Linus27

Nickleback I get but Keane????

I see you bought @obbm one. Dave's a great guy and you'll get an awesome little head that will have been well looked after. Enjoy and let us know how you get on.

I'm using a Warwick Gnome through a TC Electronic BC208 with my Ibanez EUB and it sounds great.

Not a huge Incognito fan but I do like a handful of track. This is definitely one of them and that Jazz bass tone is phenomenal.

What sort of time period are we talking about and what sort of genre? Was it a song in the charts or a Jazz record etc.?

Red Red Wine by UB40.

Sadly it's the world we live in. There are some wonderful, amazing human beings out there but there are equally some complete and utter tool's with toilet paper for brains. They walk among us and we sadly come in contact with them now and again.

I really like those guys, great music.

Really sorry to read this Ray and Lewis. As others have said, Basschat is the best place to sell.

I just remembered that whilst mixing an album back around 1999, I went to make coffee in the kitchen and The Corrs were in there making drinks. I think they were in the studio doing a song for a Pepsi advert. Also, when we then went to master the album at Metropolis Studios, OMD were in the next studio along.

That must have been awesome, were you All Shook Up about it 🤣

I've been a TV a few times. The first was a music show that Garry Crowley presented. He interviewed us and then we played a few live tracks. Be kind, its 27 years ago and we had no idea but we got signed after this TV show. A lot of our music also got features of extreme sports shows on Eurosport etc. for stuff like snowboarding, water skiing etc. so they then did a special feature on us. Be kind, this was 26 years ago I was a little wasted on various substances. We then had one of our tracks used in a Casio advert to advertise Casio G-Shock watches in Spanish cinema's. We got paid £500 for this and I actually wrote this track on an acoustic guitar that only had 2 strings on it whilst sitting on the landing of some ones house in Farnborough. The main part is just the bass line which is used here with the drums and feeding back guitar.

I have always sung my own original bass lines in my head when writing for new songs. I am a very melodic player so they are usually way too hard to play at first but I get there in the end once the muscle memory kicks in and I've worked out what the correct notes and phrasing is. Either way, everything is in my head singing along when I write bass lines. I'm also not the greatest at coming up with the initial song idea but for some reason, once I hear the rough version, be it just a voice and guitar, I can then hear the entire song in my head and I then go away and arrange the whole song. Its just something I've been able to do all the time, I can just hear the finished song from a very basic idea. Another thing I can do sometimes is hear a note by looking at it on the fretboard before I've got there. So I may be playing a phrase and I hear the next note in my head and then looking at the fretboard, I see the note I'm hearing on the fretboard so I know where to play it. I guess as musicians we all have music constantly running through our heads 24/7 right? It's like a constant noise all the time and certainly keeps me awake at night. It drives my wife crazy sometimes as if the music is very loud in my head, I end up tapping away or playing along but there's always something being played in my head, be it a song, melody, new bass line, drum beat.

I played with a few classically trained musicians in the past and they were exactly the same. Everything for them was in a box so improvisation or writing something unusual just caused absolute meltdown. What made it even more frustrating is whatever they were taught is the right way and there was an inability to compromise or even accept there are other ways, for example saying One-E-And, 2-E-And, Three-E-And etc. which I'd been taught and seen others musicians taught when reading music was absolute jibberish to one classically trained musician and their way was the only right way to count notes.

Mmmm, that's interesting. Does go into much details why, does he compare like for like and there's a noticeable difference?

I have a MS-60B which I love but I only use it for reverb. I'll be going for the MS-70CDR+ when it comes out as reverb, chorus, flanger etc. are my main effects for fretless along with my Boss OC5. I use a Sansamp as well which us ace so no need for the cab sim stuff either.

My rig from last night. MarkBass Little Mark IV Barefaced Two10 Fender Japan 62 RI Fretless Jazz Fender Japan 62 RI Fretless Precision Ibanez UB804 EUB

@Webby308 Hello from another Camberley resident here 🙂 As already said, Julian is very good and he's done all my basses in the past. If ever London way then The Gallery is also very good.

I've also just read this on Facebook and was super shocked as I knew Nick had a battle was cancer some time ago but thought he was in the all clear these days. I met Nick through Basschat and we did meet up a good many times at his house in Woking and he also came to mine as we were both local. I even helped him write his CV for when he was applying for jobs and moving away. I can't remember which one but I did buy a bass and some other odds and sods from Nick and not only did we chat basses and music but also cars and rugby. This has knocked me for six for sure and I am so super sad. I remember once when he came to my house and I was playing his fretless Tony Franklin Precision and he was playing my fretless Warwick Streamer. We started to swap amps and cabs and at one point everything stopped working. I'd only gone and plugged both end of the speakon cable into the cab which made me look a complete idiot but we both found very funny. Nick was an absolutely lovely guy, so friendly and will be so sadly missed. R.I.P buddy, will be thinking about you a lot.

Amazing thank you. I had to raise the height of my G string as it was buzzing a little and sounding too much like a fretless. When I raised it a little it sounded so much better but as the string sustained, it then vibrated into an annoying buzz. So I raised it some more and the buzz went and its now sounding good. However the D started to do the same so I just raised that a little and its ok again. Now I have the measurements and know where to measure from, I can check what the actual heights are.

Thank you for sharing. Super interesting. When he talks about the height of the strings, where is he actually measuring from?

That sounds really promising, thank you for the update and letting me know.

I will try that. I love reverb and use it a lot on my fretless to great effect. I did try it quickly on the EUB and it got a bit mushy so I think it needs to be subtle so I'll give that a go tonight.

You are welcome and hope it makes sense. Interesting that you suggest the MXR M81 as it has crossed my mind as well. I bought one of them in the past and I was really disappointed in it as I found it super subtle, very clean and didn't really add anything to my fretless tone so I returned it. I was thinking over the weekend how it would work with the EUB what with it being very clean and uncoloured. They are quite expensive for what they are though but it could be a good option.