Japhet

My One Temptation - Mica Paris

Float On - The Floaters

Flick It - Devo

Flob On the Tyne - Lindisfarne

Combover To My Place - The Drifters

I switched to a single 2x12 4 Ohm cab for bigger gigs and it ticks all of the boxes with plenty to spare. I use a more compact 8 Ohm cab in smaller venues. Gone are the days of multiple trips to the car to load and unload.

Duke of Earl - Darts

Betcha By Golly Cow - The Stylistics

I only really need pedals in a 3 piece setup. I find that the sound needs a bit of filling out when the guitarist moves from rhythm to soloing. Playing in larger bands I don't need anything between the bass and the amp.

Saint Saviour Square - China Crisis

Back Together Again - Roberta Flack & Donny Hathaway

I use a Micro Thumpinator. What is really noticeable is that I do a few gigs with a Fender Rumble 100. The HPF focusses all the power where you want it and stops the drivers from getting an absolute battering for no reason. As a result I get loads of volume out of this little amp without driver distortion or flappiness. I also use it with bigger setups to good effect.

Virginia Plane - Roxy Music

25 or 6 to 4 - Chicago

What Can I Say? - Bozz Scaggs

Kojak Your Body - Steve Silk Hurley

Oil Be There - Jackson 5

Sneezy Like Sunday Morning - Lionel Ritchie

Private Eyes - Hall & Oates

I use a Rumble 100 V3 for practice and it also handles smaller gigs with no dramas. Would love to try a 500 at some point.

I Don't Need No Doctor - Humble Pie

We also get really annoyed with people who talk (more like shout) to each other right through a gig. Nearly always women. My Mrs has regularly told them that we paid to listen to the band, not them, and if they want to carry on, maybe they should f*** off outside.

Jam them where exactly? I have ideas on that.