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JPJ

⭐Supporting Member⭐
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Everything posted by JPJ

  1. [b]Aphex 1404 Punch Factory Optical Compressor[/b] Two knob optical compressor. Works really well with bass, but I understand it works equally as well with guitar. Nothing much more to say other than its very natural and transparent. Includes a studio quality DI out on XLR with ground lift and dry/wet switch and active/passive switch. Blurb from the Aphex website says: [i]“The 1404 gives clean, transparent compression for all instruments, from subtle to extreme amounts of compression without altering your tone or breaking up. Punch through the mix, live or studio, with enhanced tone and total dynamic control.”[/i] Available on the web for £90, sadly no original packaging with this one so yours for £40+pp. Note: Original rubber feet have been removed and Velcro added. Replacement self-adhesive rubber feet are available from Maplins for £1.50 for four. Is also advertised locally and will be on eBay early next week if no interest either here or there before then.
  2. [b]Akai Unibass UB1[/b] No longer in production and highly sought after, this bass distortion pedal includes a built-in octaver with octave up. In addition to the higher octave you can also add a lower 4th or upper 5th to the wet signal and you can run the wet distorted octave signal through a separate out with or without the upper 5th / lower 4th, whilst running your clean or dry bass signal through its own output. Blurb from the original Akai website: [i]“You know the feeling - you play in a traditional guitar, bass and drums 3-piece but when the guitarist takes a solo, your band sounds empty. Enter the UB1 UNIBASS. The UB1 allows you to add an octave above whatever you play on your bass to keep the rhythm sound full while your guitarist wails away on lead. You can also add a 5th above (or a 4th below) the octave to retain the feel of guitar 'chords' underpinning your guitarist's deft pyrotechnics. Furthermore, you can add distortion to the harmony to complete the illusion.” Operation is simple. Set the controls as necessary and, at the appropriate moment, engage - your bass will not only drive your band along but it will also generate unison and/or chordal guitar accompaniment filling the hole left by your guitarist's solo. [list] [*]Add an octave above what you play so you can simulate the sound of bass and guitar playing in octaves [*]Add a 5th above or a 4th below the octave sound [*]Powerful distortion for the sound of an overdriven guitar [*]Seperate outputs allow you to route direct bass signal to a bass amp and effect signal to a guitar amp [/list][/i] Comes with original packaging. No longer available, highly sought after, yours for £150 + PP. Note: Original rubber feet have been removed and Velcro added. Replacement self-adhesive rubber feet are available from Maplins for £1.50 for four. Is also advertised locally and will be on eBay early next week if no interest either here or there before then.
  3. [b]1Spot Combo Pack[/b] 9V power supply with multi-snake connector with 8 standard pedal outlets. Also comes with additional: [list] [*]2 x 9V battery clip style converters; [*]2 x 3.5mm Electro-harmonix style converters; [*]1 x Line 6 style converter. Still in original packaging, Available on the web for £35, yours for £15+PP. [/list] Is also advertised locally and will be on eBay early next week if no interest either here or there before then.
