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JPJ

⭐Supporting Member⭐
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Everything posted by JPJ

  1. JPJ

    Basschat 2x12

    No I haven’t, unfortunately life got in the way and whilst I haven’t given up, I bought a Vanderkley 2x12 to fill the gap in my cab arsenal in the interim.
  2. You have 6 aux buses routed out of the box to the six aux out xlrs. The standard headphone out is either your left right main outs or a solo’d channel. You can route one of your six aux busses to the headphone out but you then disable that bus aux out. Hope this helps?
  3. +1 for the Behringer B205D. Played a support gig a little while ago and the headline acts bassist was using one with his db and he kindly offered to let me try it. It was one of those tight little stages where you are almost stood/sat on your amp, so having this thing at ear height was a godsend. He obviously knew it well and had the eq spot on and it produced a surprising amount of bass from its 5” speaker. Plus points I could clearly hear every note I played, downsides I could clearly hear every note I played. Note to self, stop prattling around on the internet and practice more instead 😂
  4. Truly beautiful. Please record a few sound clips for us when you can, for us fellow Overwater nuts.
  5. Scroll to the first post 😉 #heretohelp
  6. Whilst I am not desperate to sell this bass, I could do with the space so I will listen to sensible offers. If you think I am off with the asking price, shoot me a pm - I will not be offended 😎
  7. I have no need for this. I already have way too much stuff. But I want this so bad 😂
  8. I must admit I thought the attraction of a Wal was the active circuit. Given that this one is passive and it’s been butchered to an add a J pickup I can’t see it being worth anything like the asking price.
  9. I have (had) a T-Bone IEM100 which appears to now be the property of our singer 😂 She loves the in-ear mix/experience and is using the ubiquitous ZX10 pro’s with the T-Bone. No issues with drop outs or interference apart from the time she forgot to plug in the aerial 🤦‍♀️
  10. Yesterdays gig (Sunday) was in the lounge of an ‘old school’ working mans club in what we still refer to as a ‘pit village’ despite the fact their pit closed in the 1980’s. This is a regular gig for us that we play twice a year. It’s always well attended and yesterday was no exception despite it being the first full weekend of the new year. Played to around 100 enthusiastic punters who get the band and our choice of music. Some idiot (that’ll be me then) forgot to pack the reel of XLR cables so we were ‘back line only’ which meant a lot more stage volume than normal, but the audience didn’t seem to mind. Another plus was the drummer going in-ears - he’s now a convert so that’s three down two to go towards getting the whole band on IEM’s 😎
  11. JPJ

    Show us your rig!

