my grandfather so I'm in bass shopping mode! A used Amethyst Passion 5 at Bass Direct has caught my eye and is just within my budget... The other basses I'm considering are a Dingwall D-roc 5 Standard (currently on order with Mark as it was floating my boat originally) and a Spector Euro 4 or 5 What I'm looking for is a bass that feels ALIVE... Punch and growl are what I'm after. I don't see many reviews for the Passion that would cover my style (hard rock to metal) so it's hard for me to really judge and visiting Warwick is out for the foreseeable. What are the thoughts guys? Would a Passion 5 fit the bill?

All viable options...

A real pity that Alan isn't doing his classic line of basses any more... Can't afford another custom!

Same idea as the VFE Triumvirate. I don't know if the Triple Shot has adjustable frequency ranges like the Triumvirate, and at 239 quid I'm unlikely to find out! The Triumvirate didn't work nearly as well for me as the Lomenzo though... While the mid range drive was OK I couldn't get it as focused as the Lomenzo and the high or low ends didn't sound as nice either. Good for other sounds, but not the same sounds as the Lomenzo.

The Lomenzo is the best drive (for me) that I've found. I have a few issues with it: the form factor, the useless VU meter and the overabundance of controls... and being of a diy bent I've always fancied tackling a redesign of it but "real life" keeps getting in the way... I like it on its own for what I do, but you're not alone in liking to stack it! I've seen that a few times - Peter Iwers, formerly of In Flames, stacked it with an MXR DI.

First rate Bill! Thanks, I'd never seen that site before!

I have in my possession a Laney B215 cab. It looks awful, but it's physically sound and measures suspiciously like 2 TL606 cabs pasted together. It's currently loaded with 2 Peavey Black Widows (the non-bass variety strangely) - the cab came to me like this. I'd like to load it with something a bit more appropriate, but weight is absolutely not an issue. I don't plan on moving the thing more than a few times in its life and the rougher it looks and heavier it is the happier I'll be as I'm intending to use it in a rented rehearsal space. Can anyone suggest a driver with similar/equivalent specs to an Eminence 3015 or Faital Pro 15PR400 (which model reasonably well in the cab with some tuning) that weighs about the same as a neutron star? Or should I spring for the Faitals and a few rolls of roofing lead?

Certainly could be a bass issue - but having played in downtuned bands on and off for 25+ years I'd say it certainly doesn't warrant a £2k outlay! Last downtuned band I played in (drop A) I used a Sire V7 mostly with stock strings, but swapped the B string for the heaviest gauge D'addario single string I could find. Worked REALLY well, although I couldn't intonate the string particularly well due to the "high-mass" bridge design... Having said that I don't thing I played that string above the 7th fret so not a massive issue. Having said that I have a Dingwall D-roc 5 Standard on order from Bassdirect... Just because!

Bought a "warehouse" Mighty Plug from Amazon the other day. Sounded great, app integration seemed good for editing sounds. No compressor in the effects list though, which I found a bit odd.... Unfortunately it failed in its primary function as the battery (or charging circuit) was goosed so it only functioned when hooked up to a charger - probably why it was for sale on the cheap from Amazon. Still undecided if I'll replace it, but Just ordered a replacement because as I say it sounded pretty good... But nobody buy a warehouse one in the next while because it'll probably be the one I just returned...

Ive been following this build on instagram... Nice to know where it's going to end up! Bad Penny have a pretty unique approach to building pedals which is also nice to see.

Lush!

Looks interesting.... https://shop.fender.com/en-GB/effects-pedals/wah/pour-over-envelope-filter/0234549000.html?rl=en_US Anybody tried one?

I've not owned or played the little stubby, but I own the PF50T and have owned the LB30 and CTM30 at separate times in the past. They kind of overlap a little sonically. If I was pressed I'd say I probably SLIGHTLY preferred the tone of the LB30 over my current Ampeg, but not enough to change... Buying today I'd probably opt for the Ashdown myself, but there's nothing not to like about either of them really!

I'd start with the Behringer BDI for sure. The best value for money pedal out there. The blend knob is your friend! If you're a fingerstyle player I'd also consider adding an Ashdown Hyperdrive (James Lomenzo signature). Still my favourite pedal after years of trying out all sorts.