pete.young

Well it works for 2 or 3 pedals, and I don't think you'll blow anything up - if there isn't enough current it just means some pedals won't work properly. I don't think the circuitry in these bricks does a great deal, and you might get a very similar result by using a 9V wall wart and a daisy chain.

Should be OK provided your total load doesn't exceed 375 Ma. The individual outputs are not isolated, so you effectively have a daisy-chain of 9V ouputs inside the box anyway. The 18v outputs provide 625 Ma between them and there's no transformer in that part of the circult - the 18V outputs come straight off the 18v wall wart that powers the unit. I have one of these and I have a daisy chain somewhere so can do an experiment if you can wait until this evening for the results.

Ah, OK, if it's the Combo II head then yes, it'll be a LM3.

I wouldn't change the head. The head in these combos is a LMII head which is a class A/B , and gives a much better sound (IMO) than the newer Class D variants. Sell it and buy a newer combo.

Becos would be worth looking at for a pedal, but you might be better off with a 19" rack unit like a DBX166 if you don't like the faff of pedals. Dunno how rack-mountable an Aguilar TH350 is though.

Russ Ballard impression!

@Richthe artwork looks excellent. I have a Fuzzdog EchoBlue Delay which arrived a couple of days ago. I was casting round the garage for a rattlecan of blue paint, but might give this idea a go instead.

Vintage V300 acoustic Seagull Grand Sunburst GT parlour acoustic Epiphone Masterbilt Zenith archtop Fylde Orsino, 1975-ish Anderwood Type 1 Weissenborn lap steel Vintage bitza Strat oh, and a Fylde electric . How did that happen? For someone who doesn't play guitar, I have a hell of a lot of guitars!

I do. I'll PM you.

2 for me, and we only play stuff that was recorded by the Pogues.

Here's a picture of the one from my SB465.

Definitely this.

I love the sound that Richard Bona gets on the Reverence album, and I think it's a great fit with the styles of music. Here's a couple of examples. Where he drops down to the pedal note in Suninga at 0.42 it still sends shivers down my spine. TIme to break the headphones out.

I love these instruments, the sound they make is incredible. Would love to hear you playing them once the lockdown is lifted.

dave.c had a pair of the original SP212s and they sounded really good.

People have had great results with the John East pre-amps. He's showing out of stock at the moment but might be worth a call, he's a nice chap very friendly and helpful.

Au contraire, I've just had a quick count up and have at least 31 instruments in the house, not including the guitars owned by my son, amplification, pedals, etc and another build on the way. But I am coming round to the idea that it's usually better to understand the problem and fix it, than to throw money at it and hope it'll go away.

The FDeck is a wonderful piece of kit no doubt, but if AndyBass is already using a K&K pre-amp he doesn't need to go and spend any more money on another pre-amp. All K&K preamps have an input impedance of 1MOhm.

You could make a box for it to stand in, that way you could vary the dimensions so that it was a good fit for your bass. I think Bassace had a thread some time ago about how to do this.

You'd be better off with the distance from the 12th fret to the coil centres.

More 'lawsuit' twaddle. https://www.ebay.co.uk/itm/Rare-collectors-vintage-1975-EB-3-Electric-Bass-Guitar/324125443973?hash=item4b7761c785:g:27YAAOSwdppeiHnx Unfortunately not rare enough.

Setting up a collection , rather than sending it to someone else, drastically reduces the number of couriers you can use. Could try Eurosender with basschat discount - search parcel discount and you'll find the thread explaining it.

Mike Walsh's handiwork on my CIJ Precision:

And Musicman, virtually everything they make is 17.5mm and the OLP clones were 16.5mm . Pretty sure my G&L Tribute was 16.5mm too.