bassace

What a nice guy. He brought a Crazy 8 cab out by train to Oxford. Very pleasant to deal with and easy to keep in touch. Laurence, there's a PM for you. PS, the cab had Clarky's fingerprints all over it.

[quote name='Gareth Hughes' timestamp='1391545611' post='2358484'] I played my Eminence through a GK MB150 combo for a little while, though with Kolstein strings, an AptFlex pickup (similar to the Gage) and a Fishman Dual Parametric DI as the other elements in the chain. I liked it but found I missed the presence/air a tweeter gives so had one rigged up to the extension output. As for body - I found the only way to fatten it up was with a proper extension speaker, in my case an Epifani UL112. Certainly helped a lot. You could try borrowing a separate speaker cab, hooking it up to the GK and then disabling the internal GK speaker. That way, you can judge if you like the sound of the GK preamp on it's own. Then try mixing the internal speaker with the external one. To be honest - amplifying double bass is a crap shoot. All the great gear in the world goes out the window if the singer has too much low's in the monitor or your keyboard player can't control the left hand, or cymbals eat up all the high frequencies in the room, or the room sounds like an empty swimming pool, or....or....or....... GOOD LUCK!!!!!!! [/quote] Ho ho. At a gig last week I suggested that the keyboard player move his seat a foot to the right.

[quote name='andyonbass' timestamp='1391144011' post='2353750'] Make sure you have a good right hand technique as well, Geoff ⬆︎covers this in one of his lessons iirc......... [/quote] Yes. Reminds me of the old double bass chestnut - Q 'Why can't I get a sound like Ray Brown?' A 'Because you're not Ray Brown!'

Congrats, Clarky! Still the happy owner of your previous one. I do a monthly gig at a pub whose stage area has probably the worst acoustics I've encountered. Problem is a conventional DB is 'too much bass'. So I use the Kolstein with an Underwood pickup through a Genz Shuttle. Dead easy. I take the Kolstein to other gigs where space is at a premium. It's been a good investment. Enjoy your new bass. - BTW, what pickup?

So fed up with the drummer getting his snare right, saxes taking ages to figure out what's the 'right' reed, brass [i]literally[/i] warming up, I don't warm up at all - apart from tuning up and getting a decent eq.

To hell with all this bass stuff - I got a Sage juicer. It's an amazing piece of kit and well put together.

Congratulations to both of you. What a wonderful Christmas present.

Ok, probably not a popular suggestion to most of you but how about going back to the fifties. Denis Preston was described as Europe's first independent record producer, making recordings in his Lansdowne Studios and selling the results to the major labels. The Lansdowne sound applied to the discs of the day was quite special, having a clarity but also mixed with a smidge of reverb. He recorded Bad Penny Blues with Joe Meek as his engineer and soon afterwards Meek left to do his own stuff.

Some of the nicest people on the planet populate the DB section. Christmas greetings not only to the experienced members who have contributed so much but also to those who are starting on their DB journeys. I'm not too bad right now, just getting over a bout of pneumonia and looking forward to resuming on 30th Dec. My pizz fingers are a bit buttery but I'll just have to start practicing again! Wishing you all a lot of DB fulfillment in 2014.

Not where I play.

Before I play I stand the bass on its side and pull out the end pin and by fiddling about make sure that the screw is properly located in the pin's indentation before I tighten it up. May be a good idea, Rob, to make sure that your indentations/slots/why have good square shoulders on them, and if necessary fettle these up with a file.

I like to have my gear in soft bags so they squeeze into the corners of the load space. I seem to carry so much stuff that I now have two small bags. One gig specific so I can easily find those leads that I'll need on the gig and a second bag that stays in the car with all the back-up stuff in it, just in case.

Oh dear, is this how it gets?

In USA - 'bridge' and in UK - 'middle eight'. So how do you get on when a tune has a middle eight [i]and [/i]a bridge?

[quote name='Dandelion' timestamp='1385328606' post='2287049'] See the quack. You will probably be prescribed Naproxen, which is a little more effective than Ibuprofen and safer to take long term . It will either work or it wont. Keep your joints moving, it is the immobility of sleep which makes them stiff. [/quote] Naproxen could do the trick. NSAIDs have not had the best press lately but used sparingly and with care (talk to the doc) Naproxen could be effective.

Don't like polls. Why not simply celebrate all our favourite players for the rich and diverse tapestry of bass playing over the years.

[quote name='philparker' timestamp='1383662029' post='2267223'] You have to press the 'Toggle-editing-mode' on the top left of the icons in the 'reply' dialogue box. It's the only way you get paragraphs. It had me flummoxed for a while! Great story by the way - I'll have to think of my tips - I haven't really been a 'working' musician for many years! [/quote] Thanks Phil, it works. Strange to have to do it though.

Great story, it means he doesn't have to rush out to his bag so often. I was interested to hear from Herbie Flowers during a BBC tribute to Lou Reid. He said that in those days all the session musicians used to have a pencil and manuscript paper with them so that could work out the arrangements on the hoof. And they never received royalties. I'm afraid all I can offer is that these days, apart from specs and tuner, I always have a packet of Paracetemol on top of my amp. PS, sorry not putting in paras but my computer won't do it any how, even when using the Enter key. BC only - TB is OK.

Am I going crazy? This lot went for £162. [font=HelveticaNeue-Light,][size=2][b] A quantity of various Musical Instruments, sold for the benefit of The Royal Engineers Charitable Trust[/b][/size][/font][font=HelveticaNeue-Light,][size=2] A Viola of the Fendt School circa 1830, of a aged red brown colour, much use wear and restoration, in case, with; A brassed English Bass Trombone by Boosey and Hawkes, An English Alto Clarinet by Boosey and Hawkes,[b] A four string Chamber Bass, German School, circa 1920, A Czech four string Chamber Bass, circa 1930, A four string Chamber Bass, German School, circa 1930,[/b] Four Contemporary Violins, Three Contemporary German Violas labelled Andrew Schroetter, Bubenreuth/Bayern, Seven nickel mounted octagonal Paesold Violin Bows, Six nickel mounted Paesold Viola Bows, Six Cello Bows, various mounts and brands, and [b]Three nickel mounted Paesold Bass Bows, all used various, as seen.[/b][/size][/font]

Fair 'nuff, Art. Here's to your new rig and vaulted ceilings.

Whatever I use, I'm never short of vol or headroom playing DB. My shuttle 3 and a ten handles all my small/medium gigs.