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TobyMunkling's Achievements
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Sire P5 Precision Bass. Excellent condition. As new. Looks unused. "The P5 is a newly-designed Sire bass guitar, joining the acclaimed Marcus Miller lineup. Taking heavy inspiration from vintage precision-style instruments, Sire's utilitarian P5 model has plenty of classic character with its timeless body shape and solid construction — dishing out thumping low-end tones via a lone, middle-mounted split-coil pickup. Further noteworthy appointments include a rock-solid roasted Maple neck with a rolled-edge fingerboard, medium-sized frets, open-gear tuners and a genuine bone nut. Available at a fantastic price-point to boot, like all Sire instruments, the P5 is a versatile bass that perfectly blends traditional allure with modern refinement." (Last 2 photos from the Anderton's website) Delivery charge £25.00 includes full insurance, or buyer arranges. Listed elsewhere too.
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Sire P7 2nd Generation Precision Jazz P/J Bass. Good condition. Upgraded knobs. Great bass with upgraded Aluminium control knobs. In good working order, almost new condition. Just one thing ....I put a couple of small rectangles of velcro, either side of the output jack, to attach my wireless transmitter. (See picture) I've pulled them off, but it has left some glue residue. This will come off, without any damage, if you use the right solvent. Body: Alder Bolt-on neck: Maple Neck shape: C Scale: 864 cm / 34" (long scale) Ebony fretboard Fretboard inlays: White Pearloid Blocks 20 Medium small frets Fretboard radius: 241 mm Bone nut Nut width: 38 mm String spacing: 20 mm Tortoise pickguard Pickups: Marcus Super Precision (neck) and Marcus Super Jazz Single Coils (bridge) Marcus Heritage-3 electronics with frequency control Controls: Volume/Tone (Dual Pot), Pickup Blender, Treble. Middle/Middle Frequency (Dual Pot), Bass Mini toggle switch (active/passive) Equipped with 2 x 9 V batteries Marcus Miller Modern-S Bridge Chrome hardware Machine heads: Sire Premium open gear Colour: Black Please note this bass is also listed elsewhere. Insured shipping £25.00, or buyer arranges own
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SOLD Fender USA Highway One Jazz Precision Bass with J-Retro 01 Pre-amp, Badass II bridge. It was a Jazz, now it's a P/J. Ok, there's a bit of a story behind this one: I bought this bass used approx 10 years ago and although the bass was fine, someone had made a really bad job at trying to "relic" it. The original finish was red nitrocellulose. It looked like someone had deliberately scuffed off the paint (in a really artificial way) and maybe repeatedly hit it with a bunch of keys! So, I removed the remains of the nitrocellulose paint and painstakingly "refinished" the body using some wood dye and Wudtone waxes and finish. It literally took weeks! It's still very irregular and has various pits and scratches, but I think it looks cool, like it's been used and has aged. There is nothing structurally wrong with this guitar. The neck is straight, has a low action and the truss rod works. The back of the neck has a few dings in it. Nothing dreadful. I don't notice them when playing it. You may be able to "heat them out" but I haven't tried, as it doesn't bother me. I also fitted a John East J-Retro 01 Pre-amp (currently retailing at £187.50) this works brilliantly. The last modifications are the Bakelite pickguard and a Fender Pure Vintage '62 Precision Bass® Pickup (currently £105.00 from fender) in the neck position. The bridge pickup is the one that came with the bass. If you wanted to, the pickguard and pickup could be changed back to Jazz Bass, and the extra routing for the P-Bass pickup filled. I don't have the original Jazz pickguard or pickup any more. It's hard to put a price on this bass. They seem to be selling for £1000 ish on Reverb, but they'll be in stock condition, but ......no expensive preamp! I could be open to offers! Please note this bass is also listed elsewhere. Postage is £25.00 insured, or you can arrange. Body: Alder Neck: Maple, Modern "C" Shape (Satin Polyurethane Finish) Machine heads: Standard John East J-Retro 01 Pre-amp Fingerboard: Rosewood, (9.5" Radius/241 mm) No. of frets: 20 Medium Jumbo Frets Bridge: Badass II Hardware: Chrome Scale length: 34" Width at nut: 1.500" Fender Pure Vintage '62 Precision Bass® Pickup (Neck) Standard Vintage Alnico Magnet Jazz Bass Single Coil Pickup (Bridge)
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SIRE MARCUS MILLER V7 2nd GEN ALDER 4-STRING BASS - *SOLD*
TobyMunkling replied to TobyMunkling's topic in Basses For Sale
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TobyMunkling changed their profile photo
