Shakin' it to Virgin Groove earlier, I noticed what a great tone Tommy Cogbill gets on Aretha Franklin's "Chain of Fools" (Lady Soul 1968)
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I had to find out more about the man and soon discovered the Bass Player info shown below. It describes and shows the beautiful '50s P-bass used along with the one-speakered Twin Reverb on "Son of a Preacher Man", but the tone created is completely different to the likes of the sound on Lady Soul. It's bound to be a flatwound strung Precision into an Ampeg combo (also pictured), but the article suggests it might not be the same Precision as used on SoaPM
[url="http://www.last.fm/music/Aretha+Franklin/_/Chain+Of+Fools"]Aretha Franklin – Chain Of Fools – Listen free at Last.fm[/url]
[url="http://www.last.fm/music/Dusty+Springfield/_/Son+of+a+Preacher+Man"]Dusty Springfield – Son of a Preacher Man – Listen free at Last.fm[/url]
Some Tommy Cogbill (among others) transcriptions on Aretha Franklin songs:
[url="http://pagesperso-orange.fr/freebasspart.pv24/Aretha_Franklin.htm"]http://pagesperso-orange.fr/freebasspart.p...ha_Franklin.htm[/url]
So this thread celebrates the likes of Tommy Cogbill and Jerry Jemmott: the guys, like Jamerson, who knew how an electric bass should be played.
[url="http://www.bassplayer.com/article/dusty-springfields-son/feb-06/18128"]Son of a Preacher Man Bass Player article[/url].
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