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Linus27

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Everything posted by Linus27

  1. [quote name='soundcheck1' post='548744' date='Jul 23 2009, 11:46 AM']If this is still here in about 3 weeks I will take it off your hands [/quote] Good stuff, thank you. By the way, I see your in Elgin. I did a really cool gig in Elgin once when we were on tour. I can't remember what the venue was called but it had an American themed name. Downtown something or Hollywood something. It was pretty cool gig though.
  2. [quote name='MacDaddy' post='547197' date='Jul 22 2009, 12:18 AM']Next time he calls tell him "yes we can sell 50 tickets in advance, so that means we don't actually need you!".[/quote] HAHAHAHA
  3. [quote name='Geek99' post='546935' date='Jul 21 2009, 07:48 PM']At the Notts Bass Bash, someone commented that my Jazz sounded like a Rick - I thhink that this was mostly due to the strings.[/quote] Cool, thank you.
  4. Thanks everyone. I might try some 40 - 100 on my Jazz as I could do with a bit more brightness.
  5. [quote name='bassman2790' post='546764' date='Jul 21 2009, 05:32 PM']One can't help thinking it would be so much better without the filter[/quote] Totally agree
  6. Not keen on the sound but I love what he plays from 1m 29s up to 1m 45s. Really groovy stuff.
  7. For years and years, I have always used 45 - 105 gauge strings. I was thinking about trying 40 - 100 gauge but wondering if different gauges produce a different tone. If so, what would the difference be?
  8. I don't even know what a pre amp does or why I would want one so thats probably why it goes under my radar.
  9. Still can't believe I have not had a whiff of interest in this yet.
  10. [quote name='Musky' post='545338' date='Jul 20 2009, 02:39 PM']Oooh... contoversial! [url="http://basschat.co.uk/index.php?showtopic=36629&hl=water+rats"]http://basschat.co.uk/index.php?showtopic=...p;hl=water+rats[/url] The problem with a lot of gigs in London, or central London at least, is that few of the venues do in house promotion so you can be dealing with promoters at the same venue that have wildly different attitudes to bands. Nights at Water Rats are mostly promoted in house by Monto, though several nights a week the venue seems to be hired out. Personally I'd prefer not to deal with Monto, though others appear not to share my reservations.[/quote] Ohh, very interesting reading that other thread. I used to play the Water Rats about 9 years ago and it was ok. Always a pretty good venue. My new band have been looking at getting some gigs in London but it looks like I might have to avoid the Water Rats now. I did speak to the promoter last week. A guy called Tom Rogerson and he did seem very friendly but it does sound very dodgy there now.
  11. Interesting reading this. I used to play the Water Rats about 9 years ago and it was ok. Always a pretty good venue. My new band have been looking at getting some gigs in London and it looks like I might have to avoid the Water Rats now. I did speak to the promoter last week. A guy called Tom Rogerson and he did seem very friendly and made no commebt about having to pre sell tickets. Still. It does sound a dodgy setup.
  12. This could be a really good thread. How about adding The Waterats, kings Cross, London and the Boileroom in Guildford, Surrey. I also think 600 capacity is a bit much for The West End Centre in Aldershot. More like 200 - 300 hundred.
  13. I used to always take a spare but only because I used to play with a plectrum in an angry punk pop band and so string breaks was fairly common. Once every other month but then we were doing lots of gigs and practising for 8 hours a day for 3 days a week so I was going through strings quite quickly. Now I play with fingers in a more layed back folky/pop/jazz (no idea to be honest) thing and so I can't see me breaking strings anymore. However, its a hard habit to break and I am so far torn between taking two or just one to gigs now.
  14. [quote name='Stealth' post='543677' date='Jul 17 2009, 11:21 PM']Hi I have a shuttle too what do you think of the 212 neo ?[/quote] Hi, so far the NEO 212 sounds good. I'm not fully happy with it but I've only had it 2 days and only tried it at home so not had chance to try it in a band situation. I will be on Sunday. There's nothing wrong with it tonally and it looks superb, is well made but I've not had time to fiddle with it yet properly. The Epifani 310 I borrowed sounded great out of the box with the shuttle. Very clean, clear and punchy. The GB NEO 212 sounds a bit heavier and fuller. Great for a deeper tones but I am trying to get a much cleaner tone. A bit more fiddling tomorrow and on Sunday. I'm very happy with it though, just need to find my tone.
  15. Somebody must want this. A near brand new, never gigged ABM 410 for £280 or nearest offer with cover, manual and box. Its a seal at this price.
  16. I originally had a 1998 Musicman Stingray with maple neck which I sold in 2001. It was the nicest, flatest neck ever. I loved it. Now move forward to now and I have bought a 2005 Musicman Stingray and the neck is pretty damn chunky. Now is there a build difference between the necks on Stingrays or has my playing just changed over the years and all this playing of Jazz basses has made Stingray necks feel much fatter than what I originally remember?
  17. Richard bought my Ashdown ABM EVO RC 575 head. Super guy, quick delivery, great to deal with and very friendly. Needs a holiday though :)
  18. Another bump. Just received the proper Ashdown cover through the post that I forgot I ordered so this is included in the sale. Might be open to trades but not sure what I am after so let me know what you have. Nothing speaker or cab related though.
  19. [quote name='thepurpleblob' post='541020' date='Jul 15 2009, 09:54 AM']Being up on stage playing music is inescapably about look and image. It's nearly as important as the music. My band consists of four old, fat, baldy blokes - it's a bit of an odd image but it's still an image. Most pro musicians I know care a great deal about their appearance as it can make the difference between getting the gig or not. EDIT: Hang on a minute... who'se the dude in the carefully crafted white shirt and loose tie. You go down the pub like that do you [/quote] I love that photo. Something very coool about it. Is it you?
  20. Great thread this. I think its very important to get the band image right for the reason that it is also a product, not just music. It helps people identify and relate to the music and the group. However, its very hard to get right as each member of the band have their own opinions, styles and thoughts and you somehow have to meet in the middle. Still, if you can get it right then it can really work wonders.
  21. [quote name='The Funk' post='540812' date='Jul 14 2009, 10:32 PM']You can pull chicks from playing bass? [/quote] Hell yeah and real one sometimes
  22. I'm more worried about why the bass is so high up and why it has one extra string. So so wrong Am I the only one who fell for the whole, rock and roll, get in a band, get drunk, strap your bass around your waist, look sexy, get in a fight, look cool and pull lots of chicks approach to bass playing?
  23. Good stuff. Your lead singer looks a bit like the lead singer from Ash. Tell me though, why do you all wear your guitars so high up? It looks really uncomfortable. Not taking piss, serious question.
  24. [quote name='Musicman20' post='539742' date='Jul 13 2009, 09:38 PM']You now Ashdownless?! (well, when this sells)[/quote] I sure will be when the cab goes. I just wish it would sell as I need the space. I've gone all lightweight and weedy with my Genz Benz setup.
  25. Amp head now sold. Please someone buy the cab. I really need the space. Someone make me an offer. You never know, I might accept
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