Kiwi

Truly amazing. What amazing technical facility, what a talent. He plays each of those instruments to an incredible level of proficiency. I hate him. (Just kidding, I'm in awe really)

Is there any way to wire a pair of ON/ON/ON 3TDP switches and humbuckers so I can select inside coils, outside coils and have both coils in each pickup running in parallel? If it uses a DPDT switch instead of one 3TDP then so much the better. I've spend most of today trying to get my head around it and failed. Mainly because I can't work out how the 3TDP switch makes its connections. Basically I'm hoping its possible to take this option: and change the humbucker wiring shown to parallel instead somehow. There has to be more than one way to do it though, I have potentially two switches to play with. Not that fussed about series mode to be honest. Doesn't do a lot compared to parallel and the voltage difference is irritating.

Doesn't matter to me. I've learned to play on both because I wouldn't want to limit my ability to use the right tools for the job. Nothing wrong with lined boards at all either.

I use it with a Burman guitar combo for guitar and, ok its not going to sound exactly the same as a Rivera-era Fender Super Champ but the tone is close enough for some funky Nile Rodgers type stuff. Most of the distortions are nice and crisp although the Joe Satriani patch is a bit flaccid. However the hiss is easy to deal with using the noise gates and I agree the bass sounds are crap but the amp sim isn't really necessary anyway. I've got my own patch which is amp and cabinet free and by using the optical compressor and the parametric eq to boost 30Hz and 4Khz the bass sounds fantastic. I just wish the parametric eq had more than two bands but in some ways its not important. I can put two parametrics in if I need 4 bands of boost. Plus because there are virtually no limits on processing power, the sky is virtually the limit. I could set up an Akai unibass patch and then run the shifted signal through its own chain of delays.

[quote name='Warcorv' post='646953' date='Nov 6 2009, 09:55 AM']Forgive my English but I am a No-berlusconi-voter italian . ♫[/quote] We like you already. Welcome!

Welcome aboard! [quote name='beerdragon' post='647607' date='Nov 6 2009, 09:18 PM']I wonder if this is the bass, [/quote] Check out the drummer's miming! He's trying really hard to not actually hit anything and hiding the strain really well.

I have two lightweight and sensitive cabs that I can use with a range of heads. Or I can use one cab by itself if I need a smaller rig. For practice I have my laptop, USB guitarlink, Guitar Rig 3, USB foot controller and some earphones. My experience with Guitar Rig software has bordered on the verge of an epiphany so I'm now thinking about taking those wedge speaker plans I had a few months back and turning them into a pair of active wedge cabs. Then all I'd need to do is show up to a gig with the laptop, footcontroller, USB link and a wedge. Bass amp be damned!

Welcome aboard

[i]"as it has been looked after and is in superb condition"[/i] I thought he said Mark King had played it?

The attention to grain orientation on that bass is really nice. Love the wear too.

Has he still got EMGs loaded in it?

[quote name='obi 2 kenobi' post='645478' date='Nov 4 2009, 05:12 PM']Could be Nathan East. He played uncredited on some 70s Barry White albums[/quote] I can ask him, or anyone who is going to Bassday could probably do the same.

[quote name='velvetkevorkian' post='644862' date='Nov 3 2009, 11:36 PM']Hey folks, Does anyone sync their effects to a midi clock so they can be in time with the rest of the band?[/quote] Assuming that you get it working all OK, unless your band can play to a sequencer there's bound to be some slight speeding up or slowing down in tempo (particularly going into the chorus). MIDI synching will make those differences more obvious. Might be better at using a tap tempo button if you have that function in any of your effects? If you hear the tempo is out then give the tap tempo a couple of presses with your foot in time to the tempo and it'll be sorted. The Adrenalinn is a nice bit of kit but for the same money you could have Guitar Rig 3 or 4 on your laptop live including a USB foot controller with a tap tempo function and a whole bunch of effects. I've just installed it and its completely rocked my world. You can do many of the Adrenalinn beat based effects with it as well.

Good looking bunch like you shouldn't feel shy in coming forward.

Just wanted to put a word in for this bit of software. Basically even if you have a Behringer Guitar Link or one of the cheap ripoffs from Hong Kong, it will allow you to turn your laptop into a high powered and super versatile effects unit. Not only that but if you have a clean and comfy set of earphones, you can play along to your MP3 tracks and the amp modelling and eq options will allow you studio quality sound. The bass amp options are very limited (basically an Ampeg clone) but there are loads of screamy, grindy, tappy, wowy, zorky, echoey types of things and...at last...the kind of intuitively easy, logical, graphical user interface that multi effects units have been crying out for since the 80's. I wasn't that impressed with the Ampeg sim, but the Fender Tweed and Bassman type sims were OK with guitar. I found bass was best with no amp sim but using a compressor and the parametric eq yields extremely nice sounding results. Being able to boost down as low as 30Hz delivered really satisfying B string sounds. So this bit of kit has been soley responsible for me getting back into practicing every night and it sounds amazing. My ears never get tired and there's plenty to muck about with in terms of modifiers and such if I get bored. Plus the Kontrol USB foot controller means all I technically would need to do is take the laptop, controller, and a pair of IEMs to a gig. Crazy! I think I've seen the future

[quote name='crez5150' post='642680' date='Nov 1 2009, 07:25 PM']you've seen it then?[/quote] I have, there's a memorable milk float chase around the curves of Madeline Smith. Call me cynical but I think they were just looking for an excuse to use milk floats.

Nobody does. In fact Alex told me that Ken once refused to take orders from the Bass Gallery because they hadn't sold enough of his instruments in the past. Go figure the business logic behind that one! But it seems clear that he's not that interested in the UK regardless of its potential as a market. You'll have to import from the US, I'm afraid.

Did you dip the transformers to protect the windings and laminations from corrosion? Have you considered doing a recreation of a Fender Super Champ at all?

For an old amp, that still sounds remarkably clean. Wonderful!

[quote name='thepurpleblob' post='640779' date='Oct 30 2009, 10:37 AM']I feel like I've just been chastised - but I can't quite see what for........ [/quote] Me neither, sorry if I made you feel that way though.

I'm pretty shallow in my musical appreciation generally but there are a few bits and pieces out there which are inspirational. I dunno, I don't think about it that deeply. Music is there to support whatever mood I'm in or want to be in.

[quote name='thepurpleblob' post='640696' date='Oct 30 2009, 08:23 AM']Lot to drink last night? .......I hope!! [/quote] No, I guess thats the sad thing about trying to stay open minded and avoiding cynicism, huh?

What if everyone above learned second instruments and formed your own band? What if we did a thread of Basschatters who play second instruments AND are looking for a band?