-
Posts
921 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Shop
Articles
Everything posted by Acebassmusic
-
Sound dropping out... Can anyone help?
Acebassmusic replied to PeterSchofield's topic in Amps and Cabs
[quote name='PeterSchofield' timestamp='1371288097' post='2112089'] I've not really had chance to properly dissect the rig to have a massive look as[b] [u]I only notice it at gigs with the band [/u][/b]as I don't practice all that loud....... [/quote] As well as all the points mentioned above, have the guitarist(s) changed their sounds / volumes? They could be masking your frequencies! Don’t forget to use the phrase “Oi you!…get out of my spectrum!” …lol -
[quote name='iconic' timestamp='1371223439' post='2111425'] I'm a member of the Institut[b]ion[/b] of Mechanical Engineers don't ya know.....[/quote] Sorry.....the detail orientated pedant in me broke loose Good trait for an engineer I hear. Anyway....back on topic....I'm another IMechE engineer who missed that lecture and would be interested in understanding why.
-
Welcome from Bonny (and sunny today!) Scotland.
-
-
Sad to hear your having to sell her on so soon. I sold / traded this with Harry for his Smith Fusion Anniversary 5 and can recommend trading with him. As he says, the bass is beautiful and although I did quite a lot of gigging with it, it really IS in showroom condition! The original sales link for bigger pics is here : [url="http://basschat.co.uk/topic/202011-sold-ken-smith-bsr6eg-limited-edition-sold/page__fromsearch__1"]http://basschat.co.uk/topic/202011-sold-ken-smith-bsr6eg-limited-edition-sold/page__fromsearch__1[/url] Good luck with the sale
-
I was a bit sceptical about the potential tone difference when I first bought it but yes there is a lot more than I thought! Not as much as "regularly spaced" pickups. Using the EQ and blend control and the neck pickup only you get a cross between old school with a bit of punch, both on provides a punchy but not nasal sound and bridge only can do the real nasal if you want. Hope my descriptions help
-
-
'Tis Yankee Doodle eye candy. Fender FMT (flame maple top). It was au upgraded variation they did on the Deluxe but with an active circuit. They also did a QMT (quilt maple top). I've fully shielded this ones cavities and fitted Nordstrand pickups and a Babicz bridge. There's some sound files on my bands webpage......
-
So you could be the only one.....
-
Any idea who else is exhibiting as there seems to be no real info on the website?
-
odd rustling noise on open E string on my Pbass special
Acebassmusic replied to rallyeluke's topic in Repairs and Technical
A couple of things to check are: Are the "nuts" on the front of the bass head that hold the tuner into the head, tight? Does the E string have enough of a sharp angle as it goes over the nut? Having the string wound as low on the tuner can help this. Is the nut loose? When you play the E and press on the string at the nut does the "rustling" stop? -
Ah nostalgia......its not what it used to be...... Great story which I'm sure many on here relate to. I do remember not having a clue how my bass and equipment really worked but just enjoyed the thrill of making music. I need to delve into the archives to see if there are any photos of my formative years....could be scary.....lol
-
-
Hi Timmo, Glad to hear you have taken up bass From your post it sound like you are a complete beginner? If so, what I would do before I changed basses is have a look at the way you are holding the bass, strap height, left hand positioning on the neck etc. This can make a huge difference to the ease of playing. There are a lot of good threads around here on the subject. Don't forget, your pinky isnt used to doing what youre asking it to do. It will come with time and practice. I find practicing lines up the neck where the frets are closer and then gradually moving down towards the nut end helps your fingers to learn to "stretch".
-
Not me directly but what happened to my daughter.... Years ago she was in the Guides and all over the UK they were doing their own version of X-Factor. She was one of the very few that played in a band, most others were either solo singers or duos. They were a trio - bass, guitar and vocal with the drums being a backing track I prepared. Practices were held in my garage with PA so they could learn the song and also get used to the sound as none had been in bands before. In fact they all started to learn to play specifically for the competition! As part of the practices I would set up the equipment and when they were playing I would switch each of them in and out of the mix. This was to prepare them for the possibility of some on stage "failure" happeining. If it did, they wouldnt be too phased and could carry on regardless. This worked well. The song was getting tight and they were building up their confidence. Local and regional heats were entered, won and they progressed onto the Scottish finals to be held in Glasgows Royal Concert Hall....in front of 2,500 other Guides, Mums, Dads, Aunties etc. Not a bad audience for their 4th outing! The day came and the girls had been told that a backline would be provided - eg equipment they had not used before. Dress rehearsals / soundchecks etc were done in the morning and the competition started early afternoon. There were about 20 acts, mostly solo singers who just needed a mic and someone to press play on their backing CD. Halfway through the event and it was the girls spot in the limelight. Amps were wheeled on stage by the techies, cable plugged in and then it was just them..... on a huge stage...... with 2,500 screaming girls. The band did just as I'd primed them "play a quick note and say Hi to the audience - it will check that everthing is working". Vocals? Check. Bass? Check. Guitar.....silence......All 2,500 pairs of eyes turned to watch the 14 year old girl on guitar with the "rabbit in headlights" stare who was trying to signal to the stage guys that her guitar was er....rather quiet...like DEAD quiet! Seconds passed (which to them seemed like an eternity) whilst the techies 1) eventually noticed something was wrong and 2) frantically started checking / replacing / plugging in / out......nothing. Then minutes passed.....many people stood round the amp scratching heads.......meanwhile I'm sat in the middle of the crowd looking at the Marshall head she was using and frantically trying to convey a message via telepathy to the techs to "press the standby switch ON!" There was no way that my lone voice would have found its way to the stage over the deafening high pitched screams and squeals of the crowd. Eventually after what seemed to be a couple of eternities one of the guys found the switch and guitar life was restored. How 3 very inexperienced and nervous girls who had only just taken up playing managed to handle that and go on to give a great performance that got the biggest cheer of the day I dont know.....well maybe some of it was down to good prep
-
I use a TC Electronics G-Major 2 which has all my compression, phase, flange, octaver, delay, reverb etc. No overdrive sounds though, which is ok for me as I dont need them.
-
-
I'm not quite sure what the negative side is of this..... Option 1) Go and see some of your favourite bands in the British "summer" whilst stood in the middle of some muddy field, eating dodgy food and having to negotiate the "lavatories" and kipping in a damp tent.... OR Option 2) Go and see some of your favourite bands in the sunshine (I needed to check the dictionary for the meaning of this word...lol), eat good food, clean lavs, good sleep and meet the guys up close.... I'm going on holiday soon and will probably have to do some serious searching to find good live music of the non "Agadoooo" variety....lol. The "Muso-Cruiso" option sounds more appealing.
-
-