pete.young

[quote name='bjelkeman' timestamp='1372284503' post='2123953'] Yeah, a lot of us in Sweden are going with the local speaker mfg TKS and his best selling boxes are based around 12s. [/quote] Hi Bjelkeman, Would be interesting to get your thoughts on EBS. I've been using an EBS Neo 2x12 for several years and haven't heard anything that I would change it for.

Markbass LMII, EBS Neo 2x12, Gramma pad. Mind ewe we've been running everything through the PA for quite a while now and I've been using a small combo as a monitor.

Rays are fine, but remember Bernard also used a Precision and gawd help us a BC Rich Eagle, and still sounded like Bernard. To me that was an absolutely top-class performance by great musicians at the very top of their game. I agree with nottswarwick.

You could do a lot worse than read this blog from 51m0n: http://blog.basschat.co.uk/setting-up-a-compressor/

What about a 5-string US Sterling? There's a nice one up for sale on the forum at the moment. I was thinking about it, but didn't like the string spacing, and I decided it wasn't ever going to be a match for my BBNE2 .

Ste, well done to you for getting involved and promoting this excellent initiative. Do you just need bass strings, or is there a need for other instruments too?

We are almost at the point of not having any backline. The only exception is my Puma 110, which goes on a stand so the drummer and I can hear it, but it's not loud enough to affect the FOH mix. We got this way as a result of a gig in a long thin building, where I couldn't hear my bass amp standing next to it, but it was massively loud 30 feet into the room. We're now at the point where the vocals go through one pair of monitors, keyboard player has a second mix through a floor monitor and the guitarist has in-ear monitors. Everything goes through the PA for FOH and we have a sound engineer/photographer who sorts the mix out. I love it. It's totally controllable and has drastically reduced the noise on stage. We have a very quiet drummer anyway, and now that we no longer have a massive valve guitar amp to compete with we go home from gigs without any tinnitis or deafness.

I bought an amp from a dodgy bassworld seller called CrazyKiwi and he suggested I might like to check out the forum.

... bassist of Mumford and Sons. Blood clot on the brain. Could have been nasty. [url="http://www.bbc.co.uk/newsbeat/22862854"]http://www.bbc.co.uk/newsbeat/22862854[/url]

Probably cheaper to buy a Squier VMJ Jaguar than have the routing work done, get a custom scratch plate made and buy another pickup.

Yamaha's are not all narrow necked - the TRB5P that oopsdabassist has is 19mm at the bridge and my NE2 is about 18. TRBX 505 and 305 are 18mm which is not particularly narrow. Vigier would be a good choice, at the other end of the cost scale the OLP MM3 is around 16.5mm . But it's not all about pure narrowness of neck, the thickness is important too. I found the TRB5P to be much more playable than a G&L L2500 tribute, which has a spacing of around 17.5mm but a deep neck front-to-back. Ibanez SR505 is very comfortable too, not sure what the width is but it's very playable.

[quote name='RhysP' timestamp='1370859458' post='2106300'] As others have pointed out, acoustic basses are pretty much a complete waste of time. [/quote] Yup, the double bass is the size it is for a reason.

[quote name='mildmanofrock' timestamp='1370864230' post='2106425'] Hi folks, apologies if this has been asked/discussed before. I'm going to Italy on Wednesday and would like to practice tracks in the hotel room. I have Mp3 files of the tracks - for iPod/CD. Can anyone recommend a really titchy amp/practicing/play along solution? [/quote] Tascam MP-BT1

Damn! I tried to get a ticket for that and failed, it was sold out long before I found out about the tour :-( I've been an admirer of Bonnie's work since 1977, there is no-one else quite like her.

I just pick up my spare bass.

I just put a Nordstrand 2-band 4-knob into my SB465, it is active/passive (though why you'd want the passive I don't know) and fits easily into the cavity. You may need to open out the holes in the top with a round file though, because the pot threads are slightly bigger than the original SGC Nanyo. It's not unusual for the original preamps to go wrong: I replaced mine with an Artec 3-band, but the Nordy sounds a lot better.

Grenn precision copy. Not heard of Grenn before. Wonder what's lurking under that ash tray? http://www.ebay.co.uk/itm/Grenn-bass-guitar-MIJ-made-in-japan-1970s-vintage-copy-clone-Precision-Bass-/300915045925?pt=UK_Musical_Instruments_Guitars_CV&hash=item460fef3625

I might be able to do this, but I'm not going to contact Michael to ask him when the gig is. I think at the very least you have to give us the date, so that we don't waste his or our time.

[quote name='4-string-thing' timestamp='1370259493' post='2098138'] There are several "rules" when building studios and rehearsal rooms The main ones being mass is very important in helping with soundproofing or more accurately, noise reduction. Sound is passed through walls by vibration, so the more solid the walls the better. [/quote] That's why the shed-in-a-shed has a massive paving slab floor resting on 100mm of Jabloc - it's effectively a very heavy mass on a spring, which acts as a vibration absorber - hence the walls don't have to be massively rigid to prevent the vibration. Sounds bizarre, but it works well.

[quote name='Chiliwailer' timestamp='1370193382' post='2097423'] Thank you, this set would be going on a Jazz so thats very helpful. I agree about the Precision requiring a heavy set, which actually confused me too as I read that these come on the Pino P - Bass, can't account for personal taste though can you! [/quote] Well each to his own, but I disagree - i think they sound great on my Precision.