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SOLD Gallien Krueger MB800 800Watt Ultra-Light Bass Amp Amplifier head. Good condition. Loud! Sounds great. Pretty lights! Full working order. Includes Power lead, Footswitch and Cable & Original manual. What GK say: OVERVIEW Continuing the evolution of the MB Series, the MB800 bass amp head from Gallien-Kreuger features incredible output, increased functionality, and a completely discreet FET-driven preamp. With 800 massive "GK watts" of power, the MB800 can handle even the largest venues without breaking a sweat, and at 5 lb., neither will your roadie! All of the MB800's controls are lit to indicate the current operating status, including input clip, tuning mute, Gain A, Gain B/Level-B, power amp clipping, limiter enable, and EQ/Contour settings. The same FET technology used to create the legendary boost (G.I.V.E.) circuit found in all GK amplifiers for over 30 years is used in every stage of the MB800 preamp. Using FET devices to drive the GK four-band active EQ, Contour, and Gain allows the MB800 to transition seamlessly from a full, warm, clean tone to full-on GK growl. 800 watts of pure GK power and tone in a five-pound head! FEATURES 800W @ 4 ohms, 500W @ 8 ohms Discreet FET preamp Push-activated Gain A/B and limiter defeat -10dB pad 4-band active EQ with variable contour Effects loop and tuner mute XLR out, pre/post EQ Defeatable limiter Two Speakon outputs SPECIFICATIONS MB800 800W Ultralight Bass Amp Head 10-3/4"W x 1-3/4"H x 8-1/2"D 5 lb.
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SOLD Hartke Kickback KB15 Bass Combo & Padded Cover. Excellent condition. Only used a few times. Good quality Padded cover. Here's what Hartke say about it: "Kick-Drive. Hartke has revamped its acclaimed Kickback 15 Bass Combo with a new high-powered, lightweight design. Retaining the classic enclosure, the Kickback KB15 now features Hartke's patented HyDrive Speaker Technology. With 500 watts of Class D power, the Kickback KB15 is ruggedly portable and delivers serious bass tone that cuts through the mix. The HyDrive Design The KB15's 15" HyDrive speaker features carefully crafted paper/aluminum hybrid cone drivers. The hybrid makeup delivers an exceptional blend of warmth and attack that can't be attained by traditional all-paper bass speakers. The use of rare earth neodymium magnets also helps to maintain lightweight portability without sacrificing any of the legendary Hartke attack. Shape Your Tone Designed to produce a responsive bass tone that’s both tight and warm, the KB15 provides users with comprehensive tone control. Quickly dial in tone adjustments with the Shape knob and full 3-band EQ. When activated, the Shape knob selects the frequency range of a unique, fixed EQ curve, resulting in a greater variety of color and harmonics. Kickback Versatility Beyond sitting upright, the KB15 can be placed in “kickback” position for superior directionality and increased high-end clarity on stage. With a headphone output for home practice, an XLR direct output for live performance and a lightweight Class D amplifier, the KB15 is the answer for all bassists." Tricky to post, so collection from St Albans, Herts, only please.
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Helix Floor/LT/HX/Stomp/PodGo owners' Club - Tips, Ideas & Patches
TobyMunkling replied to Al Krow's topic in Effects
Those are the ones.....very analogue Dx and Moog sounding. They're not as good as the C4, but close enough in a live mix. -
They have improved, but just not that much!
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Ok, for what it's worth, here's my opinion on the Zoom B6: I've had some time to play about with it at home and in rehearsal studios. My overall opinion is that if you already have a Zoom B3 or B3n it's not worth buying. The sounds may be slightly fuller, but not so you'd notice much in a live setting. Apart from the D.I.'s (which I don't use) there's not a great deal of anything that makes it better than the previous generations. It's like an iPhone 11 to 12 upgrade.....it's not enough to justify the price hike. The case is plastic rather than metal (which is a huge step backwards) and it's too big for what it does. I play in an 80's covers band. I have a Helix Stomp too and since the recent 3.15 update the synth sounds (which I thought were pretty bad and much worse than the Zoom before) are now much better, to the extent that in a live setting they are more than adequate to replace my Source Audio C4 and Boss SY-200, but probably not if recording, but let's face it, you'd probably use a full size or soft synth for that anyway.. The stomp case is metal, looks better imho, and is a third of the size of the Zoom. So.....to summarise, The B6 is not much better than the B3 and doesn't do enough that's new. It's too big and its plastic. It costs too much. The Helix Stomp (since the 3.15 upgrade) is now my one pedal solution and has made my pedal board redundant (for now, at least).
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Yep....mine's in transit from Germany, even though I bought it from DV247.......