Linus27

This Thursday, 10th April, I'll be playing at The Bedford in Balham with a singer songwriter called Andrew Maxwell Morris. He is an singer, songwriter and film and television composer and has composed music for Cavendish and EMI Production Music which has been placed across the ITV channels, Channel 4 and Sky Sports. He saw me play with my main band a few weeks ago and asked if I would be willing to play bass for him. We've had two rehearsals and its all sounding rather good so looking forward to my first gig with him as well as playing at The Bedford which I hear is quite a good venue.

I use a TC Electronic 208 cab and a Warwick Gnome IPro 300. Sounds mega and easy to carry. You could also use a Gnome 200 or the even smaller BAM 200 or TE Elf.

Just a little update from me. Took the plunge on a Laney Digbeth Preamp but I'm afraid it's not for me. Nice enough pedal but I found the EQ was very subtle apart from the bass dial and the treble did next to nothing to shape or change the tonal characteristics. I quite liked the Tube and FET dials and did create a half decent tone by blending them but in all honesty, it didn't make me go wow in the same way my Sansamp BDDI v2 did and the EBS Microbass 2 I once had. It did work nicer with my fretless Jazz but did nothing with my P-bass with flats. Comparing it back to back with the Sansamp, the Sansamp was like putting an old pair of comfy trainers on. I can see me ending up with another Sansamp at this rate.

Came across this just now and despite not being my normal tone, I do love it and the amount of dirt is quite subtle. Ian is probably using a Helix to create this but if I were to use a pedal, what type of pedal would I go for? I've never used overdrive, fuzz, distortion etc. so not sure what direction I should head towards to create this tone.

Thanks for posting this, you can see how easily someone could be tricked.

Ok, thank you for confirming 👍

They've been my go to flats on a Precision for many years also but I currently don't have any strung on any of my Precisions. So that is why I opened this new packet to string one of them with a set only to not remember them to be quite like this. I have a few packets of old opened strings and one of them says Rotosound 77 flats on a bit a paper cut for a stingray but they have red silks on both ends. This new packet I opened only has silks on the peg end but the other end does still have the different coloured ball ends but no red silk at that end. I thought Rotosound 77 Flats have coloured silks on both ends. Added to that, they do feel rough apart from the G string which is much smoother. Not silky smooth like LaBella's but much smoother than the E, A and D string. I might drop Rotosound an email and see what they think.

Cheers Steve, thanks for your help.

I've just opened a brand new set of Rotosound 77 Jazz Flats and they feel very rough to me, more like rounds than what I remember flats to be like. They also sound quite bright. To those who play the Rotosound 77 Jazz flats, can you let me know if they are fairly rough to touch or are they smooth like normal flats are? Thank you.

Not fair, I can't play, Fender don't make an unlined fretless Jazz or Precision that's not a signature bass and Ernie Ball don't make an unlined Stingray that's not got an Ebony or Rosewood fretboard.

No need to apologise, I am open to all ideas and just gathering information on all the different options. I also love my Sansamp for my fretless and it was that little bit of magic that was missing. I will also try your setting suggestions. I may well stick with either the Laney Digbeth or the Sansamp VT DI. I know they will both work very well but I am leaning towards the Laney as its £100 cheaper, has great reviews and I am very interested in the Tube and FET options on it.

I'd watched that previously and its a brilliant video. I spoke to Ian afterwards and he was really interested in my choice of strings I use on my fretless. His setup is also really interesting.

Has anyone tried a Fishman Platinum Pro-EQ? I'm thinking that my current Sansamp BDDI v2 could stay on fretted pedalboard and the Fishman could be used on my fretless pedalboard. It might be a little more musical with the fretless over the Sansamp and the Sansamp will give me the tone I want for the fretted bass. Plus the Fishman has a tuner meaning I could lose a pedal.

By pure chance, I played through an Ashdown Original Evo combo yesterday in Andertons whilst testing out 3 Fender Precision basses, an American Professional, an American Performer and the Vintera Telecaster bass. I'd never seen this little combo before but it sounded phenomenal. I've always loved Ashdown stuff but tended to favour much small class D heads for convenience but everytime I've used them, they've given me a sound I've loved. I'm now super tempted to give the Ashdown Original Evo 300 head a go which is the same little head in this combo. As for the 3 basses, they also played brilliantly but all very different. The American Professional sounded good and played really nicely but didn't grab me as much as the American Performer which sounded amazing. It had this growl and bite that made it super exciting to play and I loved the neck. The only negative was the bridge pickup sounded a bit thin on it's own but combined with the split coils pickups and it sounded fantastic. The Telecaster bass I simply loved, it could be fat and warm to fat and punchy and it was very musical. The gloss neck was beautiful but perhaps a little chunky but still very playable. I'd be very happy with all 3 basses but I came away wanting the Telecaster bass the most.