pete.young

[quote name='Legion' post='545570' date='Jul 20 2009, 06:25 PM']If I kept this Sadowsky I have no idea what I would do with 3 basses[/quote]

Personally, I'd have found a way!

Looks like I'll be spending most of next week in Lowestoft, waiting for the weather to improve enough to allow us to go diving. If you fancy a beer and a chat PM me!

I'd like to say a bit thank you to the team in PMT in Birmingham, who tick all the boxes - yes , they appreciate being asked to try the gear, yes they have very competent specialist staff, friendly, knowledgeable, not pushy and will do you a good deal if they can. If they're on commission it's clearly on what the team sells, which is how it should be.

As a result, I'm now the proud owner of a new piano, that I've been umming and ahing about for ages! Wish I'd gone in there yonks ago.

I've seen this before with a strat , in a church of all places. Turned out to be a great excuse for my friend to buy a variax, which cured the problem :-)

A hearing aid is essentially a single-coil pickup.

Yes Bob, the BB1200 was a through neck.

I love this bass but I fear the neck is going to be too wide for my tiny mitts. Could you measure the width at the nut and the string spacing at nut and bridge?

Yes it does, but I can't remember what you have to do to get it. Maybe stand on it for 3 seconds?

Some good tips here.

When I was learning piano my teacher used to raid the music library for stuff a grade or two down from what we were learning and make us sight read it. Once through each piece only, no stopping. When you'd finished the book, bring it back and be given another one. If you can, skim through the piece in 30 seconds or so before you start, noting key changes and time changes.

The other useful piece of advice I was given is to learn to read intervals, not absolute notes. A line in the stave to a space is an even interval (4th, 6th, octave etc) space to space or line to line is a 5th, 7th, 9th.

Getting into orchestras as a string bass player is usually easy - full orchestras need 8 double basses. Jazz and swing bands are much harder since they typically only have one bass player.

My sight reading improved radically when I took up tuba!

I can only think of one person who should be allowed to own this bass!

[url="http://cgi.ebay.co.uk/IBANEZ-Limited-Edition-Chequered-Bass-2008-ICB_W0QQitemZ130317266776QQcmdZViewItemQQptZUK_Musical_Instruments_Guitars_CV?hash=item1e5783af58&_trksid=p3286.c0.m14&_trkparms=65%3A12|66%3A2|39%3A1|72%3A1688|293%3A6|294%3A50"]http://cgi.ebay.co.uk/IBANEZ-Limited-Editi...93%3A6|294%3A50[/url]

"Auction end" ?

Quality control on the MIMs is variable. The best ones are very good. Most of them are adequate.

For MIJ/CIJ, the best instruments are the not-for-export, which have that winning combination of US pickups and hardware, and Japanese build quality and attention to detail.

Can't see any problems with posting your actual experiences. Thanks for taking the trouble.

[quote name='phsycoandy' post='533599' date='Jul 6 2009, 10:46 AM']Count me in Alex, Ipswich Suffolk Area[/quote]

+1 - what psychoandy said!

[quote name='GreeneKing' post='530893' date='Jul 2 2009, 06:20 PM']I'm totally pants at listening to a song and working out the notes being played. I'm a little better at sorting the rhythm but that still leaves room for improvement.[/quote]

It's like sight reading. Don't try and work out the actual notes, listen to the intervals !

[quote name='Linus27' post='531892' date='Jul 3 2009, 06:10 PM']Is this still available? Plus, is the cab 4 ohms or ohms?[/quote]

If it's still available, it'll be 4 Ohm. They all are.

[quote name='Crazykiwi' post='530022' date='Jul 1 2009, 10:09 PM']I'm still in shock as well and apparently its hit everyone who knew him hard. I'm still trying to get in contact with Maria so I can pass the wishes of everyone on.[/quote]
Good luck with that. I didn't know him well, but I remember him from way back, bassworld days. Awfully sad, please pass on my condolences along with all the rest.

I don't know why people don't seem to get excited about these - better quality than a late '70's Precision and 1/3rd the price. I love my BB800, wish I could justify buying this one.

[url="http://cgi.ebay.co.uk/YAMAHA-VINTAGE-CLASSIC-BASS-GUITAR-RARE-BB-1000-BB1000_W0QQitemZ220446276662QQcmdZViewItemQQptZUK_Musical_Instruments_Guitars_CV?hash=item33539f3c36&_trksid=p3286.c0.m14&_trkparms=65%3A1|66%3A2|39%3A1|240%3A1318|301%3A0|293%3A7|294%3A50"]http://cgi.ebay.co.uk/YAMAHA-VINTAGE-CLASS...93%3A7|294%3A50[/url]

[quote name='mcgraham' post='524938' date='Jun 26 2009, 03:33 PM']For those who have magnetic pickups and piezos, what controls is your bass equipped with to mix the two options? Separate volumes? Anyone got a blend between the two? Simply an on/off switch for the piezos? Or maybe a switch that has options for magnetic pickups only, piezo only and both together?

Also, what do people do with eqing the two signals? Is it standard to have a separate eq for each, or just for magnetic and not piezo?

Mark[/quote]

I have a Dean Bromberg which has 2 jazz style pickups and a Fishman piezo bridge. There's a 3-way toggle for piezo only, magnetic only or both. There's a master volume on the guitar. The magnetic pickups have a volume control each and there's 3-way EQ. The piezo has a separate volume control but no EQ.

No firewire?

Ooh. I'm having a Skunk Anansie moment!

[quote name='Happy Jack' post='524257' date='Jun 25 2009, 11:19 PM']Pete, don't tell me you also do the Vanilla Fudge version! [/quote]

Unfortunately not. The Kim Wilde version. Blush.

[quote name='budget bassist' post='519241' date='Jun 20 2009, 12:56 PM']so any more updates?[/quote]
Check out Crimson's build diary for the 13th June. It looks stunning.

Couple of gigs coming up with the covers band Crossover:

This Saturday 27th June: Swan, Long Melford

Friday 10th July: The Royal Oak, Ipswich - looking forward to this one because we can do some more rock stuff.

[quote name='TGEvans' post='515489' date='Jun 16 2009, 05:12 PM']It is an american, I have been asked to point this out by people who have offered me £200 for her. Ebay end of the week chaps![/quote]

That really is taking the piss, even for a Tribute.

Have a bump for a really nice bass. If the neck is of slimmer dimensions than the Tribute, I'd be interested to know.

I guess it depends on what you're covering.

In my covers band we have some stuff for which a synth is very handy (Keep me hanging on, Aint Nobody, I Kissed a Girl), some requiring envelope filter and compression (Canned Heat, Twisted), bit of chorus occasionally comes in handy (Feelin good, pretending to be an upright bass), distortion (Standing in the way of control, shut up and drive). I also have an octave down pedal but I find I'm using that less and less since I switched to 5-string. And a good tuner is handy.

Of the multi-effects, the only one that appealed to me was the Boss one, the ME-50B ? It's configured like a bunch of stompboxes so I think it's more usable in a live situation, if your brain works in a stompbox kind of way.

[quote name='alexclaber' post='523045' date='Jun 24 2009, 10:24 PM']It's 520mm or 20.5" plus the thickness of the finish and the corners, so about 525mm all told.

Couple of shots here with a 19" rack on a Big One: [url="http://www.barefacedbass.com/thebigone.html"]http://www.barefacedbass.com/thebigone.html[/url]

Alex[/quote]
Bit top-heavy then. Burman is 700mm wide.