  4. [quote name='NJE' post='583497' date='Aug 28 2009, 01:04 PM']Hello I am no longer playing in my band and am thinking its a waste having this laying around not being used a lot. I have been playing my new Jap Jazz reissue a hell of a lot and have another 5 string Jazz bass for backup so I am thinking about letting it go. Its a superb bass and many say one of the best passive 5 string basses out there. As you probably know the tonal flexibility is amazing and has so many options for a passive bass. The B is awesome unlike a lot of fenders and the fact I used to tune to B flat and still sound clear is a good indication of the quality. Its in mint condition and I still have the tags etc but not the original case (always kept in a hiscox and would sell with it) I am in no great rush to get rid of this and just wanted to see if there was some interest in it really. I have seen these go for a huge range of prices over the last year or so as I was going to buy a second one. I have seen them go for anything from £600 - £935 in poorer condition than mine. I have no idea what to ask on price, I got this in a trade, so please if you are interested make me an offer via PM I may also be interested in trades for Warwick Streamers (5 strings) MTD 535 (not much chance but worth a try) or Sei Flamboyant or Overwater (not a jazz) Basically something 5 string maybe with 35" scale and active to have a change from jazzes. I dont have access to a camera until monday but maybe Mr_Russ wont mind me linking to his old post for now, as it was once his: [url="http://basschat.co.uk/index.php?showtopic=20252&hl=roscoe+beck"]http://basschat.co.uk/index.php?showtopic=...;hl=roscoe+beck[/url] Many Thanks Nathan[/quote] Lovely basses and quite sought after, especially the five strings. Quite like the look of them myself but those six string pickups Fender opted for put me off. First time I've seen pickups with the pole pieces between the strings
  5. I'm liking the look of this a lot. Very Entwhistle dont you think?
  6. [quote name='wateroftyne' post='574366' date='Aug 19 2009, 04:10 PM']I would like this, and I'll quite happily give you 78 pence and a packet of pork scratchings for it.[/quote] On the one hand they say there's a recession on and then on the other you've got young people splashing irresponsible amounts of money and tasty snacks around for tatty old basses
  7. [quote name='warwickhunt' post='563307' date='Aug 8 2009, 09:01 AM']Nope, the aesthetics are lost on me, that looks U.G.L.Y. Sorry! Though it does explain why it is in pristine condition... the owner was too embarrassed to take it out. [/quote] And that from a man who freely admits to once owning a Warwick Dolphin I saw this yesterday and immediately put Mrs JPJ up for sale on a one day auction to fund the purchase. Sadly, the winning bid was only £1.50 and when the winner came to collect her this morning he backed out of the deal. It seems my item description may have been a little misleading
  8. [quote name='Born 2B Mild' post='563623' date='Aug 8 2009, 06:24 PM']I'll start the ball rolling with the well road worn 1996 American standard V that I bought recently, which I then changed the control panel, knobs and scratchplate...[/quote] .........and neck?
  9. John, Two pieces of advice; 1) Don't plug it in before eBay'ing it, its a tone monster and will probably leave you wanting more; 2) Take a big lad with you when you go to pick it up. There's none of your light weight neodyminium going on here
  10. [quote name='warwickhunt' post='545436' date='Jul 20 2009, 04:23 PM']I think you were a bit too slow off the mark as this is heading back to me again! [/quote] Captain Indecisive strikes again!
  11. Here's my Overwater beauty. She's become my main gigging bass and I think this is everything I've ever wanted in a J bass format.
  12. Anybody know where I can get a cover plate for a 5 way Fender style lever switch. I'm sure I've seen these before but cant seem to locate one online?
  13. JPJ