    My rig from yesterdays gig. Ashdown “Head of Doom” Geezer Butler signature with Vanderkley 212MNT. Bloody lovely 😎
  12. First chance to gig the Vanderkley today. Because some idiot (that’ll be me then) forgot to pack the reel of XLR’s we were back line only out front. The room was a moderate sized social club lounge sitting around 150 folk. The Vanderkley filled the room beautifully and the Ashdown Geezer was hardly ticking over 😎
  13. If it’s a water slide decal I normally mist a couple of coats of sealer over the decal before I immerse in water to do the slide bit. Stops the decal curling up as much in the water making the sliding part a lot easier.
  14. If I’ve read the OP correctly, I think the question is does anybody else double between DB and fretless electric bass. If I’m right, then I do this every gig with my country/Americana band, albeit the DB is an NS EUB but 42” scale. I have no problem transitioning between the two, just make sure the side dots on the fretless bass are ‘on the frets’ as against between the frets which you can see on some defretted basses.
  15. I have used a PC connected to my Behringer XR18 capturing all 16 channels for mix down after the show, and I have also used the Zoom H4n either on its own, or cabled to the headphone out of the Behringer (best result for a quick stereo mix). The H4n is a really good piece of kit, and can easily record a whole gig on one SD card.
  16. Next to go in my surplus gear clear out is my Radial BassBone two-channel preamp/DI pedal. I’ve owned this for a long while, and is a Swiss Army knife for bass players. Two channels, one with full eq (high, mid, low), the second with two pre-shapes or flat response. Separate level controls for each channel along with a foot switchable boost. Two separate inputs allows you to balance input volumes between say a fretted and fretless bass, bass and EUB, or passive and active basses. Built like a brick outside toilet, with a full metal enclosure, and it includes the legendary Radial DI out (on XLR) with a ground lift that your sound guy will love. Comes with original owners manual and power supply (Note: this is 15V 400mA centre positive supply). 8/10 condition-wise and fully functioning. Collection from Killingworth, North Tyneside or let’s talk about postage. Reason for sale, too much gear and this has been replaced in my rig by the EBS Stanley Clarke.
  17. Not strictly a Fenderbird, but here's my Overwater original series which Chris May tells me was designed at the request of a certain Mr John Entwistle to combat the infamous t'bird neck dive. I've just popped the original filter based preamp back into this and now it's got all those classic late eighties/early nineties tones on tap.
  18. So I've decided that I am going to continue my experimentation with IEM's in 2024. As I've said on here many times before, I play bass in two bands (one a female fronted Americana/country band, the second a southern rock band) and I mix the live sound 'from the stage' using a Behringer XR18. The singer in the female fronted Americana band already uses my old T-Bone IEM transmitter/receiver set with the ubiquitous KZ ZS10 Pro's and loves the setup. I am experimenting with the X-Vive U4 and the same KZ ZS10's. Both the singer and the drummer in the southern rock band are talking about IEM's (the fiddle player already uses a hardwired Behringer P2/KZ ZS10 combo). It's only a matter of time before this band goes full IEM followed by 'silent stage' minus acoustic drums. I've had limited success so far with my own IEM mix due to trying to do this 'on the fly' and also with the poor isolation I can achieve with the KZ's despite trying several different tips including foam and rubber. To speed up the process, I thought I'd ask the Basschat community for their tips/experiences of mixing IEM feeds to save me a lot of faffing about.
  19. I've tried this and failed miserably. The tip of the KZ is seductively close in profile to the outer shape of the ACS filter, but the connection isn't strong enough to support the KZ unit, and the entry angle is also wrong such that the KZ over ear loop doesn't sit right on my ears.
  20. So after experimenting with the combination of KZ ZS10 pros and X-Vive U4 and generally enjoying the experience, I think I am ready to upgrade the ZS10's to a custom moulded solution as I have, like many, struggled to achieve good isolation with the ZS10's irregardless of the rubber or foam tips I use. I already have a pair of ACS custom moulded ear plugs that I use when IEM is not possible so I have been looking at the various ACS IEM products and I have a question. ACS offer a 'ambient' IEM that includes a port with their 17db filter - the same filter I use in my plugs. It seems the idea is that you only need to feed your instrument into the IEM with everything else on stage coming from the ambient port (or you can feed as much of the rest of the band as you need and top up with the ambient). This would work great for me as both my bands are still reliant on backline and acoustic drums. Given the amount of knowledge and experience on here, what is the collected wisdom on ambient IEM solutions?
  21. Next up in the ‘I have too much gear’ sale is my SWR Marcus Miller Preamp. This is a fully featured 2U bass preamp with just about every conceivable feature including: 1) gain control, mute switch, and input pad (-10db). Two input jacks on the front panel with a switch to choose between them, and a third parallel input on the back panel. 2) The famous (or infamous) SWR aural enhancer tweaked for Marcus’s preferred response, but including a pull to defeat feature. 3) five-band eq including three (low mid, mid, and high mid) semi-parametric mid control foot switchable should you wish to. This thing is a tone monster - whatever you want its in there. 4) Parallel FX loop blend control and foot switchable effects loop. 5) master volume. 6) foot switchable fully featured compressor including controls for threshold, ratio, attack, and release. Push button switch to choose between the compressor being before or after the eq. 7) foot switchable boost with boost control for the level of boost required (subtle for playing under a guitar solo, or max out for your bass solo). 8} foot switchable ‘bass intensifier’ circuit with level and cut-off controls 9) Back panel features a pre-amp out to power amp with ground lift, a DI out to the PA including a level control, ground lift, phase inversion switch and a switch to select the DI source (pre eq, post compressor, or line with everything), effects loop send and return jacks, tuner out, foot switch jack, and that parallel input jack for the full rack mount setup with your favourite wireless etc. The preamp comes with the original four button foot switch that connects with a standard jack-to-jack instrument lead. I’ve owned this preamp twice in its life time, but as its not getting the use it deserves, and as I am drowning in too much gear and not enough space, it’s got to go. Note: this sale is for the SWR Marcus Miller Preamp and foot switch only and does not include the SWR Grand Prix preamp, the SWR Amplite power amp, or the rack case, but if you fancy a deal on more than one item - drop me a pm. Price is based on collection from Killingworth (just north east of Newcastle upon Tyne) but I have sufficient packing materials so the preamp can be posted at the buyers risk and expense. Any questions, drop me a pm.
  22. As I’m feeling festive, how about a whopping £50 price reduction, so this great acoustic/electric bass plus the case for just £550
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