Linus27

Oh geez, I love my Ampeg PF500 but I love my Ashdown CTM15 and this will sound sooo good through my Barefaced Two10. What do we think this will be priced at?

That was my Ashdown Mi550. The TH500 I mentioned was your one as well 😁

Not sure you can ask that question as you will get lots of personal opinions back. I personally use an Ampeg PF500 and it sounds amazing. I've also played a Tone Hammer 500 through it and it sounded amazing. I've also ran my Ashdown Mi550 through it and it sounds great. If I was to be honest, I would say that as it's such a great cab, most decent amp heads will sound good.

I just want a Fender 51 P-Bass reissue. Then I'm sorted and happy.

I have an Ampeg PF500 which I love but I was looking at the Fender Rumble 800HD. If I didn't get my Ampeg force stupid £150 then I would of probably bought the Fender head.

Well I've had a fairly busy year buying and selling gear this year, however I can't really tell you much about the stuff I've bought as it's not turned up 🤣 The first thing I bought was a Limelight 1960 fretless Fender Jazz. This was back in April and told about 12 - 16 weeks. However, a few issues along the way, mostly CITES and it's still not here. However, Mark has been great and I believe it's not far off now. The second thing is a maple fretless neck for my natural Fender FSR 70 Precision. It's going to be a replica of the one Sting used to play. Told it would be 6 - 8 weeks so sent the bass off back in July and still not got it back yet. I've also just bought a Stagg Deluxe EUB. Paid and got email confirmation from the shop and now nothing. Need to contact them tomorrow to find out what's going on. So at this rate, I might get 2 new basses and an electric double bass for Christmas 🤣😂 Of the things I have got, they have all been ace. I got a Barefaced Two10 from Chris on here and it has simply been brilliant. Such a loud, clean, punchy, lightweight cab. I also bought an Ampeg PF500 for a stupid £150 and I really love this amp head. I've never had an Ampeg and just wanted to scratch that itch and I love it to pieces. It sounds incredible through my Barefaced Two10. I also bought an Ashdown CT15 valve head and Ashdowm Mi 1x10 cab just to play through at home and again, it sounds amazing and looks so hot. So my two new rigs are great so that's a start.

Generally, I'm going to have to disagree with you (sorry, you did say it was ok to) but I think in the verses, it's that funky rhythm guitar under the straight tambourine. The rest of the song seems a bit bland to me.

Nice little review. I went through the same process as you minus the back injury but wanted to go smaller as lugging my Epifani 310UL was just getting too much. It was an amazing sounding cab and wasn't heavy but the size was no different to a 4x10 and getting tiresome. So I took the risk on buying a Two10 from Chris who was selling one of his and I am blown away with it. I run it through an Ampeg PF500 head and it sounds truly amazing. Its loud, punchy and the tone is amazing. I play in a 4 piece 50's Rock n Roll band that plays mostly clubs and the occasional pub and I have zero problem hearing myself. It's a truly great sounding cab and I have no need to change or upgrade.

That Stingray 😍😍 I've resisted three this year that were exactly like that, stunning, just stunning.

When I was 10 back in 1980, I wanted to do music at school, so they sat me in a room, played me The Beatles - When I'm 64 and some classical music. Then gave me a written test on what I've just listened to. The end result was the music teacher told my parents I will never make a musician, I dont have a musical bone in my body.

I have the PF500 as my main gigging head running through a Barefaced Two10 and it sounds fantastic. Really lovely tones. Bought it secondhand for £160 and it's been great.

Same, just gonna keep my eyes open for a Jap re-issue.

Thank you

That looks fabulous, where did you get it made? Limelight?.

This thread is so making me miss mine. Only bass I regret selling.

I played Mustang Sally for the first time a few weeks ago. We were at a club waiting to go on and our singer said that she thought it was this club that asked if we can play Mustang Sally last time. Everyone in the band said they knew it apart from me but I was happy to play it, so we did and it went down a storm. We have since kept it in our set and I've learnt to play it properly.

Derek was a huge influence to me as a musician and still is and I got to meet him and interview him back in 2010 when he was playing with Los Mondo Bongo in 2010. Below is the interview that I posted on Basschat. As for Simple Minds, you could probably say I am a massive fan and have seen them live so many times, sadly not with Derek on bass but fortunately with Mick McNeil. Personally, Simple Minds was most hurt when Mick McNeil left after the Street Fighting Years album. He was the sound of Simple Minds for me and over the years as more albums were released, they lost so much. The following album, Real Life was still a masterpiece, probably because Mick likely had an input in the songs but the following album really started to suffer although some good tracks did follow. As for Derek, again Simple Minds lost a lot when he left, he certainly had a signature sound with his flanger and fretless bass lines. However, John Giblin and Malcom Foster were both superb bassists and I think filled the gap, just in a different way. Derek did have an input in the Once Upon A Time album despite having left when it was finally recorded and did play some of the songs live before he left.

Sorry to hear things have not been great, hope everything is ok now. Lovely looking basses and the Tony Franklin is lovely. I came so close to buying one after playing the last one you had but I ended up going down two different roads for my fretless basses. The body of the natural Jazz looks huge, is it just a standard Jazz?

I'm very much this as well and I tend to find that I make up my own lyrics accidentally as I'm not really listening to them. I like them to be there but they just enhance the melody. In most cases they create an image or story in my head which may possibly be way off the mark but I'm drawn more to the emotion and feel that any of the words. In the summer, one night listening to a whole bunch of song with our singer and another musician friend. We each took turns to play a song and then we said what we thought it was about, the mood and imagery we got and what the singer was singing about. Quite remarkable the different interpritations. Now and again though, I do like some good lyrics but I tend to be drawn in to ones telling a story or about travelling. I find most other lyrics are self-absorbed pretentious rubbish and I personally don't care if the singer is having a bad day or is gonna dance the night away and wake up in bed with you the next day 🤣😂 These for example I thought were great lyrics but then musically it's more beautiful.

Just another update on mine as Mark dropped me an email last week. He is still waiting for the unlined fretless neck to arrive. The whole CITES thing has also been causing a delay but it gets lifted at the end on November. So you never know, I may get it by Christmas which would make a nice present 😊

I've got Rotosound 77 flats, 40 - 100 and I find the tension too much for me. I like strings to have a lower tension closer to round. Can anyone recommend something with a lower tension to the Rotosounds?

I've had a few but again, not because of the bassist they are after but because of the bass itself. 1. Lakland DJ4 - Bought this because it was supposed to be a great Jazz bass and it was ok but I didn't get on with it so sold it quickly. 2. Lakland Duck Dunn - Bought because its was supposed to be a good Precision and it was but I never got on with it tonally. 3. Fender Mike Dirnt - Bought because it was yellow and looked like a 51 Precision. Amazing bass but the neck was too chunky and it was a very heavy bass. I sold it as I ended up not playing it but it was an amazing bass.