    JPJ Build No. 2

    [quote name='Bernmeister' post='511626' date='Jun 11 2009, 09:21 PM']I've been keeping my eye on this thread, its very interesting & informative. Err no updates [/quote] Oh ok then......... Well after much much much sanding, filling, sanding, staining etc. I've reached this stage. The back and edges have been coated with ebonising lacquer (4 coats) and cut back to 1500 grit. The edges need another 4 coats minimum to completely block the porous grain of the swamp ash but still leave the grain pattern if that makes any sense. The top will have the edges air brushed with the same ebonising lacquer to soften the hard line between the black stain and the lacquer in a 'burst type effect. The whole body will then get four coats of sanding sealer, which will be sanded out to 2000 grit before eight coats of high gloss lacquer and another sanding to 2000 grit ready for final polishing. The reason its taken so long to reach this stage is that the top proved to be a rather crappier bit of quilt maple than I first realised and the first two stainings just looked like black rot . Both times I had to sand the body back to natural and start again. Hopefully though, you'll agree it was worth all the extra work in the long run? Looks like we are having a quiet weekend on the home front so I should get to the sanding sealer sanded out stage this weekend and shoot the lacquer next week so that it can have time fully cure while i'm away on my holidays.
  14. Most probably a locating pin hole for the routing machine which shaped the body. [quote name='Stu-khag' post='537297' date='Jul 10 2009, 04:12 PM']sorry if this has been asked before but whats the deal with the little routed round hole on my Fender Jazz under the pick guard? its about the size of a 10p and about a centimetre deep I bought it in 2000. Is it something to do with an active version of the bass? (mine is just a standard passive red wine Jazz) I'll take a photo of it if its an anomaly but methinks its probably quite common on this model? thanks Stu[/quote]
  15. So that explains why our lights keep dimming at home. He's firing this monster up and its pulling down the national grid
  16. [quote name='SisterAbdullahX' post='534278' date='Jul 6 2009, 11:13 PM']Anyone got a J-Retro or a Sadowsky with VTC fitted to their Jazz, that I could try out? I'm in South Yorkshire, but will travel. I'm usually gigging in or around Newcastle on weekends. Would bring my Warmoth with ACG (as pictured in the Gear Porn section), so you could give that a try to see how you get on with a filter pre.[/quote] I'm near Newcastle and have two J-Retro equipped basses (Fender DLX V and Overwater) and a home built P 5 string with Johns BTB and Mid-Stack (ie the tone engine from the J-Retro without the passive/active and the blend / pup switch). If you want to call in and try mine, your welcome!
  17. I used to have a Black Beauty and agree that they are a cracking combo. Add a 2x10 and you'll be in rock heaven. By the way, don't listen to allighatt0r, the aural enhancer is best at about half past ten [quote name='allighatt0r' post='531841' date='Jul 3 2009, 05:04 PM']DAMN! You beat my deal! Did you get a chrome grilled one or a black grill? I grabbed one of these from a local PMT for £500, when they had £700 on the price tag (if you don't ask, you don't get!). They are excellent amps, mine recently died mid-gig, but i think this is due to spending all it's time in a slightly damp van. It's currently at an amp repair guy, paid for by PMT! Your very cheap price is more than likely due to SWR discontinuing them recently. There's an owners manual [url="http://www.swrsound.com/support/manuals/pdfs/blackbeauty_om.PDF"]here[/url] if you want to see what you've got yourself in for. It's very clear and powerful for a 15 incher, but sounds even better with a 2x10 on top (preferably 4 ohm, which boosts the amps power from 300 to 350 watts. A 2 ohm cab would boost it to 400.) I like it with the tweeter set to -6db. By the way.... The Aural Enhancer is best set at 2 o'clock. [/quote]
  18. I use a bass buddy for home practice, recording etc and its probably the best pound for pound preamp I've used with the most musical single knob compressor for bass ever (imho). Its so good, I have one eye permanently open in case one of his 19" rack pre's comes up for sale on eBay or here. I havent tried any of the other kit, but have four eight inch speakers which may find their way into a purpose built BK powered cab to be mated to the bass buddy for those intimate acoustic fretlessy type gigs which I have always imagined playing but never quite got around to.
  19. [quote name='Machines' post='522781' date='Jun 24 2009, 05:58 PM']Nice - a tough call between that and this one: [url="http://www.fender.com/products//search.php?partno=0132000300"]http://www.fender.com/products//search.php?partno=0132000300[/url][/quote] That's the one for me. Black blocks on maple dont look right to me, MOP on rosewood just look sooooooooooo right
  20. JPJ

    Marcus's Feedback

    As well as being a top bassist, Marcus is indeed a top fella to do business with. Highly recommended to anyone.
  21. [quote name='mistahbenn' post='507071' date='Jun 6 2009, 04:40 PM']Sheesh, if I didnt already have my goliath this would have been mine! Bargain![/quote] I used to think that until I bought my second one! One goliath is very nice, two together is just simply awesome go on, you know it makes sense.........
  22. JPJ

    Sold

    [quote name='Marcus' post='503679' date='Jun 2 2009, 12:19 PM']May take PX on small practice combo[/quote] "Taking a break from bass" = May take PX on small practice combo We knew you'd crack.........
  23. JPJ

    Sold

    [quote name='warwickhunt' post='502112' date='May 31 2009, 09:42 AM']Another potential gig for you Kev! [/quote] Your having a laugh aint you! You ever seen me slap?
  24. Stu, I'm sitting typing this with my Overwater J sitting on my lap and believe me, I'd be feeling exactly the same way if I was in your position. PM me a price for the fretless mate, I might be able to muster the cash if the price is right.
  25. JPJ

    Sold

    Oops I've read down a bit further now, and yes, I cant afford it. I hope your back soon mate, after all, Mr Bucket will be off snowboarding again before you know it and the peppers will need you!
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